Rise Up, Oh Heart, For There is Another Battle to Win

What hasn’t he done?

(he only apologized for that Vine when he got serious backlash, and he deleted it right away, just like he did with his video ‘What Guys Look For In Girls’, but he constantly uses slurs)

Where did he move on to? To a trashcan???

(FYI he never apologized for this video, he just removed it because he was being criticized)

You can watch the video here.

Decide for yourself if you like Nash or not after watching it, I don’t care. It’s like girls are not pressured enough to be perfect in today’s society to be as perfect as possible for ‘their man’ as they can be. What’s worse, his followers doubled, then tripled, than quadrupled after this video, even though he deleted it, and so many teen girls went to his defense. He criticized probably most of them and he still has them as his fans. He set up unrealistic standards for them and they don’t love themselves enough to realize what piece of shit he is. It’s tragic. He has a huge influence on his mass following, who are mostly teenage girls, and instead of teaching them to love themselves, he taught them they are not good enough for him. He sent them 60 years in the past, when women were the perfect trophy that lived by certain standards.

Also, he treats his followers badly.

I wish he wasn’t relevant right now and he didn’t have millions of followers that look up to him, but he is and he does. I wish we could just pretend he doesn’t exist, but if we do that, we’re not helping to stop him in any way. He does not deserve to be talked about, but he is, and we have to make sure people at least know that he’s talked about in a negative way and for a reason.

It’s beyond my understanding why this little lemur still has any followers.

Something I learned about him later is that he’s also a racist, but does that surprise anyone? Honestly? Nope.

IN CONCLUSION:

But he has blue eyes, so…

By golly gee! I keep forgetting that Black people didn’t exist until the Fresh Prince of Bel Air came on television! Or that Black people existed in anywhere else than Africa even with slavery going on :) My apologies.

Anyway, here’s proof that Beethoven was Black:

“… Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe—making Spain their capital—for some 800 years.

In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let’s start with what some of Beethoven’s contemporaries and biographers say about his brown complexion:

(Louis Letronne, Beethoven, 1814, pencil drawing.)

"Frederick Hertz, German anthropologist, used these terms to describe him: ‘Negroid traits, dark skin, flat, thick nose.’

Emil Ludwig, in his book ‘Beethoven,’ says: ‘His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].’

Fanny Giannatasio del Rio, in her book ‘An Unrequited Love: An Episode in the Life of Beethoven,’ wrote ‘His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.’

C. Czerny stated, ‘His beard—he had not shaved for several days—made the lower part of his already brown face still darker.’

Following are one word descriptions of Beethoven from various writers: Grillparzer, ‘dark’; Bettina von Armin, ‘brown’; Schindler, ‘red and brown’; Rellstab, ‘brownish’; Gelinek, ‘short, dark.’

In Alexander Thayer’s Life of Beethoven, vol.1, p. 134,  the author states, “there is none of that obscurity which exalts one to write history as he would have it and not as it really was. The facts are too patent.” On this same page, he states that the German composer Franz Josef Haydn was referred to as a “Moor” by Prince Esterhazy, and Beethoven had “even more of the Moor in his looks.’ On p. 72, a Beethoven contemporary, Gottfried Fischer, describes him as round-nosed and of dark complexion. Also, he was called ‘der Spagnol’ (the Spaniard).

Other “patent” sources, of which there are many, include, but are not limited to, Beethoven by Maynard Solomon, p.78. He is described as having “thick, bristly coal-black hair” (in today’s parlance, we proudly call it ‘kinky’) and a ‘ruddy-complexioned face.’ In   Beethoven:  His Life and Times by Artes Orga, p.72, Beethoven’s pupil, Carl Czerny of the ‘School of Velocity’ fame, recalls that Beethoven’s ‘coal-black hair, cut a la Titus, stood up around his head [sounds almost like an Afro].  His black beard…darkened the lower part of his dark-complexioned face.’

Engraving by Blasius Hofel, Beethoven, 1814, color facsimile of engraving after a pencil drawing by Louis Letronne. This engraving was regarded in Beethoven’s circle as particularly lifelike. Beethoven himself thought highly of it, and gave several copies to his friends.

Beethoven, the Black Spaniard

oh my god