littlebabydee:

espeonna:

grim-resolve:

ask-rainy-water-princess:

genocidershodan:

lemonteaflower:

anxiety.

Or, you know, you could just stop saying sorry.

I take it you don’t have anxiety.

You can’t “just stop saying sorry”. You do something, something so little, like accidentally bump into someone. You feel horrible about it. Your brain starts panicking and you have trouble trying to breathe. You stutter an apology. They say it’s okay, but you accidentally do it again, and you apologize again. They just say “Aha, you can stop saying sorry.” And you feel horrible that you’ve probably made them angry or upset, so you mutter out an apology for the third stupid time, and they just say to stop saying sorry. Stop saying sorry. 

You can’t just tell someone to stop saying you’re sorry.

i find the best alternative to “stop saying sorry” is ” no need to apologize” it takes a lot of pressure off of that word and helps reassure them that there is no need to feel bad.

This might help me a lot. I’ll try it.

Omg I hate when people tell me to stop saying sorry, because it just goes in this really embarrassing circle~ or just, it seems super harsh and makes me feel really awful for trying to apologize…

(via cthulhu-with-a-fez)

vampireapologist:

vampireapologist:

   I just drove my uncle and myself to the hardware store, and he said to me “Molly, I want you to know that being Catholic doesn’t change anything. If you someday get married, your wife will be welcome in this family. Don’t ever think otherwise.”

  That is really nice, but I am not gay???

I’M LAUGHING SO HARD. SPOILER ALERT 2012 ME; YOU’RE SUPER FRICKING GAY.

(via cthulhu-with-a-fez)

thegirlinthebyakko:

anunexpectedhotdwarf:

alannamode:

One of my favourite things about Age of Ultron is that the Avengers are presented with 2 new super-powered rivals and the only member to really land a solid hit to either of them in the entire film is the very non-super-powered Hawkeye.

Not only that, but in both cases he pretty much just does it out of sheer spite towards them

“OH MIND CONTROL HUH? BET YOU THINK YOU’RE REAL SPECIAL. NICE TRY KID I’VE PLAYED THIS LEVEL BEFORE” *electrocutes Wanda IN THE FACE*

*shoots the glass under Pietro’s feet* “WHAT YOU DIDN’T SEE THAT COMING? HAHAHAHA WHO’S LAUGHING NOW SMARTASS-WITH-A-CATCHPHRASE? THAT’S FOR GETTING ME SHOT”

there are few things in AoU I’ll accept as cannon and this is one of them 

True.

(via allephant)

I found this really awesome free app for dealing with mental health issues.

just-daddys-little-mermaid:

peanuttheprincess:

thebucca2:

ohmygod-stop:

bpdrudolph:

It’s called Booster Buddy, it’s free, and it’s available for both Android and iOS.

It works by giving you ‘quests’ (daily tasks) that you are encouraged to complete each day. They are very small things and it caters to you (it asks you questions at the start about what you struggle with).

It’s designed to be child friendly and easy to understand. I’m finding it really helpful. You can also input medication times for a reminder and emergency contact details.

I love this app and I had to share it with you all!

thank you for this.

“PLEASE come wake me up again tomorrow”…think of all the lives this app could save

I’ve got this app and seriously it really helps. Not only do you have a calendar to record medication and feelings but you also want to wake up every morning to help the animal. It pretty much made my life better.

@hipsterghouls

(Source: bpdprincesa, via bonehandledknife)

optimysticals:

girlwithakiwi:

marauders4evr:

marauders4evr:

marauders4evr:

D O   Y O U   H E A R   T H E   P E O P L E   S I N G ?

Anonymous Asked: So what would the story be for your modern Les Miserables AU?

It would literally be the same exact story. Valjean commits a minor crime. He ends up spending 19 years in prison for said minor crime. He ultimately turns his life around, meets a prostitute, and raises her daughter, all while a community of oppressed people are rising up against police tyranny.

The film opens up with a few great shots of New York City.

It finally settles on a high-security prison.

The inmates, mostly black, are all singing ‘Look Down.’

We learn that the one prisoner stole a loaf of bread when he was a teenager and has been in prison ever since. The white cop refers to him as 24601, among other slurs.

Valjean is finally able to escape.

He wanders the city during a montage, while sad music plays. He’s shown applying for several applications. He has to check ‘Yes’ every time that the question asks if he’s ever been convicted. He’s shown renting a crummy apartment. He’s shown buying a phone and putting the number down on applications. There are several back-to-back shots of him filling out applications and the phone not ringing. He’s finally kicked out of his apartment.

He’s seen wandering the streets until a kind man invites him into a homeless shelter. (For some reason, I can see this man being played by Morgan Freeman.) The man gives him something to eat and lets him sleep on a cot for the night. Valjean wakes up, steals something of value, and runs away. He gets about, oh, a block or so before the cops catch up and start brutally beating him. The owner of the homeless shelter races out and vouches for Valjean. Cue ‘What Have I Done?’ which is sung as a shocked Valjean wanders through the streets of New York City. At long last, he decides to turn his life around. His phone rings.

Transition!

It’s a few years later.

We see shots of rundown buildings and alleyways filled with the homeless.

The camera finally rests on a really over-crowded factory. It zooms into a window. All of the workers are black. All of the workers are exhausted.

‘At The End Of The Day’ plays.

There’s a fight as the workers slut-shame Francine.

The owner assaults her and fires her when she says that she’s going to sue.

She goes to a lawyer anyway but the lawyer becomes too preoccupied as he recognizes one of the cops in his hallway. Fantine leaves and we get a bunch of really sad shots of her being forced to sell herself. (’Lovely Ladies’ and ’I Dreamed A Dream’)

Meanwhile, Valjean has become a moderately successful lawyer (just roll with me here) who is shocked to learn that he has to work with Javert. Javert doesn’t recognize him. Things are still tense. When walking home one night, Valjean stumbles upon Javert arresting Fantine for assaulting a white guy who “must have taken a wrong turn”. Valjean realizes that he turned down her case and that this is his fault. He takes her to a low-income hospital.

Meanwhile, Javert says that they finally caught Prisoner 24601. He sends Valjean an email asking Valean to prosecute. Valjean is thrown into an existential crisis. (’Who Am I?’) He finally replies that he cannot and admits everything. He quickly packs up and has just enough time to stop by the hospital and say goodbye to Fantine before Javert shows up.

There’s a fight and Valjean escapes.

He runs through the streets of New York City before finally finding an address that Fantine told him. It turns out to be a rundown foster home owned by two drunk, abusive, jerks. Cosette is seen sadly singing ‘Castle On A Cloud.’ Valjean takes her away.

Javert is seen walking across the rooftops of New York City, singing ‘Stars’.

Transition!

Okay now’s where it gets really fun!

You see a bunch of black college students getting together and talking about how much the police brutality is escalating. (’At The End Of The Day Reprise’). They finally decide that they need to do something about it. (’Red and Black.’) Show one of the students, Marius, falling in love with a now grown Cosette. ‘A Heart Full Of Love’. Meanwhile, Eponine walks through the rainy streets of New York City and sings ‘On My Own.’ But who cares about her lonely soul, we strive towards a large goal! Meanwhile, the cops know that this group of students are going to start protests so they’re seen preparing this outrageously militaristic equipment. Show a bunch of back-to-back shots of the students preparing their nonviolent strategies while the cops basically create an army. Have them sing ‘One Day More’.

Cut to the next day.

The black college students are having a non-violent sit-in on the streets. They sing ‘Do You Hear The People Sing?’ Tear gas is thrown by one of the cops. All hell breaks loose. It’s basically a battle-scene. They’re shown running through the streets, facing the horrors, dropping like ‘flies’. The police even kill Gavroche. You see shots of social media and the news crews covering what’s happening. The audience is saying, “Wait…” but it’s all happening so fast that their suspicions cannot be confirmed. Valjean is able to get Marius and Cosette to safety. Javert realizes the horror that he has caused and he jumps to his death. Everyone else is killed by the rest of the police.

Transition to a few months later but the brutality is still going on. Valjean dies (”Epilogue”) while reports are being played of the senseless violence that these unarmed black teenagers faced.

It takes the audience a moment to realize that the reports aren’t fictionalized.

The movie literally ends with real reports by CNN, FOX, ABC, NBC, etc. You see footage of real cops brutalizing real people. All of this is happening as ‘Do You Hear The People Sing (Reprise)’ is playing…..

Brings a whole new meaning to “Do you hear the people sing? / Singing the song of angry men / It is the music of a people / Who will not be slaves again”, doesn’t it?

I need this in my life.

(via lupinatic)

the-real-will-shakespeare:

ladylannistark:

*whispers* if Shakespeare could pass the bechdel test despite writing in an inherently patriarchal and routinely misogynistic society then you, modern day writers, have literally no excuse

*whispers* you really, really don’t

(Source: bloomsburys, via cthulhu-with-a-fez)

fangirlingoverdemigods:

leauxgan:

thesylverlining:

mishasminions:

wumbowing:

jessicreep:

kumoi-no-hikari:

makomori:

#submit this for best short at the oscars

this is that one post that i’ll always reblog

It’s back

the teacher killin it

HOW IS THIS 6 SECONDS

This is literally one of my favorite vines, a masterpiece really and I will always reblog it and it’s just - I love so many just wonderful LOVING TOUCHES about it and it’s

  • The beautiful facial expressions and flawlessly communicative gestures the likes of which would be at home in my college-level dramatic arts classes
  • The universal relateability
  • The technical video and sound editing that’s DIRECTLY on the song beat, absolutely A+ timing and that shit is not easy to do
  • The amazing dramatic use of slow-motion that tells like - this is some Shakespearean drama story - conflict, BETRAYAL, this is Julias Caeser, this is The Iliad
  • The freaking teacher being in on it and being convinced to shake it down now

in case nobody’s seen the sequel:

WHY HAVE I NOT SEEN THIS BEFORE

(Source: vinebox, via cthulhu-with-a-fez)

reaperlight:

handaxe:

these are some of the most ridiculous figures i’ve ever seen like 

  • this time of year is a deadzone for movie releases. when hollywood thinks its gonna lose money on a movie, they dump it out in jan/feb bc its after awards nom season and before summer blockbuster
  • they do this bc their studio money is tied up with promoting the tentpole films or Oscar bait shit they released around December…they focus on awards season 
  • going back, like, 30 years, generally ppl don’t go to the movies as much during jan/feb because they spent all their money during the holidays. and also because weather
  • deadpool had a president’s day release, which is usually when a romance of some kind takes over the box office bc it’s close to valentine’s day. last year it was 50 shades, which set the world record for a pres day opening until it was obliterated by DEADPOOL
  • it has an r-rating. they always make less money likeALWAYS
  • what the fuc

#numbers this high means ppl r going to see it three or four times

(via cthulhu-with-a-fez)

I dare you to reblog with your bra size.

kidpxv:

(Source: nonbinary-totty, via cthulhu-with-a-fez)

curdlemilkstealbabies:

Let’s talk about Natasha Romanoff.
Let’s talk about her NOT being Hydra.
About the fact that a notoriously skilled ex-KGB agent joined SHIELD, and Hydra decided not to recruit her.
Something about her behavior before or immediately after she defected to SHIELD tipped them off that she wouldn’t join Hydra if they revealed themselves to her, that there was nothing they could offer her that she wanted more than she wanted to join SHIELD.
Let’s talk about how from the first days of her redemption arc this ruthless assassin displayed morals that told Hydra they couldn’t take her in, and skills that showed they couldn’t take her out.
Marvel still hasn’t given us a Black Widow prequel to show us why, but Natasha Romanoff wasn’t Hydra and I think we should talk about that.

(via clockwork-mockingbird)