Rise Up, Oh Heart, For There is Another Battle to Win
Jun 09
[video]
Jun 07
IMPORTANT THINGS THE PUBLIC NEED TO KNOW
First of all my mom just celebrated her 49th birthday. We went to San Andreas to enjoy some solid B-movie destruction and laugh at the science.
Second of all (as I have previously mentioned) my mom is bisexual as frick. Like. A perfect Kinsey three who raised me on a steady diet of Lucy Lawless and Lucy Liu as a motherfreaking badasses, among other gorgeous ladies.
Third of all my mom thinks that the fandom’s executive decision that Steve Rogers is also bisexual as frick is the best thing ever.
Fourth of all (and this is the real point here) my mom ships Steve/Peggy and Steve/Bucky with equal verve and as hardcore as anyone I’ve ever met.
vikings made their woman handle the finances because they thought math is witchcraft
During a military campaign, Vlad the Impaler, the basis for Dracula, once pulled his troops out of a major engagement in a valley at dusk so that the sun was in their enemies’ eyes. Once they were over the hill, they set loose a bunch of rabid bats who flew away from the sun (towards the enemy) and attacked them, leading to significant infection in their ranks, and Vlad’s eventual victory. Because of how the bats appeared from where Vlad’s soldiers appeared to be at dusk, myth stated that the soldiers turned into bats at night, which is where the “Dracula can change into a bat” thing came from.
The pet bird that you have overlooking your balcony shit talks me whenever I go out on my own balcony.
Please do something about your cat it keeps breaking into my apartment via the windows and I don’t know how. Plus it knows how to open fridges.
Look I know that life is difficult and we all have ways to cope but do you really have to do so with loud Dupstep music at 3 in the morning? (Bonus points if the dubstep listener is the cute/tiny one)
Every time you cook you set off the smoke alarm so you know what I’m just going to teach you how to cook.
I found you passed out in front of my door so I just dragged you into my home and put you on the couch please don’t scream.
I don’t know if you know this but I can hear you singing anime theme songs in the shower every morning and I like almost all the shows you watch.
Wow my pet snake looks so cute this morning and I’d be even happier if I actually had a pet snake.
My apartment key apparently also works on your apartment door? (Also I accidentally let your cat out.)
We both have 3DSs’s and Street pass each other every day and have conversation using the personal message feature (and sometimes we play games together)
You sleepwalk a lot and sometimes you knock on my door so I have to lead you back to your apartment.
You took the last of my favorite snack from the vending machine next to our apartment. Battle me in Pokemon for it?
Someone keeps printing out cute cat pictures/messages on my wireless printer and I’m determined to find out whom.
I don’t know how many of you guys know about it but this new movie, “Mad Max” just came out and has already reached critical acclaim. I haven’t seen it , but it’s supposed to be this groundbreaking masterpiece and a huge step for feminism. Which is all good and dandy In theory. But on tumblr there’s been a lot of criticism because the ALL white cast (with the minor exception of Zoe Kravitz). One of the most frustrating things about these types of movies and conversations is that there’s ALWAYS these white feminists that want to tell POC that we have to overlook lack of diversity and basically “take one for the team” (the team being feminism/woman). No. I’m not going to do it. It is fucking disrespectful and borderline racist for you, a white person, to tell minority women that we have to ignore not being represented. Since turning 18 and starting to really think about racism and the media, it is especially uncomfortable for me to watch movies and tv shows with NO people of color. This world is mostly non white and it simply doesn’t make sense for our media to not represent it. And as for feminism, this is not the first time this has happened. When Girls came out, minority women were expected to ignore the show having an all white cast because it was written and directed by Lena Dunham. And anyone who dared to not ignore this issue was considered “non progressive”. This is why I don’t identity as feminist. Because this is unacceptable. It’s unacceptable for these huge steps for feminism to not include people of color. And if you’re white and telling people to get over it, you’re a part of the fucking problem.
Okay, I don’t want to take away from some really great points you’re making about how white feminism often downplay or outright dismiss the representation of women of colour, especially in discussions of mainstream media WOC are often silenced or ignored.
However, I need to point a few errors that are a common form of microaggression that I see pop up all the time in intersectional discussions of representation, specifically in regard to the recognition of indigenous women of colour.
There are THREE women of colour in Mad Max Fury Road. Zoe Kravitz (which you already listed), but also Courtney Eaton and Megan Gale. Eaton and Gale are biracial Maori women. The presence of Polynesian women in this film and a fictional future are incredibly important on multiple levels.
The Mad Max films are set in a post-apocalyptic Australia. In fact, the franchise began as Australian films, George Miller the writer/director/creator of this world is Australian. This is not merely a geographic location, but an important cultural context for the films.
What’s important about the location and the presence of Polyneisan women within this future world is how their very roles reflect the history of colonialism in the Pacific region. Polynesian people were forced to relocate, our cultures and even identities erased. Many of us are biracial and our own ethic identity are often erased due to a form of cultural genocide that was not unlike what was done to Indigenous people of the Americas.
Polynesian women have long been viewed as tokens of exotic beauty. Taken as trophies, and forced in to sex work. Not unlike Fragile. Some, like The Valkyrie who actively fought against colonial oppressors. While Zoe/Toast is biracial black and Ashkenzai jew, she too represents an aspect of WOC’s journey through white supremacy and colonialism which was the driving force behind the trans-atlantic slave trade.
Polynesians often are erased, or mistakenly seen as white passing often because White Western culture only teaches how to see black or white, ignoring or wholesale erasing all the many colours in between. One of the really ugly truths behind why so many indigenous people are “white passing” is because of the long legacy of us being raped by white oppressors. Many of us only being valued as “pretty” sexual objects for the enjoyment and consumption of white men.
There is a BIG difference between being white passing and having your ethnicity erase from mainstream awareness. People, even POC, default code Polynesian women as white because they only SEE the parts of our features that are stereotypically viewed to be “white.”
I immediately recognizing Fragile and The Valkyrie as women of colour, and was deeply moved about how their presence and individual roles in this film reflects the struggles of many indigenous women throughout history and to see them empowered and fighting back against their oppressors made my heart soar.
Also there ARE other people of colour in the film, though by virtue of the dominate culture in the film being literally white male supremacy, the only men of colour we see are in the lowest cast of society. Not uncommon in colonialism either, given how white men see MOC as a threat to their power and masculinity.
My only real complaint about race in this film is the lack of Indigenous Australians in leading roles. There are a few of them crowd shots of the Citadel’s lower class, and at the end of the film we see a disabled Indigenous Australian man become the focus of a full two second shot, acting as the face of the oppressed class as he is quite literally is lifted up to salvation by women of colour.
There are powerful visual moments in this film, that tell not just a story of punching down the patriarchy, but of the dismantling of colonial oppression where indigenous women play key roles in the fight and future of the world.
So please don’t steal this context from the these women. It is very important to many women of colour.
