Rise Up, Oh Heart, For There is Another Battle to Win

Jan 09

kushandwizdom:
“This is fantastic
”

kushandwizdom:

This is fantastic

(Source: the-perks-of-eating-pussy, via cthulhu-with-a-fez)

[video]

Anonymous asked: If you are in the mood to write pain (and, really, when aren't you in the mood to write pain): Rachel/Tobias during the early war

*mean cackling* So when I’m in a very particular mood about the little girl I used to be and how much she was screwed over, I tend to take it out on my characters.  Ergo, I am banned from touching my Alleirat story until our houseguest leaves, and will instead be writing Animorphs because how much worse could I make it.  Sorry.  And since this got pretty long and also there’s not exactly loads of Animorphs fic, I crossposted it to AO3.  If you like Animorphs, maybe comment on that shit or something.

here we stand (with our arms folded)

It hadn’t even been twenty-four hours since the disastrous attack on the Yeerk pool, the sun still over the trees at the edge of the forest where it butted up against Cassie’s farm.  The horse she’d morphed, whose quick legs had saved Cassie and one single woman the night before, was loose in the field, and Rachel was cross-legged on a crate in the barn as Cassie murmured to a wounded rabbit.  Rachel felt dazed, with exhaustion and shock, as if every blink and turn of her head demanded a fresh calibration of her brain, a new moment of I’m alive and nothing is okay.  She’d spent an hour in the shower after getting home, with the water as hot as she could stand, but she could still feel the grit of the Yeerk pool floor on her palms and feet, and kept expecting to catch a glimpse of Hork-Bajir blood on her human teeth in the mirror.  

Cassie didn’t seem much better, her hands still where she would usually be smoothly going through her tasks and her voice mindless nonsense, as if she was as numb as Rachel.  The silence wasn’t quite tense, but there was an unmistakable taut feeling that kept even the noisiest patients subdued and quiet.

“Did Jake say why he wanted to talk to us?” Rachel finally asked, and Cassie glanced up, shaking her head.

“No,” she said. 

Keep reading

filmeditors:

filmeditors:

listen: fight club and pulp fiction are good movies, i love them both personally, but if a guy (and you KNOW the type of guy i mean) says they are his Favorite Movies then u need to run. RUN. plan ur exist exit strategy now. if ur texting him then just make something up. “haha i gotta go now. it was nice talking to you. bye!” if you’re somewhere with him just leave. do parkour if you have to. run like the wind. get away from that man

i have been getting messages nonstop since posting this and in response i am adding more movies: scarface, american psycho and a clockwork orange. goodbye

(via yea-lets-do-this-shit)

gutterballgt:

leinonline:

kelssiel:

aliens being confused by how humans deal with scents

human: “gonna have to wash this blanket to get rid of that new smell,”
alien: *makes a note that humans prefer to mark objects with familiar scents*

human: “gotta love that new car smell”
alien: *scratches out previous note and replaces it with a question mark*

human: “old books smell so good,”
alien: *increasingly frustrated note taking*

human: “mmm love that new book smell,”
alien: “WHY ARE YOU LIKE THIS?”

As an anosmic human, the alien in this post is very relatable to me.

Human: Oh, man, this perfume smells beautiful. I could smell it all day!
Alien: *makes note that humans like crushed flowers, alcohol, and various wood oils mixed in an aerosol form*

Human: Ugh! Good grief, who took a bath in their perfume cabinet??
Alien: *throws notepad across the room*

Human: *sneezes*
Alien: …I appear to have broken our human.
Human: *sniffles* Just allergies. I think you’re releasing spores.
Alien: …Spores are bad. Unequivocally bad. Yes?
Human: If you’re allergic…?
Alien: WHY IS THERE NO ONE THING UNILATERALLY TRUE FOR HUMANITY??
Human: …I appear to have broken our alien.

(via littlestartopaz)

Anonymous asked: BUT HOW DO YOU CATCH EVERYONES NAMES IN MAD MAX I JUST COULDNT NO MATTER HOW HARD I TRIED PLEASE SEND HELP

Wikipedia, Google, Tumblr, and this, my dude.  The end result is that I have a borderline encyclopedic knowledge of the characters in Fury Road.  Honestly I’m pretty sure like half of them don’t even get named in-movie, the script is probably like six pages.

copperbadge:

dukeofbookingham:

hanadoodles:

a song called ‘disco inferno’ just came up on my dash and i automatically registered it as “i learn by means of hell” before i realised the title was actually english and not latin

“I learn by means of hell,” forthcoming rap album from Doctor Faustus

When we figured out that’s what Disco Inferno meant (we translated it as “I learn through suffering”), it became the motto of our Latin class at college, and the unofficial motto of my undergrad. 

(Source: hanadoodles-archive, via lupinatic)

From a friend who works directly with pro-choice groups RE: Women’s March

elledeau:

PLEASE DO NOT FILL OUT ANY “SURVEY” YOU GET FROM “THE WOMEN’S MARCH” ABOUT YOUR WHEREABOUTS, WHO YOU ARE, WHAT METRO YOU ARE TAKING, ETC. INFO BELOW

If you are planning any protests of the inauguration, please be aware that you may be a target of James O’Keefe operatives. If you have spoken to anyone from Breakthrough Development Group, this is an O’Keefe front. Here are some known aliases:

Allison Brandt, Angela Brandt, Allison Moss, Allison Maass, Alyssa Harris, Allison Holmes, Ashley Nichols, Charles Roth, Dan Sandini, Steve Packard, Christian Hartsock, Brittney Rivera, Bri Rivera, Bri Rivers, Mike Carlson, Victor Kesh, Thomas Gibson, Savannah Germain, Jess Koski, Laura Loomer, Jess Jones

If you are working with Disrupt J20 specifically, you are being targeted by O’Keefe. He is apparently trying to get progressives to incite violence.

There will be moles in your campaigns. PLEASE make sure to vet your volunteers. Please get in touch with me if you believe you have been contacted by one of his operatives.

Let me re-emphasize her point, DO NOT FILL OUT ANY SURVEYS! I’m re-emphasizing because I’ve seen a lot of people re-blogging that Women’s March survey. Don’t do it!!

Please make sure anyone you know who is planning to attend sees this!

(via lupinatic)

stop-to-smell-the-dandelions:

shrewreadings:

marisolinspades:

hollowedskin:

battlescarmentality:

allieinarden:

I’ve noticed this revisionist Greek myth is common wherein Persephone loves Hades and eats the pomegranate seeds in order to evade her overbearing mother, and that’s all well and good. You know, sometimes I’m in the mood for it and sometimes I’m not. But hear this: as long as we’re doing this, why is no one wondering whether Aphrodite might really love Hephaestus? 

Think about it. All the gods in their immortal splendor are lining up to marry her, doing everything in their power to impress her, the goddess of love and beauty, and she choses…that guy. A god in technical terms only, a social reject who’s ugly and malformed and um, no fun. Always slaving away in his workshop when everyone else is quaffing nectar and having their eternal beach party up on Mount Olympus. They can’t believe she’d give up all of them for that. 

So, because the gods do not take rejection well (looking at you Apollo), eventually they start to say to each other, well, we all know Zeus made her do it anyway. He’s gotta feel guilty for throwing Hephaestus off Mount Olympus that one time. And it quickly becomes that poor girl, stuck in that workshop full of sweat and dirt and cyclopses when she could have had one of us. Because of course they’ve got love all figured out; it’s entirely technical and dependent on who’s the most charming and good-looking and not at all variable and strange and notoriously unpredictable, right?

Meanwhile Ares, only the most arrogant and brainless of the crew, can’t take a hint and is still showing up wherever Aphrodite goes trying to hit on her, so eventually she and Hephaestus decide to rig up an elaborate mechanical trap for him, using her as bait. When all the gods have laughed at him for getting caught he huffily attempts to regain his dignity by telling them, whatever, guys, you want to know the truth, I was meeting her for an assignation. And they all kind of know he’s full of it but they just accept it as the unvarnished truth from thereon in, because they’d love to believe she’d cheat on Hephaestus with Ares. They’d love it. Come on, Aphrodite, get off your high horse and admit you’re just as shallow as the rest of us. 

So they talk, but Aphrodite doesn’t really care about their collective jealousy because she dotes on her misshapen genius of a husband with his sooty hands and his sweaty brow who always takes her seriously and is always so hard at work inventing astonishing new things to make her happy, and she loves the volcano they live in with its internal pressures so conducive to the formation of precious stones and its passages lit with glowing lava that so gorgeously offsets her cheekbones, and all the cyclopses worship her because even with one eye apiece they’ve still got more depth perception than most men do where she’s concerned. True it is that as a couple the two develop a reputation for not getting out much, because all those Olympian parties bore them to death and they’d rather spend time with each other (poor Aphrodite, she’s such a vivacious young thing and her husband is so grasping and insecure that he won’t let her go out and have fun), but they do all right. 

THIS IS THE KIND OF CONTENT I’M LOOKING FOR

love <3

Ok, ok, wait, but it doesn’t end there. Because Aphrodite features pretty heavily in the story of Eros and Psyche. She’s painted as the villain, her jealousy causing her to send her son to curse the girl, but that’s just not true. She knows what it’s like to be clamored over for your beauty, knows the lies that are spread, the way it sets you up as a target and discredits your mind. Aphrodite hears the mortals whisper that this human girl rivals her in beauty, and one day she gets around to seeing what the fuss is about.

She finds Psyche’s home all but besieged by suitors, but she notices the girl isn’t falling for their flattery, that she is still kind, no matter who she’s dealing with. She sees a bit of herself in this girl who aches to be spoken to, not at, and who wants most of all to be heard.

When she sends her son to the girl, she is less than truthful about her motivations. She knows if she tells him she hopes he will fall for this mortal girl it will make things awkward for him, that true love must be discovered on its own and cannot be forced. When he comes away from the encounter with her name on his lips, searching for excuses to talk to her again, Aphrodite whispers into the soothsayer’s ear to tell Psyche’s father that she is loved by a god. Frees her from the hoards of shallow admirers and gives her son the opportunity he needs to see her again. 

When a year of late-night conversations fails to convince her son that it’s time to reveal himself to his beloved, she puts a bug in Psysche’s ear to ask for her sisters to visit, whispers in their ears to convince Psyche to take matters into her own hands, ensures the two can finally meet face to face. She is saddened when Eros flees, believing Psyche had betrayed him.

The four tasks Psyche must overcome to be reunited with her son aren’t laid forth out of spite, but rather to help the girl find herself. Aphrodite knows this girl hasn’t had a choice in the path her life has taken up until this point. Knows that everything was in the hands of her father, and of Aphrodite herself. She wants to make sure Psyche means it, wants Psyche to know what she’s getting into when dealing with the Olympians. Wants, most of all, for Psyche to question her own motivations, fully evaluate the situation, and then make her own choice.

Her frustration at the Olympians aiding the girl isn’t because she hates being tricked. No, she wants Psyche to break out of her shell, wants her to have the option to decide this isn’t worth it and walk away. 

When the final task ends in Psyche laying unconscious on the roadway, Aphrodite searches the girl’s heart and knows her intentions are true. Knows she is ready to join the family. She kicks Eros out of the house to ensure he would find Psyche, to ensure he would come to his senses and forgive her, realize that he had been unfair to her and to ask her forgiveness in turn.

They say Aphrodite was sour about the whole ordeal until her  granddaughter was born, but the truth was she hadn’t stopped smiling from the moment her son had first come home, whispering the girls name in reverence.

I liked before. 

Now I find it awesome. 

will someone please do a different take on icarus too

or medea

or  andromeda

(via cthulhu-with-a-fez)