Trump has pledged to sign the First Amendment Defense Act (FADA), if passed by congress. It was first introduced in the House on June 17, 2015 and would effectively legalize anti-LGBTQ discrimination across the board, including among employers, businesses, landlords and healthcare providers, as long as they claim to be motivated by a firmly held religious beliefs.
It’s important to vote here, folks. Trump presidency is a massive no.
Please vote hillary I’m begging you
Vote for Hillary. A third-party candidate may be closer to your ideals, but a vote for anyone other than Hillary is a vote closer to Trump winning. The race is CLOSE, if the well-being of others matters AT ALL to you, please vote Hillary Clinton.
If you are LGBTQIA or remotely care about the LGBTQIA community and our wellbeing you NEED TO VOTE FOR HILLARY
Trump is a repulsive evil fucking COCKROACH that despises LGBTQIA people and if this slimy reptillian scumbag got elected one of the first things he’d seek to do would be to make it legal to take jobs AWAY from queer and trans americans
If you are LGBTQIA: THAT MEANS YOU
If you remotely care about ANYONE who is LGBTQIA: THAT MEANS PEOPLE YOU CARE ABOUT
Vote for Hillary and keep this bigoted and repulsive sack of shit and his hateful agenda of evil OUT of the white house
Once upon a time, I was running a DnD game for some friends. The player characters were checking out reports that a local town had been having trouble with monsters. They’re informed that it was true, a few years ago, but a copper dragon set up a lair in the mountains and chased all the awful creatures out. A dragon slayer showed up shortly thereafter and neither dragon nor slayer were heard from again. Players are disappointed at first, but then quickly perk up when some other plot threads become apparent.
A few sessions later, the place they were staying burned down (their fault), forcing them to check out the more expensive tavern in town. There, they meet Allie Cohol, a half-elf woman with red hair that owned and ran the tavern. She was cheerfully greedy, but still helpful and always ready with a cheesey joke… And after only the third joke, one of the players, Bill, froze and locked eyes with me. “You fucker. She’s the copper dragon,” Bill says.
That reveal was supposed to be a big thing later, so I’m kinda on the spot. Fortunately, another player, Fran, pipes up and says, “nah, that’s stupid. The dragon in the mountain is a red herring. We’re here for the cultists.” The cultists were in the sewer and the PCs were actually working for the cleric Big Bad without them knowing.
“No, listen,” Bill continued. “Red hair. Greedy. Bad jokes… Her name is Allie Cohol.”
Everyone around the table gives him a fairly blank look, but I’m sweating bullets. Threads that I had spun oh so carefully were half a heartbeat away from unraveling. Bill is getting this real wild look in his eyes and pounds a fist against the table. “Allie Cohol. HER NAME IS ALCOHOL.”
Fran then slowly pans over and looks me dead in the eyes. “The deadly joke ability. She’s a goddamn dragon.”
Han blinked, startled by the sudden voice, the sudden farmboy-cum-Jedi standing in the doorway and blocking the light. It was after-hours even for the track, he hadn’t been expecting anyone in the pilot’s lounge.
“Hello to you too, Luke,” he drawled, leaning back in the armchair. “Good to see you, been too long, how’s the search for Jedi shit going? Myself? Well, I’m not too bad, bit of a trouble with my joints—getting older’s a rum business, you know? But I can’t complain; complaining’s the business of them who don’t have enough else to do, as I like to say.”
Luke stared balefully at Han, and Han got the sense he was just restraining himself from rolling his eyes. “You’ve never said that before in your life. And also, you should go see Leia.”
“Kid, I know you’re last of the Jedi or whatever these days, but you gotta work on your small talk.”
Luke rolled his eyes. “You are the most frustrating, stubborn—”
“To be fair, you knew that about me already,”
Han laughed, stumbling to his feet and crossing the lounge to Luke. With a sigh, Luke let himself be enfolded in a hug.
“Han—”
“Yeah, yeah, I heard you. Is she hurt?” Han asked. (He still wasn’t entirely sure how the Force-thing worked, but he knew Luke and Leia kept tabs on each other, even across the galaxy.) A thought struck, and he sucked in a breath. “Kriff, is it—is it Ben? Is Ben okay?”
“Ben is fine. Leia is fine. She’s just…it’s a politics thing.”
Han exhaled, laughing. “Mother of Kwath, kid, you got me terrified over nothing. I am not the politics guy. Leia has politics guys, I am not them. I’ll give her a comm tonight, but I’m—sure she’s got it handled.”
“It’s about you,” Luke said pointedly, and Han felt cold well in the pit of his stomach. “This time, you are the politics thing.”
“Oh,” Han said.
.
.
“It’s idiotic,” Leia dismissed, when he commed. “Even if—someone’s choice of spouse said anything about their character at all, you are a war hero and a general. You led the assault on Endor! And now you’re an entrepreneur—”
“That’s a lot of syllables for someone who travels around the galaxy, betting on themselves in starship races, sweetheart.”
“The essence of politics is describing things in more syllables than they’re worth,” she bit out, and he laughed, outright. Even over the crappy satellite feed, he could see her relax a little at the sound, breathe out.
She looked so small and very far away, her face on the monitor.
“Do you want me there?” he asked. “Because I can be there—Chewie can take the Falcon, and I’m pretty sure farmboy still remembers his way around a ship if he needs a co-pilot. I could use a vacation.”
“Don’t be ridiculous. It’s fine. I’m fine. You have the Outer Rim qualifier in two weeks, and this is just another stupid fight over something that doesn’t matter. A distraction. Once I get this bill approved, they’ll drop it.”
“Yeah, but—”
Before he could finish, there was a loud clattering sound from her end of the connection, and a shout of “Is that dad? Can I talk to dad?” with Threepio’s fainter, “Master Ben, really!” By the time he’d talked (argued) with Ben and talked (argued) with Leia again, the matter was dropped.
Luke looked up when Han entered he cockpit, smiling a little when Han groaned and let himself sag into the pilot’s seat. “So, about the Outer Rim qualifier—”
“Maybe you don’t know this about me,” Luke said, his tone thoughtful. “But I’m a pretty good pilot. I once flew an x-wing with my eyes closed and blew up the Death Star. So I could probably handle going really fast around a track once or twice.“
“I can see why the Empire decided to kill all the Jedi,” Han grumbled.
.
.
Normally, Han would have arrived on Chandrila at some ungodly hour, shucked off his boots at the door, and crawled into bed beside Leia still smelling of the Falcon, too tired to do much more than mumble against her cheek and pass out.
It was strange to be there in the sunlight, walking up the last of the stairs just as she was emerging from the suite. For a minute, he just watched her—she was on another planet, reading something on her datapad and all her attention focused there; he was still surprised she didn’t bump into walls when she did that.
He’d teased her once that it was the only part of the Force he actually believed in.
Han grabbed her elbow before she could pass him, and she looked up in shock. “You should be careful, Senator,” Han drawled, as she laughed. “I hear there are some real criminal elements in this part of town.”
“Oh, well,” she said, her eyes alight, “they can’t be as shockingly criminal as my husband.”
(Every time she kissed him like this, it was like that first time in the Falcon, his skin aching and hot, more alive than he’d ever been because death and her were staring him down. The kissing wasn’t the reason he left—or the reason he came back—but it was a reason, all the same.)
“Hello, stranger,” she murmured, when they separated.
“Hey,” he said, inhaling the smell of her, whatever product she put in her hair these days—it reminded him of Endor, something sharp and green. “Thought I’d come and apologize for not listening to you in person.”
Her mouth curved. “You never listen to me, I’ve gotten used to it.”
It took about two days for Han to realize it was worse than Luke had let on. He wasn’t sure why everyone suddenly cared about Leia marrying a Corellian bastard of an ex-spice smuggler—the justice who married them had asked if there were any objections five years ago, no one seemed bothered then—but people cared. And he trusted Leia when she said it would stop after the bill, but the bill was being stalled in some committee, and—
“Politics,” Han sighed, when Ben asked why Han was being talked about on the holonews. “It’s all just politics, kid, don’t worry. We’re going to be fine.”
On the third week, when they still weren’t fine, Han put Ben to bed and sat down across from Leia at the dining table. She had datapads spread around her and a pinched look on her face; Han almost balked, but— “Maybe I might be willing to go to some of those parties,” he said. Her gaze snapped up, to him, and he offered a weak smile. “You know, those ones I hate, with the tiny food and the awful people. And maybe I can show your senator friends that…I am that civilized Hero of Endor, and you didn’t screw up, by picking me. You know, if you think that could help.”
“Han—”
“Or, I mean, we could get divorced, but I worked really hard to convince you to marry me in the first place, plus there was a war. I don’t think I’ll get so lucky a second time.”
Leia looked at him for a long, long moment, then exhaled. “Well, we’ll try the first, and if that doesn’t work, there’s always the second option. Maybe you can ask for Threepio in the settlement.”
“Your sense of humor has not improved with time, princess.”
.
.
“You shouldn’t shout you know,” Han said, settling against the doorframe and offering a grin. “My wife wouldn’t be too pleased if she found out I brought a beautiful stranger into our bedroom.”
Leia met his gaze in the mirror and pointedly rolled her eyes. Han stuck out his tongue at her. “I thought you’d be dressed by now,” she said, her mouth twisting. “The party starts in an hour, and—”
“It’ll take me ten minutes to change. I didn’t want to wrinkle anything waiting for you.”
“I’ve seen you preen for forty-five minutes, Solo, don’t lie to me.”
He snorted, watching as she set down her brush and began braiding her hair. He’d always liked her this way, barefoot and unarmored, the most herself she could be. He’d always liked being one of the few allowed to see it.
“Did you need me for some reason? I can change into the suit right now if you think of some interesting ways to put wrinkles in it.”
“Just you hand,” she interrupted, shooting him another look. Her hands were still moving, doing something complicated with the strands she had gathered at the top of her skull. He crossed the room to her side, “Put your index finger…here,” she said, tapping a place where the strands wove together. He pressed his finger in exactly that place, and she wove the hair around it, like a ring. “Take your hand away? And—then thumb in the divot over my ear.”
“Okay,” Han said quietly.
There was something steadying about it, just her soft directions, and him, and their hands. He’d watched her do this before, braid and coil and brush and knot—the traditional art of Alderaan, passed down from mother to daughter. They each had meanings, and Han knew some of them; the circlet interwoven with a lace was her imitation of the crown of Alderaan, and when she wore that high coil of braids, it meant she was grieving.
(What about when you wear it loose like this? he’d asked once, when he was pouring it through his fingers like water. He liked it best down, a veil around her shoulders.
Nothing, she had said. This is just me.)
“I haven’t seen this one before, have I?” he asked when she was finished, touching the soft honeycomb cluster behind her ear, looping to an equally complex knot on the other side. It took him a moment to realize that the twisting coils were the size of his fingers, left over of his hands.
“No, I haven’t—done this one before,” Leia said quietly, smoothing back a flyaway strand with her fingertips.
“I’m surprised,” Han chuckled. “Would have though you had plenty use for braids that say you’re ready to fight.”
“These aren’t braids for fighting,” Leia said. She wasn’t quite meeting Han’s gaze in the mirror, and he thought he saw a blush. “My mother wore these each year on her wedding anniversary. These are—the traditional name is ‘the work of loved hands’ but they’re better known as wife’s knots. They’re one of the few styles that is unique to every wearer, because it requires two sets of hands.”
Han couldn’t think of what to say, if there was anything to say. He wanted to kiss her, but he didn’t trust himself. He felt like he’d get lost in it too easily, let the whole world and everything in it slip away because she was there, with wife’s knots in her hair.
“I didn’t screw up, picking you,” Leia said, rising to her feet. When she turned, her expression was fierce, stern. She’d ordered men into battle with that expression. “And either way, I did pick you. I’m keeping you, and there’s nothing the New Republic can do about it.
“Now,” she said, “get changed. The party starts in an hour.”
“Yes, ma’am,” Han said quietly, and followed her out.
it will never cease to delight me that in the trilogy, gimli is shown to be charming, with all the polish and grace of a trained diplomat—he trades wits with elrond and speaks so graciously to galadriel that she gives him a gift denied feanor; his extemporaneous description of the glittering caves is what convinces legolas to travel there with him after the war, he sings the song of durin so well that sam begs to learn it.
whereas legolas is this big cheerful lug of a hunter-tracker, incidentally a prince, only unwittingly beautiful and graceful—his speech is decidedly stiff and formal, even when he’s trying to be gentle, but then turns around and starts singing without realizing he’s forgotten half the song. He has strange moments of seriousness, when the ancientness of him shines through, but then—
I do wonder what their first conversations were, gimli dignified but a little chilly; legolas stiff even as he attempted humor, but a way forward nonetheless.
The Bullet, an ensemble member with nothing to separate her from the rest but a poof of curls at the top of her head, morphs not only into a Greek Chorus member, but into a signal of death approaching until she eventually (historical spoiler alert:) approaches Hamilton at the end of the show as an embodiment of the shot that killed him.
At the start, the Bullet is indistinguishable from her fellow ensemble members. Most of the ensemble steps into the spotlight a couple times, though, as everything from named historical figures like Samuel Seabury and James Reynolds to small speaking roles, and the Bullet is no different. After “You’ll Be Back,” she steps forward for the first time as a spy receiving a letter, only to have her neck snapped by a redcoat and become the first death of the revolution. However, unlike the rest of the ensemble, who return to the anonymous chorus until their next role, the Bullet never seems to leave that first moment behind. Her next appearance as a singular character is in “Stay Alive,” when she becomes the actual Bullet for the first time as she passes Hamilton by at the sound of the gunshot at the top of the song, and from that moment on, every second she is allowed the audience’s full or even partial attention, she becomes a harbinger of death.
Though her connection to death is most apparent in Act II, she is absolutely present and aware of his role as the Bullet from the beginning. When asked about playing the Bullet in an interview with “The Great Discontent,” Ariana DeBose, the original Bullet, said, “I always know I’m aiming for him—even if the rest of the ensemble members don’t. So even if I’m just a lady in a ball gown at a party, there’s still a part of my character that knows that that moment is going to come.” Even when the spotlight is not on her, every moment the Bullet is onstage has significance. Whether it’s in “My Shot,” when the ensemble unfreezes one by one as Hamilton moves toward them during his first recitation of the “I imagine death so much it feels more like a memory” monologue and the Bullet is the last one to move, her hand still outstretched toward Hamilton as he steps in front of her, or it’s in “Ten Duel Commandments,” when the ensemble lines up between Hamilton and Burr, singing, “Pick a place to die where it’s high and dry,” and the Bullet places herself directly at Hamilton’s side, the connection between them is already being formed. Knowing that the Bullet is fully aware of the final meeting she and Hamilton are hurtling toward makes the short moment in “Ten Duel Commandments” when Hamilton looks at her lining up beside him, the only time he ever seems to truly see her before his final moments, and the pair stand side by side for numbers six and seven of the Commandments, moving through the choreography in sync, feel hugely significant in a way it never would otherwise.
Several songs later, during “Yorktown,” she kills a redcoat with Laurens in South Carolina. They celebrate for a brief moment before she returns to the ensemble, and the show moves on. It until three songs later that the audience and Hamilton learn that Laurens was shot and killed in South Carolina not long after the fighting ended. It is a short and easily dismissed interaction, but this is the first moment that her actions are entwined in someone’s death. This quick look the Bullet and Laurens share in “Yorktown” begins to feel like Laurens sealing his fate with a handshake in retrospect.
This quick tie the Bullet forms with a person as they are about to die becomes extremely important in the second act, when she really steps into her role as the Bullet. Her spoken lines, though few, are particularly significant, as every one of them eventually leads to someone getting shot – namely, Philip and Hamilton. In “Blow Us All Away,” she tells Philip exactly where to find George Eaker, the man who will kill him, singing, “I saw him just up Broadway, couple of blocks. He was going to see a play.” Philip follows her directions and challenges him to the duel that will kill him. Her only other spoken line is as one of Burr’s supporters in “The Election of 1800,” when she says, “I can’t believe we’re here with him” and flashes Burr a large, hopeful smile. Burr leaves the exchange with a fist pump, believing he has the election in the bag, only to have that hope ripped away when Hamilton’s support of Jefferson leads to him losing the presidency and challenging Hamilton to the duel the whole show has been foreshadowing. At the start of “Your Obedient Servant,” when Burr actually challenges Hamilton, the Bullet actually pulls Burr’s desk onto the stage and hands him his quill so that he can begin his fateful letters, edging his toward the battlefield. Every action she takes ensures that Hamilton meets her one last time.
Once she has successfully gotten the pair to pull their guns on each other’s, she appears for a final time as the actual bullet, slowly approaching Hamilton throughout the entirety of his final monologue and coming dangerously close to him as he moves, scatter-brained, across the stage. Halfway through, he steps right in her path, turns back and stumbles out of the way, and as he frantically repeats, “Rise up, rise up, rise up,” she lunges for him, only to be pulled back by another ensemble member as Eliza steps in her path. Once Hamilton has been shot, she joins the ensemble once again, satisfied that the path she’s been on since the beginning has come to an end.
sroloc--elbisivni asked: WE CAN ALL AGREE ON LANCE AND KEITH also have you seen the galra!keith theories yet
GLAD TO HEAR IT.
And yes I have, and on the one hand I’m not sure if I think the people making the show have that level of forethought going on here (look, I am very skeptical of TV producers, I just am), but on the other I would be ALL THE FUCK OVER THAT. Like. It would combine all my favorite tropes, especially if Kieth doesn’t know he’s Galra at the time of the first season. Weird messed up identity issues! ‘He’s our friend but he’s the enemy’ issues! ‘Oh wow what if I start to turn purple’ issues!
I am Here For It, is the point here. And if that happens I expect some Pain. It would be glorious.
Deorum (Of Gods)
O K A Y. Only took me like nine days to get a new computer, so here we go, posting of this story will now resume its daily schedule. This is Part IV, Parts I,II, and III are also available. This scene takes place the day after the previous one–Jack is no longer dying of a divine-level hangover, is the point. Also, please feel free to correct my German, I do not dich the language.
“Hey, Jackie,” Idunn said, already
sliding forward a travel cup with an elegant cursive J on the side. Her handwriting would have made calligraphers
weep with envy, although her print letters were angular and sharp-edged as
blades. “How are you feeling?”
“Eh,” he said with a shrug and an
expressive hand motion. “Ich bin gut, aber erschoft.” Jack’s eyes widened at the sound of his own
words and one hand flicked up to touch his lips, a betrayed look crossing his
face.
“Didn’t know you spoke German,
Jack,” Idunn said in a strange voice—careful and calm, as if bracing herself or
someone else against an oncoming onslaught.
“Wen haben Sie erfahren?”
“I…didn’t?” he said through his
fingers, and felt almost shaky with relief when the words spilled out in
familiar English. “What the fuck?”