rainnecassidy:

wepnuttstuff:

dean-bangs-cas-in-the-impala:

toothplug:

bitter-bihet-harpy:

thebestoftumbling:

Beatbox recorder - Medhat Mamdouh

CAN SOMEONE PLEASE MAKE THIS AN AUDIO TRACK AND THEN LAY DOWN SOME SICK BASS BC I WANT THIS TO BE THE SOUNDTRACK OF MY LIFE.

someone actually used the recorder in an impressive way omg

oh my god….

My brother isn’t allowed to play the recorder unless he sounds like this

HOLY SHIT

(Source: thebestoftumbling, via amusewithaview)

marauderserablog:

Dear Prongs,

No surprise, your and Lily’s son turned out to be the best kid in the world. Not exactly sure how much of a part I had to play in that, but I hope you’re happy and not too deeply regretting making me Harry’s godfather instead of Moony. I’d say I’ll try to keep him out of trouble more, except he does a good job of that himself. He’s a good kid, and a damn good Seeker, too. You’d be proud of Harry, if you were here, Merlin’s Beard you would be proud.

Cheers,
Padfoot

(Source: the-padfoots, via lilypcttr)

Water Your Eyes Doing

bonehandledknife:

This is part of an ongoing discussion about film theory and its execution Mad Max Fury Road. I’ve talked, at length, about how composition how it can objectify a body, how it doesn’t matter if the body is in motion, how Mad Max mostly avoids the objectification by use of center frame, how Golden Rule framing isn’t necessarily objectifying.

Additionally, here is post breaking down how composition, lighting, and blocking (actor position) systemically deemphasized the female body in the My Name Is Max scene.

But lets get to the most controversial scene in Mad Max in terms of feminist theory, the infamous Water scene. I’ve been frankly putting this off because if you get into the larger visual, narrative, and thematic context of this scene, this post will never end. This is even before delving into the the meta-context of genre and tropes. So I’ve decided to narrow the scope of this post down as far as I can in terms of pure composition and practical concerns. However, if you have meta on these topics, please let me know by ask or via reblog and I will add as a footnote below the cut-tag.

Let me first point out though that we have spent the few minutes prior to this scene with Max waking up from the sandstorm (having flashbacks), getting freaked out by the needle in his skin, and about to shoot a man’s wrist off to get free.

He then has another flashback, notice the sound effect, but the flashback is triggered by a very specific thing:

image

Girl’s voices. Like Glory. Like, say, voices he finds when he turns around the corner, of the Wives:

image
image
image

A note on why I use both Golden Rule and Rule of Thirds: The Golden Rule, while is more effective/precise is ridiculously hard to eyeball on-the-go and while filming moving images. Rule of Thirds is often ‘good enough.’ Film as a medium is not photography or painting, it’s a medium intent on capturing moving objects, and sometimes the demands of the shoot means that you end up with the ‘best try,’ especially if it’s an action shot containing either internal or external movement (ie. either in-camera objects moving or the view itself moving). What is more likely to be specifically composed are still shots, wide shots, or the beginning/ends of shots/pans.

Which you can see here. Look at how BOTH the Rule of Thirds and Golden Rule lines up with the landforms at the horizon. Look at how precisely the War Rig lands on the major diagonal.

Now look at what happens when the camera lands in it’s final position and the Wives come into focus:

image
image

Nothing lands on any of the 8 major sweetspots (the crosshairs of the Golden or the Third. The Dag’s back bent over the boltcutters is centerframed. And check out what falls on the horitzonal Golden:

image

The water. Angharad is bent over and covering her face, Toast’s head is blocking Capable’s chest. Look at that space between the vertical Third. It’s the chastity belt.

I am telling you right now that it would be easy as pie to take that belt and put it past the lower third where it wouldn’t be seen or to the far left. If they really hated it they could have told the people who erase wires in visual fx to erase the belts or to move them. It’s position is not an accident.

For some comparison here is some concept art of the scene (found in The Art of Mad Max Fury Road):

image

Even if they were more clothed, look at how more objectifying their poses are, how the butts are subtly (or not subtly) turned towards the viewer instead of slightly away from our gaze (compare Toast and Angharad to the two wives on the right in the art) and how Furiosa was supposed to have been freeing them, instead of the wives freeing themselves.

Here’s the full picture:

image

Notice the absence of the belts and the placement of the hose. Look at how Furiosa and the gun are on the Golden.

Let’s go further into the movie itself however. (warning, lots of pictures)

Keep reading

sharoncartre:

BLACK WIDOW (2018) ⌐ After releasing SHIELD’s files and in turn her own files onto the internet to expose Hydra, Natasha Romanoff soon finds her past nipping at her heels, including a student of the Red Room who’s determined to take on the name Black Widow.

Starring Scarlett Johansson as Natasha Romanoff/The Black Widow, Natalie Dormer as Yelena Belova, Tom Selleck as Ivan Petrovich with Sebastian Stan as Bucky Barnes/The Winter Soldier and Tom Hardy as Alexei Shostakov/The Red Guardian

PLEASE.  *bursts into desperate sobs*

(Source: pinklights, via punkrockpatroclus)

penicillium-pusher:

CAN WE TALK ABOUT HOW THERE ARE MORE OF THESE

(via cthulhu-with-a-fez)

welcometocaritas:

harblkun:

krazykitsune:

leupagus:

jaaaaaaaaaackfrost:

frostlands:

jaaaaaaaaaackfrost:

but what if a vampire drank the blood of someone who was anemic like would they be seriously grossed out

“what the fuck is this”

“i have anemia”

“can you take something for that you should probably take something for that this shit is nasty to drink let alone have running through your body i’m setting up a doctor’s appointment for you”

“dude really you don’t have to just leave what the fu—”

“you disgust me here take these iron supplements”

“where did you even get th—”

“shut up and take your pills and dont forget your vitamin D”

“i’m going to check up on you weekly to make sure you’re taking them”

“that’s not necessary”

“maybe we should work on a dietary plan with foods rich in iron and other things for you”

“do you get this involved with all of your meals”

VAMPIREDUDE:
did u get the cookbook i orderd 4 u

ME:
Oh my god, first of all stop using text speak, you told me you were 278, second how did you know where I LIVED, third yes I got it.

VAMPIREDUDE:
heard onions were good 4 blood, eat lots

ME:
So you can have a tasty meal? I guess you’d rather I stay away from garlic, huh.

VAMPIREDUDE:
UR being v rude I just got u a present!!!

ME:
THE COOKBOOK IS CALLED “HOW TO TASTE DELICIOUS,” I AM CALLING THE COPS

#sounds like the begining of a beautiful friendship #gimme this sitcom

image

The Sun will go down eventually!

still a better love story than twilight

(Source: greelin, via winjennster)

how to ao3 savior, an updated tutorial

primarybufferpanel:

lierdumoa:

calystarose:

quietgames:

Frustrated or triggered because of that one tag/ship/fic/author that keeps showing up while you browse ao3?  Here’s step-by-step guide to blacklisting à la tumblr savior on Archive of our Own.

Keep reading

@lierdumoa all tags are from OP *giggles*

Oh bless you and thank you.

Listed under: Things that make my fandom experience significantly more pleasant

neverbat:

farorescourage:

kaplands:

we should talk more about how ‘macaroni’ in 18th century england was used to mean ‘fashionable’ because a bunch of rich young dudes went to italy and really liked the stuff there

language is weird

humans are weird

#’stuck a feather in his hat and called it macaroni’ #THAT USED TO CONFUSE ME SO MUCH WHEN I WAS LITTLE
it finally makes sense

WELL THAT’S ONE FUCKING LIFELONG MYSTERY SOLVED

(via clockwork-mockingbird)

Tags: linguistics

teen-titan:

sempervera:

thecottonproject:

Final for my Time Arts class. Nothing gets you in touch with your own anger quite like listening to this and thinking about all the times you’ve been objectified and belittled.

always reblog

This is my new favourite thing

(via clockwork-mockingbird)

clockwork-mockingbird:
“plightofthevalkyries:
“ amischiefofmice:
“ PRAISE BE
”
When I worked at a fast food restaurant, I did a social experiment.
One day, I asked “do you want a girl toy or a boy toy?” No one went against gender roles.
The next day,...

clockwork-mockingbird:

plightofthevalkyries:

amischiefofmice:

PRAISE BE

When I worked at a fast food restaurant, I did a social experiment.

One day, I asked “do you want a girl toy or a boy toy?” No one went against gender roles.

The next day, it was “do you want a doll toy or a car toy?” Boys got dolls. Girls got cars.

Vocabulary is important.

I did this when I worked at McDonald’s. Had maybe a handful of people who would say “It’s for a girl” when I asked barbie or hotwheels. The rest of them would ask the child what they wanted.

(Source: puriparadise)

Tags: there we go