(hey tumblr please don’t delete the previous people’s comments like you did the last time i added someone’s tags to a post mmkay)
No but that’s actually so clever okay like the people who live in the castle would get a general idea of the patterns and how to move around efficiently but like for anyone planning on attacking it would be impossible to infiltrate like how the hell do I attack the headmaster when I can’t even find the bathroom why the fuck am I in a chemistry supply closet okay these stairs went to the main hall but now I’m on my way to the broom closets holy fucking shit fuck leonard SAID the dorm was on the left of the three headed hippogriff but I’m here and it’s just a painting of a man with a donkey face is this a fucikgin joke leonard do you think this is funny because it’snot. its not okay siri how the hell do i get to the nearest anything “here is: the nearest painting” like fuck you siri
actually considering all this, the changing floorplan probably worked exactly as designed when it came to the battle of hogwarts in the late 90′s. the invasion was towards the end of the term, so the students, especially the renegade students in hiding, had the full term to master getting around the school quickly, quietly, and efficiently. the invading deatheaters were generally their parents’s ages, and hadn’t been back to hogwarts in several decades, if they’d even attended at all. so, while the adult invaders easily outmatched the adolescent defenders in strength and skill, hogwarts was a lethal maze to the deatheaters, while it was home to the kids.
I’ve been thinking, if house points are mostly awarded for scholary achivements, then how come we have never seen the house full of smarts, ravenclaw ever win the house cup? by all means, they should be trouncing the others.
my theory is that ravenclaw outdoes all the other houses both in gaining, and in losing points. they rack up all the possible points for classwork, assignments AND extra school work. But they also lose a buttload in their other pursuits of knowledge: - not returning books on time - staying in the library after hours - sneaking in the restricted section - setting up secret potion labs for RESEARCH purposes - throwing things off the tower FOR RESEARCH - throwing things into the lake FOR RESEARCH - taking small field trips into the forbidden forest to get samples and take notes on the wildlife -
illegally tampering with muggle stuff FOR RESEARCH - “borrowing” school equipment and ingredients for said research - that pet kidnaping incident they never talk about that was sparked by a conversation about muggle schools “wait, you dissect frogs in class? WE SHOULD TOTALLY DO THAT TOO” - combining random spells and testing them on the student body - using said student body to test the secret potion lab’s latest creations - referring to non-ravenclaw students as test subjects in the vicinity of disapproving teachers
what I’m saying is that while the other houses may preceive ravenclaw as a group of quiet bookworms, they are actually more troublesome than the other three combined. FOR RESEARCH.
…..good thing we’re adults and no one can take house points from us anymore tbh
I honestly cannot say how many times someone has asked me my reasoning behind an action and it has been “for research” or “I wanted to know what would happen” or something similar. >_____>
Ravenclaw: the house of “Oooh, what does this button do?”
IT HAS COME TO MY ATTENTION THAT THERE IS A (VERY SMALL BUT APPARENTLY EXTANT) FAN BASE ON TUMBLR FOR THE KENCYRATH CHRONICLES.
Beloved followers and non-followers alike, let me tell you a thing. The Kencyrath Chronicles are up there as my favorite books ever. Not the way I talk about loving Harry Potter–Hogwarts is my home, to coin a phase–or even the way I love everything Robin McKinley has ever touched–and I love her stuff like I love BREATHING, it’s not always at the forefront of my mind but when I go too long without it I ache, go read all of it immediately. No, no, no. This, my love for the Kencyrath Chronicles, is a WHOLE OTHER CREATURE. Just talking about these books makes my hands shake and my bones feel heavy and my blood become a tangible fizzy thing in my veins. Like, if being in love doesn’t feel this good, I’m honestly not interested.
These books are about grand sweeping battles between good and evil and how those grand ideals become petty and ugly and messy as soon as you look closely enough, and how people fight them anyway because it’s their purpose or because it’s their choice or because it’s their people they’re protecting. Magic is rampant, from the great and hated Three-Faced God of the Kencyr people and its ‘blessed’ chosen ones, the Shanir, who are hated and cherished by their own people and by themselves for how close they are to their meddling deity, to the wandering bands of rathorn (ARMORED FLESH-EATING UNICORNS, PEOPLE, HOW MUCH MORE OF A PITCH DO YOU NEED) and the migratory trees (yes, you read that correctly). The main character is wild and casually vicious and desperate to be gentle, and she is loved by people everywhere she goes but she’s never really one of them, and the running joke in-universe is that you can track her progress across the world by falling buildings and burning cities (”…the Riverlands in ruins and you in the middle of it, looking apologetic” is a personal favorite quote). The writing style fucking breathes with power and imagination and magic. I am not a tough sell on books, really I’m not, but these books. Trinity. The fact that these books are not the most popular things since Lord of the Rings fucking breaks my heart, it really does.
So like. Go read them. Immediately. The first two books, God Stalk and Dark of the Moon, are sold as an omnibus called Dark of the Gods, and please forgive their God-awful covers (why is the canonically very flat-chested lead a D-cup? Don’t know, just kind of relieved I read the older edition with the less awful cover). If you’ve read them and you liked them, please please PLEASE COME INTO MY ASK BOX AND NEVER EVER LEAVE.
(On a somewhat related note, I’ve read more books than I could care to count in my life, so if anyone ever wants a fantasy/sci-fi rec, I got you, hit me up.)
it’s kinda cool how our generation has created actual tone in the way we write online. like whether we: write properly with perfect grammar, shrthnd everythin, use capitals to emphasise The Point, use extra letters or characters for emotion!!!!!, and much more - it means we can have casual conversations, effectively make jokes using things like sarcasm that’s usually hard to understand without context and much more. this “incorrect English” has really opened avenues of online conversation that isn’t accessible with “correct English” which is pretty interesting
My class and I literally taught some of the nuances of this to our english teacher, things such as the difference between “yes” and “yes.” or “..” and “…”. It makes perfect sense linguistically that we would create this complexity to ease communication in a medium without body language and tone, but what my teacher was really floored about was that none of this had ever “learned” it, we’re “native speakers” of a whole new type of english.
I want an inverse spy flick. The spy is a woman. Her whole team is made up of diverse women. All the villains are women. There is only one man in the entire movie and he is a Strong Male Character who is like 25 and decently ripped and has a scene where he slowly steps out of a pool wearing speedos because he is Confident and In Control of His Sexuality. We see his ass when he has to tug down his pants to get at the knife strapped to his thigh. His nipples are always erect for no fucking reason.
They are undercover in a nightclub. In order to keep their cover from being blown, he has to kiss another man.
He knits to relieve stress and to keep his mind sharp. It is never discussed by any of the characters.
Someone asks him how he knows how to do Traditionally Feminine Thing. “I have four sisters,” he answers.
This is also how he knows how to fight while armed with nothing but a purse, a high heel shoe, and a can of hair spray. During this fight, he is, for no apparent reason, shirtless.
The lead spy is Helen Mirren. She nails the Action Boy in the shower. There’s a lot of lingering closeups on the way the shower spray runs across his breathlessly ecstatic face. We also hear every breathless whimper of his climax, while out in the hallway Lucy Liu is smoking impatiently, a duffel bag full of rocket launchers slung over her shoulder. The President isn’t going to kidnap herself, here, christ.
Action Boy emerges in a small towel, sheepish yet radiant. Helen Mirren emerges in a tuxedo, also smoking, also with a duffel bag of rocket launchers.
In one scene, the lead villain captures the Strong Male Character. He is, once more, inexplicably shirtless as she ties him to the chair. He makes some quips about his sexual independence before he is rescued by a sweat-drenched Helen Mirren, who kicks down the door and nukes everyone in the room. Strong Male Character’s hair remains perfect throughout the ordeal.
Strong Male Character is heartlessly slain in front of Helen Mirren’s eyes despite all of his skills and combat prowess. His body slumps to the ground, lifeless but supple. Helen Mirren makes a witty quip at Strong Male Character’s killers before quickly and dramatically slaying them all.
She steals one last glance at Strong Male Character. His beautiful eyes stare back from a handsome face with perfectly tussled hair, lips positioned a if in a gentle sigh. There’s no bringing him back now. Helen Mirren walks away, stronger than before. Strong Male Character’s death has hardened her, but given her the strength and resolve to complete her task.
Roll credits.
An after credits preview clip comes on as a teaser. Helen Mirren with a huge explosion tearing things up behind her walks toward the camera with a new Strong Male Character wearing the tiny, tattered remnants of a burned shirt about his flexing pecs and deltoids, and he is carrying the bag of rocket launchers as he steps in behind her.
So Matt Bomer?
I’m seeing Matt Bomer
and then fandom burns itself to the ground trying to find some guy to slash him with
Nah, Matt Bomer is almost 40. Despite his good looks and great bod, he’s way too old to play the shaggable romantic supporting character to 70-year-old Helen Mirren.
Matt Bomer plays Helen Mirren’s sadder-but-wiser ex, computer-savvy, gorgeous but still single, fiercely independent (but it’s all an act).
Helen Mirren shows up on his doorstep to ask him for one last hacker job, for old time’s sake. Matt hauls off to slap Helen in the face, but Helen catches his wrist, pulls him close, and kisses him long and hard. Matt struggles at first but finally melts into her embrace.
Lucy Liu strolls past them into Matt’s chic apartment, slapping Matt on the ass as she mutters “Some things never change, do they?”
Late the next night, as Matt and Helen hack into the CIA database, Helen tucks a stray lock of Matt’s hair behind his ear and asks him why there’s no husband or kids in the picture after all this time.
Matt turns his sad, beautiful eyes toward her and confesses that there has only ever been Helen for him, but he couldn’t stand never knowing if she would come back alive when she left on a mission. Helen and Matt nearly have a moment, but the computer beeps with the results of their search.
The next morning, Helen goes into the kitchen to find Matt’s 20-year-old nephew has come to stay for the weekend. Helen and the camera slowly pan up and down his gorgeous, toned, oiled-up and glistening body as he stands, nearly-naked but for his tight, black satin booty-short underwear, and starts making a gourmet vegetarian omelet.
He turns around and smiles at Helen. “You must be a friend of Uncle Matt. I’m Caden. You hungry?”
Helen’s eyes drift down to Caden’s bulging crotch. “Oh, I could eat,” she quips.
Helen Mirren and the actor who plays the 20 year old nephew get together in real life. Everyone is delighted by this.
I don’t think financing this would be a problem; distribution probably would. We could hack into the network feed for the Super Bowl, perhaps.
You know you grew up on Steve Irwin when you see a photo of a crocodile and think, “Wow. Just beautiful.”
And you see Stingrays as the devil themselves
nah man Steve would have forgiven that stingray and absolved it of its sins
He would have apologized for getting into the stingray’s space and making it afraid.
He actually did! Some of Steve Irwin’s last words were, “it wasn’t his fault. I startled him.”
He actually did forgive the stingray. He knew that he had scared it, and that it was only acting to protect itself.
If you put your ear up to a seashell you can hear the sound of mY HEART BREAKING INTO A THOUSAND LITTLE PIECES
This is why I get so mad whenever my folks have Animal Planet on lately and it’s all about WHAT ANIMALS ARE GOING TO MURDER YOU IN YOUR FACE?
EXOTIC PETS RIP OWNER TO SHREDS!
SNAKES! WILL THEY EAT YOU? (YES)
Steve Irwin (and at the time at least his contemporary follow-behind Jeff Corwin) ushered in such a pure unbridled LOVE of exotic, ferocious, terrifying animals. He respected the animals so much, he loved them.
Yes, crocs would charge and snakes would lunge, but he would respect when the animal deemed its boundaries well crossed and let it go back on its merry reptilian way.
This was the Tone for my childhood. My education of wild animals was Steve Irwin talking about how beautiful this deadly crocodile was, how majestic and chill and peaceful coexistence could be.
It was Jeff Corwin screaming and yelling at people at the discovery of a snake carcass, killed because of ignorant fear of it. It was harmless, and lost, and scared, and decapitated and he was livid. Why? Why would you do that? It was non-venomous, it didn’t want to be where it was any more than you wanted it to be where it was – why didn’t you call someone to release it?
And now it’s just… “Everything is murderous and animals will eat your face and everything is Ruthless Killing Machines”
and just.
I feel like I’m watching my own father’s work be tainted whenever AP is on. It’s so upsetting.
Yes. Thank you. This is exactly why I can’t stand some of the stuff they air now. Because yes, that shark or snake or crocodile could kill you, but so could a reasonably determined domestic cat, so could another human being, you’re so much more likely to die at the hands of a human being, and if that animal is coming after you it’s because you’re in its home or you’re hurting it or something and God I could just cry.
Every once in a while I remember that, during the last round of workshopping people’s writing in my fiction class, I got into a fight with my teacher and the rest of the class about whether or not motive mattered in writing. This one story was about this guy who was a serial killer and his girlfriend who…evidently knew he was a serial killer for months if not years and did nothing and the last scene was her murdering him with poison in his food. (There were a lot of really heavy rape-y abusive overtones and I was kind of like…sweetheart, have you considered therapy rather than exorcising your issues onto all of us.) And I made what I thought was the totally valid remark of “Well, it’s not clear what makes her snap and murder him; like, she’s known for a while, generally people don’t just suddenly DECIDE to kill their significant other who they’ve shown no violent inclinations toward in the past without some sort of prompting, and like you don’t need to get into the motive much in the story but maybe hint at it? Because murder?”
And the whole class basically sat around talking about how motive doesn’t matter and it’s fine that she just kills him for no apparent reason and how in writing it’s fine if there’s no motive because the characters do what they need to for the writer’s plot to work and I was just like “Wow, that’s right, this is why I fight with most of you about writing so much, it’s because in order for a plot to function, motives need to…like…exist.”
Like, if your character goes to get a smoothie, it matters if they’re getting it because they’ve had a bad day and smoothies are a fave, or because they’re on a health kick and they’d rather have a milkshake, or because they’re meeting someone there, or whatever. It changes the character’s backstory and behavior. Am I crazy?
i don’t understand the “women have to have a child - before its too late” rhetoric
if you’re unsure don’t do it because i realised the other day that ANY time, between now and my death, i can choose to have as many children in my life as i like. i could become a “big sister”, or a foster parent, or work with kids. or adopt kids, or about 50 other ideas i haven’t thought of. i’ve never wanted a child but if i did and i was too old to have a biological one the options are endless
literally the only choice you cant change is having one. that choice you’re stuck with for the rest of your life. whereas im free to choose to be involved with kids as much or as little as i choose. or i can stay being the “mother” of a sillybutt rescue kitty, it’s all still open and available to me and always will be
“Can I tell you a secret? You don’t have to be in a relationship.
I mean it. I know they force it down your throat until you choke on it. Girls aren’t pretty unless they’re wanted. Boys aren’t men unless they’re having sex with someone. People aren’t lovable until they’re dating someone.
But a relationship won’t always make you happy, and as wonderful as romance is, it isn’t the only love that exists. I have seen friendships that are deeper and more pure than couples who swear it’s forever - and yet the friendship is the one people ignore.
I have heard so often “nobody loves me” out of the mouths of people who are single. And it kills me because if you ask them: where are your parents, your teachers, your classmates, your pets - they say, yes, okay, but it doesn’t count. Of course it counts, love doesn’t diminish just because someone doesn’t want to have sex with you. In fact, doesn’t it sort of make that love more real that they want nothing - not even a date - out of you?
It is pretty to be in love. It’s magical, I’m sure. But it’s also wonderful to stop for ice cream in your prom dress with six other girls. It’s also wonderful to go visit the world with nothing but a bunch of buddies who are really excited about learning.
The problem is: we’ve made everything about “the one”. But maybe “the one” is just you, loving yourself, having fun, and being happy. Maybe instead of looking for our other halves, we should be piecing ourselves together.
Maybe I wasn’t born unfinished. Maybe I am the one who makes myself better.”—Single serving size // r.i.d (via inkskinned)
apparently you can’t be employed by the CIA if you’ve ever illegally downloaded music
breaking news: in 20 years, the CIA will operate out of the president’s basement, staffed by four old men and six guinea pigs
Okay so what this really means is that in 20 years the CIA will be staffed only with people who were incredibly paranoid and went to great pains to hide their music downloading activities from surveillance.
…which sounds exactly like the sort of person you want working as a spy so.
In 20 years the CIA will be staffed only with people who have implicitly or explicitly lied to the CIA.
Hey transmasculine and gender-variant folx! If you wear a chest binder, I made an Android app that you can use! It reminds you to take off your binder at the end of the day and also to stretch out your back during the day. You can find it in the Google Play store here.
If you’re having issues with it, or have any feedback for me, I’d love if you could email me at binder.reminder.team@gmail.com. And if you like it, feel free to rate and review it!
the thing that bothers me is that disney and marvel seem to still be under the impression that the only way to get a female audience in the seats for their action films is to add a romance
and this is extremely upsetting
why cant i as a woman like a movie thats built on drama and political tensions?
why cant i as a woman like a movie that has cheeky humor?
why cant i as a woman like a movie where people punch each other and there are huge battle sequences?
why is it that because i am a woman these major studios feel that i will only watch their movies if i see two straight people kiss
but can we consider that Rhodey does, in fact, outrank Steve Rogers?
now picture rhodey meeting steve and steve snapping a salute
that is all
and Rhodey would be totally serious about it until the second Steve walked out of the room and then he’d totally turn and look at Tony with crazy eyes and Tony would be like “JARVIS TOOK PICTURES FROM EVERY ANGLE YOU’RE WELCOME”
@ the people who followed me for one specific thing i’m really sorry my interests are all over the place and that sometimes i will suddenly start posting a fuck ton of something i’ve never mentioned before whoops
like the stress, the pressure and everything ya know. everyone keeps saying like ‘school makes me cry’ and stuff but has it really made you cry bc i cried a lot of times tbh
Headcannon that all demigod children of Poseidon have amazing singing voices because they are related to the sirens.
Except for Percy
No, Especially Percy.
So like pretty much no one hears Percy sing and one day he’s just like “hey what’s the name of this song” and he sings a little verse and everyone just sorta stops and looks at him because they were weirdly compelled to drop everything they were doing and just go over to listen to him and he’s just looking back at them like what??
I’ve got to believe that the Resistance’s intelligence officers are just. constantly Done. With everyone.
Rey’s understanding of aurebesh is more functional than formal, which isn’t a problem until the Resistance starts asking her to submit mission reports—she rarely spells anything the same way twice (”even her name!” the intelligence officer moans) and her sentence structure is….not so much a structure as “a loose grouping of things that might be parts of speech”
“…..I don’t understand, what’s the problem?” Finn asks because Finn’s grammar is impeccable, once you decipher the dense nest of abbreviations, First Order codes, and trooper slang that fill his reports. (This does not save any more time.)
“If you could maybe…..not? wax lyrical about the TIE fighter?” the intelligence officer tells Poe, when he finally gets around to submitting his report on the escape from the Finalizer. “Not that understanding enemy technology isn’t a vital contribution to intelligence, but we don’t need 500 polysyllabic words about how the sun glinted off the casing.”
General Organa still submits reports like they used to in the Rebellion (her battle damage assessment style is about thirty years out of date, and she calculates galactic coordinates like it’s the late republic) but everyone in intel is fucking terrified of bringing this up to her. Instead, they have a designated officer who deals exclusively with translating General Organa’s reports into more modern New Republic standards,so they can be processed.
(At least yours actually submits reports, their counterparts in the First Order would say, if they all got together in a bar somewhere to commiserate about how hard soldiers make military intelligence. Kylo Ren has submitted exactly one misrep in the last 15 years. Thirty-two people died and it just said ‘it was the Force’.)
listen, there is absolutely nothing that gets me going like mutual seemingly unrequited pining like? i live for both people losing their minds over the other person in bitter silence. savoring every single accidental brush of their fingers, elbows, thighs, every stray glance, memorizing every gesture or expression they catch while the other isn’t looking, all while being absolutely convinced that it’s one-sided only to finally!! finally find out it wasn’t in a triumphant moment of bliss after years and years of delicious, soul-rending, torturous, heart-wrenching pining. i literally don’t care about the fact that this trope is predictable af and always plays out the same way i will still go wild over it every single time like they’ll be doing the same reveal scene i have seen a million times and i’m still on the edge of my seat gasping “are they gonna kiss???”
my single greatest weakness as far as love stories go
is when a story is told through one character’s (pining) point of view, but you the reader KNOW that their love interest loves them back
and the pov character casually says something that you the reader KNOW is gonna be completely devastating to their love interest, but pov character has NO IDEA, like:
“[innocently devastating thing],” said pov character
a strange look seemed to pass over love interest’s face. “yeah, [seemingly casual response that comes off as a little stilted, for reasons pov character just cannot pinpoint],” said love interest.
“uh, [joke that accidentally just DIALS UP THE AGONY TO A THOUSAND FOR LOVE INTEREST],” pov character added, to cut the tension.
love interest step’s faltered for a second. “[seemingly casual response that is FILLED WITH EXQUISITELY REPRESSED PAIN AND LONGING].” it sounded a little gruff. probably love interest was just distracted, or wanted some space. who could blame them?
Captain Phasma gets hauled in by the Resistance at some point
and because she’s the highest-ranking officer they’ve ever caught, Leia comes in to question Phasma personally, with Luke in tow
they enter the interrogation room, and behind the blaster-proof viewport, standing at parade rest, is this 6 ½ foot brick shit-house of a woman in stormtrooper under-armor
Leia just sort of… freezes, and then she’s grabbing her brother’s arm and dragging him back out into the hallway
the door’s barely shut behind them before she’s doubled over in laughter, helplessly, the kind of laughter that comes from having to keep yourself together for years before something finally breaks
and Luke is this close to calling for a medic when Leia manages to gasp out,
“Don’t you think she’s a little tall for a stormtrooper?”
those little things on ur nose aren’t blackheads, don’t try and get rid of them they’re sebaceous filaments and they’re permanent and literally everyone has them
every girl has that little pouch of fat on her lower tummy, despite what magazines try n show u, you have important organs there that need to be protected don’t try and get rid of ur pouch
ur body is smarter than u think and it knows what to do when u eat more than normal. one bad day, or even week, of eating poorly isn’t gonna ruin anything at all I pinky promise
if u think u look good up until u try taking a selfie, it’s not ur fault - our faces are asymmetrical and when u see ur face flipped it will look unnatural to u, since u don’t see it that way when u look in the mirror. to everyone else it looks perfectly fine
no one’s stomach looks the same at 8pm as it does at 8am. no one has a chiseled six pack after a day of eating, not even the super fit people u see on tumblr, because ur stomach naturally expands after eating and expecting to have a flat tummy before bed is very unrealistic
no one notices if the bags under ur eyes are bad today. no one pays attention to the bump in ur nose or the zit on ur chin or the piece of hair that u missed when u were straightening. literally no one notices these things except you so stop worrying about it ur gonna be fine
sometimes u just gotta get over urself
this made me cry I needed it so bad
No one is paying attention to your small flaws of the day because they’re too obsessed with worrying about their own
one of the most frustrating things about humans is you can take a group of humans and you can say, ‘look, it’s incredibly important for people to be nice to each other’, and the humans will think, ‘yes, it is important for people to be nice to me’, and then the humans will all viciously fight over which of them the others should be nice to.
Every time someone tries to explain the metaplot of Supernatural to me, it basically ends up sounding like redneck Dragon Ball Z. I’m sure there’s some nuance I’m failing to grasp here.
Care to elaborate on that?
…I’m not even offended, just absolutely curious. From the stuff I’ve seen and heard about Supernatural I can’t see the connection.
Mostly, I get the impression of a show that doesn’t know how not to escalate.
Every threat’s gotta be quantitatively bigger and badder than the one that came before. Every deus ex machina’s gotta be shinier than the last one. Every season’s gotta end with a massive eleventh-hour powerup for our heroes, only for the next season to raise the stakes enough to put them back in the underdog position.
It’s like, you beat the Devil himself? Well, now you’ve gotta fight the Devil’s cousin Phil, who has conveniently gone entirely unmentioned up until now, but he’s totally twice as evil.
That last paragraph was literally supposed to be the most ridiculous hypothetical example I could think of, and people are messaging me to say “his name was Metatron, not Phil”. I can’t even make fun of this show.
People now are like, “Your right to free speech doesn’t mean you can express an offensive opinion”
Like what the fuck does right to free speech mean, then?
when you go from a bad situation into a better one you may collapse exhausted and unsure what to do and full of grief, you may need time to regain the ability to do things as yourself or motivated by anything other than terror, you may need time to process or mourn or fall apart in ways you could not before,
and people may use this as proof that the old situation was better for you, proof that you need to go back, and it is not proof that it was better for you or proof that you need to go back
!!!
It’s so incredibly common to “fall apart” when you’re finally safe. You no longer need to stay so tightly coiled in on yourself, you can finally leave survival mode and process your trauma. You’re not holding yourself up by sheer terror anymore and suddenly the damage that terror has done to you becomes immediate and obvious.
This is so important. Don’t go back. Things are already getting better, even if it doesn’t feel that way.
