Anonymous asked: okay, favourite city in alleirat and what the street food is like there

Oh my god, let me talk to you about my very favorite Alleirat city: Dase, the city of stone, called by her own people and all those with sense the jewel of the east.

Perched on the easternmost coast of the Alleirai continent, Dase (pronounced dah-SEH) is the biggest city in terms of population if not physical size, and presides over the finest harbor in the world (the southern coast, with their sprawling river delta, politely begs to differ, but look, they’re wrong, okay, good talk).  Beyond her size, Dase’s claim to fame is her towering four-hundred-foot coastal cliffs, and the semispherical harbor the ancient citizenry excavated straight into the stone wall with a combination of magic, explosives, and sheer determination.  The harbor is massive, able to comfortably house even the tallest ship without scraping the mast along the ceiling and protect quite a number of vessels in the event of a storm.  The city itself was originally built almost entirely out of the excess stone removed from the harbor, and as further expansions have been executed under the eye of the city stone workers, the buildings have been expanded since then with the same material, either taken from expansions to the harbor or knocked off another part of the cliff.  Dase mostly gets expanded up rather than out, since it’s approximately a half-circle facing against the cliffs on one side and there’s a city wall hemming it in along the curve, but it’s still sizable, about three miles in radius.  It’s also the place where Crispin and Brenneth grew up and lived until things went badly–Brenneth used to own a smithy on the blacksmith’s row that’s still standing, and her old sword is mounted in the audience chamber of the gothkenla (like a city hall crossed with a citadel, literally ‘city center’).

Because I have no impulse control, here’s a brief excerpt of Brenneth and Crispin returning: 

“Welcome back to Dase, the jewel of the East,” Crispin said, switching fluidly back to Alleirai and raising his bound hands as if presenting me a gift.  I turned, and looked, and all my exasperation with Crispin drained away to be replaced by the sun-warm, dizzy ecstasy of being back.

Dase was less beautiful and more striking—all its beauty was in strong lines and hard angles, like the cliffs it commanded. It was tall, about three or four stories on average, and built almost entirely out of the hard silver-grey stone of the cliffs, with wide windows cut into the walls and the sun turning it into a labyrinth of brilliant light and impenetrably dark shadows.  The air smelled of salt at the cliff face, but the city wind itself could change on a dime, bringing the scent of the farmlands from the inland fields.   From our angle were the places where Kal Dase—Dase Below, the subcity of tunnels—could be accessed were invisible, but we could see where the stone was ragged enough to be scaled to the eaves of the roof level. Shadows moved, quick as starlings, overhead, thieves about their business in Lai Dase, Dase Above.  

…From above, the city would look like a ragged half-circle, butting right up against the edge of the cliffs with an absolute disregard for the potential drop on the other side.  At what would be the center of the circle, if it were complete, was the gothkenla, the city center—the citadel building where the gothed lived, received audiences, passed judgement, and completed all their other duties.  City-side of the kenla was a sprawl of empty space that spread all the way to the cliff, serving as the central marketplace and, occasionally, execution grounds.  The ten major streets radiated out from the city square, a nest of alleyways interconnecting them, and led all the way to the city limits. Every sector had its own markets, its own hierarchies and systems—the city in miniature, divided up by class.  The path to the cage, sardonically marked Drop Alley with a wooden sign, butted up against one of the major throughways, the one that ran immediately cliff-side. Unless they had moved everything around rather a lot, which I imagined would be a challenge, the kenla was about an hour walk from where we stood, depending on foot traffic.  

But so, as you might imagine, food in Dase tends toward fish for meat and depends on her protectorate lands for kestho (the main grain grown in Alleirat, a very hardy, adaptable plant that produces dense breads that taste sort of like…rye?) and other farm products.  The ten city sectors often have smaller markets to service day-to-day needs, with the large market outside the gothkenla being a once-or-twice-a-week thing for more variety, but that’s, like, raw cooking material.  

Since street food is generally stuff that can be acquired and cooked with a minimum of effort and expense on the vendor’s part, I’m guessing that smoked meats (maybe venison/other wild-hunted meats in seasons where they’re plentiful and therefore cheaper, chicken/beef if a vendor could get a good deal, most commonly fish) play a big part.  I’m kind of thinking of a kabob-like situation, with chunks of smoked meat served on a skewer with whatever suitable vegetables are in season.  Spices and seasoning would be easy, it’s a trade city and you can make spices last a long time if you know what you’re doing, so please assume that all of these are very flavorful.  

Straight-up fruit vendors are also a pretty common thing, especially in the richer parts of the city where the fruit is nicer and possibly imported (maybe from the west where apples do better, or the south where everything does great, or even the Outrigger Islands where more tropical stuff can be found).  Fruit vendors also do phenomenally well in the hostel district where there are always sailors who miss real fresh stuff and are willing to shell out of their wages accordingly.  Like, the fruit vendors in the hostel district charge more than they maybe ethically should but the sailors don’t care enough to try to change it.  

Oh, and bread stuff, that should fill out the basics.  Since kestho grain doesn’t easily grind down into really fine flour and tends to be very dense, fluffy pastries aren’t really a thing like they are here, but miniature loaves of bread (like, the size of two fists) with various things baked into them are a hit.  You can go with meat/veggies for savory or (often dried) fruits for sweet–they’re often baked as an easily transported ration, too, although not so elaborately.  Kestho loaves with meat and hot Island spices do a booming business on the training grounds and as a traveling ration for the city guard, because they’re quick and easy to eat with protein and carbs for energy and a good kick.  That specific combination is actually called a soldier’s meal, because they were the original kestho loaf cooked by soldiers during the ancient pre-unification wars.

I wrote this on a bus with no dinner in sight and now I’m ravenous and I could murder a soldier’s meal with like some strawberries after, Jesus this was a bad idea.

aethersea asked: SINCE YOU HAPPENED TO MENTION ALLEIRAT I was wondering what the government system looks like? You've mentioned lords, who seem to have a pretty solid grip on their domains, so I'm guessing something vaguely feudal? Is there a monarchy? A parliament? An oligarchical council of the major nobility? A mix? How does the reigning body feel about Brenneth's return? How do they react to her grabbing Crispin and running for the hills shortly after arriving?

AHHHH ALL VERY GOOD AND HELPFUL QUESTIONS TBH.

Me, upon receiving this ask: Wait Jesus Christ did I ever figure out how power is passed on.

Turns out the answer was “I half-assed the fuck out of it” so anyway now I have a real answer.

Right, so, it’s important to know why Alleirat politics works the way it does, so buckle up for a real fast history lesson.  Alleirat, way back in their ancient history, operated as a bunch of city-states run by variably decent lordlings who were perpetually at war with each other–think of Germany during the waning Holy Roman Empire (circa ~1630), not Renaissance Italy.  Each city state was centered around the largest local city, and the immediate countryside was allied closely with the city in question.  So, once Alleirat exhausted their armies (literally, like, okay, when you’re throwing armies of magic users around like snowballs there’s a huge death toll, they literally started to run out of armies), they drew up unification treaties as a way to solve the Gordian knot of blood feuds and bitterness they’d landed themselves in.  This is their version of BC/AD, by the way, things are measured before/after unification, which was some four thousand years before Brenneth and Crispin came for the first time (this number may be subject to change later if I feel like it).  In order to protect the newly unified country (named after the continent so as not to give preference), they mostly did away with the hereditary title thing, but they ran into an issue: smaller villages and farms had depended on the protection and help of the bigger cities, which relied on the villages and farms for food and raw materials.  Not to mention that the old alliances between city and country ran bone-deep–colorism had a pretty short life in Alleirat, but they’re still working on the very real prejudices against people from other cities–so they couldn’t be gotten rid of entirely.

The balance they struck was the protectorate system, which largely preserved the pre-unification lines of alliance by formally denoting protectorate lands of each sizable city, but also protected the citizenry by laying down clear responsibilities that each has to the other.  For example, the great eastern city Dase has a sizable protectorate that pays taxes to the Dase coffers and generates a majority of the farmed food (Dase being…like 90% rock), while Dase provides the farms with protection from both natural and human threats with her city guards as well as manufacturing that the smaller villages wouldn’t be able to do.  Dase, like all other cities holding their own protectorates, is run by a gothed, which literally means ‘city servant’, an office subject to reelection by popular vote every eight years and falling somewhere between a prince and a governor as far as power goes.  The gothed appoints a given number of advisors (there are ten in Dase, five from the city and five from the protectorate) who represent the interests of their district–if the district feels ill-represented, they can petition the gothed to remove the advisor in question from office and appoint a new one.  The gothed is also responsible for selecting a representative to the Unified Council, which is sort of like a senate and which makes the small handful of decisions pertinent to the country at large.  The list of things the Unified Council is responsible for is significantly shorter than, say, our Congress because the protectorates have much more hands-on management from their gothedan.

Incidentally, if the gothed dies while in office things can get real interesting.  In theory, a new gothed can be promoted out of the ranks of the advisors, but if proof of corruption is revealed in the chaos, all of the advisors are required to be removed from office.  The guards in each city (more like a small occupying army, called the lathan) take loyalty oaths to the city and citizens, not to the political figures of power, which means that technically they have the power to arrest any sitting politician as long as they have evidence.  Furthermore, there are several functioning criminal bodies in any given Alleirai city, most pertinently the White Touch, a dubiously legal organization of flesh workers whose work covers everything from facial reconstruction (illegal) to assassination for hire (SUPER illegal).  The Touch has been known to work in tandem with lathan before, in order to take down politicians.  It’s a risky business, being a corrupt politician in Alleirat, far more so than on Earth.

There are some capital P Problems with this system, among them that it takes approximately forever to get things done and also it’s not very adaptable to a crisis–the logical issues you run into when a goodly percentage of your population might be looking at a several century lifespan.  Also, money talks, as in our world, also a problem.  That being said, the only real requirement to be gothed or to be appointed as such is literacy, and Alleirat has decent literacy rates, so there are and have been plenty of gothedan who were craftspeople, soldiers, farmers, or even minor criminals (the definition of ‘criminal’ is flexible and also Alleirat doesn’t believe in incarceration pretty much at all) before their election to office.

And as for the response to Brenneth ‘Worst Plan Ever’ Fireheart and her highly terrible plan, well.

Originally posted by teel-me-that-you-need-me

aethersea asked: you know what also pissed me off about supernatural, though? the inability to commit to their own worldbuilding. even while clinging to a static paradigm, where The Masquerade is in full effect, they couldn't be consistent about what sort of underground magic communities do and don't exist. I know this can be blamed on multiple writers and all, but it drives me up the wall. f.ex. witches are All Evil and tend to work alone, until that episode with the familiars when you find a bunch of nice(r)

aethersea:

aethersea:

words-writ-in-starlight:

witches who go to witch bars and hardly ever poison each other’s drinks, oh and also familiars are a thing. a while later spike and cordelia are witches who’ve had a tempestuous relationship for… centuries I think, aka witches can live for a really long time, so there’s no way the bigger/older ones don’t all know each other. there ought to be SOME sort of witch ‘society’, even if it’s just loose communication. but no, after this you never hear of witches ever again, much less familiars or witch

bars. then you’ve got Bela, who caters to rich people who know magical artifacts exist, but there’s no exploration of what that could MEAN – if Bela can hold down a job, then enough of the country’s elite own and exploit magic stuff that it could – SHOULD – have at least some effect on US politics, as in who gets power. there’s never a whisper of that, but okay, this isn’t exactly the winchester boys’ social scene. but failing that, some of these magic-obsessed rich people should turn up for a

few episodes, either haunted or else guilty of inflicting a monster-of-the-week on someone. heck, one of them could be a recurring vaguely-helpful character that the boys stop by and menace a bit whenever they need access to some excessively obscure artifact. you already mentioned the mess of all those Alpha Monsters who were powerful and unkillable and stuff, and had their own dread agendas with potentially far-reaching consequences for their respective species, and then just… vanished. I don’t

even remember how. and then there’s the hunter community, which is the most inconsistent of all. first it’s just these two and their dad, and then they start finding out their dad’s old friends were all actually hunters or oracles or whatever. so far so good; these are just Mysteries Of Our Father’s Past, and valid character/plot development stuff. but there’s Bobby, who Knows Everyone, and Ellen, whose bar every hunter in the country frequents sooner or later, and this means hunters know each

other, know about each other, they have a network of communication and they share intel, gossip, trade secrets. but the moment the bar blows up there’s just no network, no connection, nothing at all binding hunters together, even though Bobby still knows everyone and Ellen and Jo are still around and plenty able to found a new bar if they wanted to, or at least keep in touch with at least half of the people who used to swing by their bar. oh and also the demons! they talk about complex politics

happening in Hell, they have some sort of prophesied demon queen who takes the body of a young girl and has glowing white eyes (I don’t even remember what happened to her), they have demon religion and spirituality to the point where Lucifer is basically Demon Jesus – I’m pretty sure this is explicitly stated, Lucifer is to the demons what Jesus is to really devout Christians, semi-mythical status and prophesied second coming and everything – and the show makes an effort to flesh out its demonic

characters, give them personality and desires and drives, and it shows distinct differences in how different demons feel about humanity, and about what they do, and all that. yet despite all this, the only demon we meet who doesn’t immediately try to murder the boys is Ruby. no one tries to bargain honestly with the boys, no one but Crowley tries to aim the boys at their own enemies, no one begs for mercy or lies about repentance. nothing. can you imagine if those demons who told Sam to take up

his antichrist mantle and lead a demon army decided that, since their Chosen One was unwilling, they ought to convince him? what if a bunch of demons had started discreetly tailing the boys, showing up sometimes to rescue them from really bad fights or offer up dead monsters like housecats offering dead birds? ‘hey chosen one, we caught you this demon who’s high up in Crowley’s hierarchy, do you want to torture him for information yourself or do you want us to do it?’ they solemnly swear that

that they’ve stopped killing humans, they keep quietly growing in number, and they always scram before the boys are conscious enough to kill them properly. sam and dean have many arguments about whether they were REALLY too concussed to stab their latest demonic rescuer and get absurdly angsty and argumentative about it. I know my rant has gotten pretty thoroughly disorganized and this is moving back into must-have-a-static-paradigm territory, but I am a little bitter.

THIS IS ALSO SUCH A GOOD POINT there is just so much to be bitter about with this show, like, good god, you’d think that sooner or later they’d run out of basic narrative rules to fuck up.

Speaking of rules, I think this is a manifestation of one of Supernatural’s wider problems, which is that they just DO NOT SEEM TO UNDERSTAND THE RULES OF THEIR OWN UNIVERSE.  Like, all they’ve REALLY nailed down is that demons can be exorcised, but anything that isn’t a demon is pretty much at the mercy of the plot for A) how powerful it is, B) how hard to kill it is, and C) how ‘human’ it’s considered.  Like, everything from werewolves to wendigos are stated to be at least PART human, but basically their ‘humanness’ and subsequently the amount of sympathy accorded to them is predicated on how benign (or how attractive) they look in their human form.  The magic of this universe is wildly unpredictable–the Winchesters sometimes do/dabble in magic themselves, but we never really learn how magic works.  Does it require a focus?  Does it require badly-pronounced Latin?  Is it an expression of the user’s willpower?  Is it similar to what demons do (implied when All Witches Are Wicked for the first few seasons) or not?  Does it require natural talent or can anyone learn it?  THERE ARE SO MANY QUESTIONS THAT ARE TOTALLY IGNORED.  THEN there’s the question of societies in this supernatural underworld.  Like, I think I’ve expressed in my John Wick comments how much I like functional underworld societies with rules and systems, but honestly it’s CRITICALLY necessary if you’re doing what SPN does and having the society Matter.  I cringe every time I think about how clumsy and slapdash the hunting community was in Supernatural, because it had SO MUCH POTENTIAL, don’t talk to me about it, I made it work better when I wrote my spite novel.  I’m sure I can think of fifty million more incomplete universe rules, but I can honestly feel my blood pressure rising right now so I’m going to stop.

OH MY GOD GUYS, please, if you’re a writer, let me beg you right now in person to figure out the rules of your universe and then commit.  Here are some pointers.

Magic should work in a conceptually similar way to gravity: its rules should be consistent and should be able to be broadly extrapolated from the general effect, and if you’re going to BREAK those rules you’ve got to have a damn fine reason.  

The sliding scale of ‘humannness’ should…slide less, to be completely honest, work your shit the fuck out EARLY or make working your shit the fuck out a plot point (please see Stormdancer for a good example).  

If you’re dealing with questions of what makes someone human (@SPN FOR LIKE FOUR FUCKING SEASONS) then you should actively question like “Hey, my dude, can we morally kill this person for something they have no control over” unless your character took the trait ‘Callous’ somewhere in their history (which is also fine).

If you have an underworld society–or any society tbh???–WORK YOUR SHIT OUT.  How do they work together (ex: hunters pretending to be ‘the boss’ when someone calls the number on that fake business card)?  How do they support each other (ex: safehouses? maybe? this is never discussed in SPN? and I hate it?)?  What are the things people differ on (ex: whether or not to murder the Winchesters, which, like, I know you’re supposed to be against that because they’re the protagonists, but by the time I bailed I def wanted someone to shoot them)?  Is there an assumption of free exchange of favors or is there a strict financial/bargaining system?   How much does one person vouching for another matter in the community?  ANSWER SOME BASIC QUESTIONS FFS

Finally, most crucially, for the love of all that is good, Pick A Plot.  One plot.  It can have subplots (example: an overarching plot broken up by smaller missions, a la your average TV show) or multiple acts (as in a play, where you’ve got a couple major pieces that assemble into the main plot, like Much Ado where you’ve got (roughly) the matchmaking, the wedding, the vengeance, and the resolution), but it should be One Plot and you need to tie up those motherfucking loose ends.

This has been “Hey look turns out that 6K later I have Even More Complaints about Supernatural” with Moran.

honestly though. this show is, as you said, a fantasy/horror murder mystery show with overarching apocalypse plots. if all we, as viewers, were interested in was the violence and brotherly angst, we’d be watching sons of anarchy. we’re here for the monsters, guys. we are absolutely here for the monsters. invest in your monsters.

the sliding scale of humanness in particular is really frustrating, at least when it’s coupled with such lazy writing. Think about it – they focus so much on What Is Humanity when it comes to Sam, but the show hardly ever asks that same question about the monsters, many of whom are ex-humans. When it does, it asks about a single character, not about whether, say, all werewolves should be given a second chance because they don’t actually know they’re killing people.

Like Buffy before them, the Winchesters draw a hard line between “killing monsters” and “killing humans,” but even while the writers are waffling back and forth on Sam’s humanity, they never explore why that difference matters. The debate on Sam’s humanity focuses a tiny bit on his capacity for empathy and ethics and mostly just on whether he’s got demon-based superpowers. It’s a fixation on the superficial, like what makes a monster is the scales and sharp teeth, not the rampant homicide. Dean is freaked out because Sam can kill demons by glaring really hard, and does, but killing demons has been their express goal for the whole show, it’s not like he’s done anything other than level-up his skill set.

Meanwhile, the debate on whether he’s Going Too Far centers on his demon blood addiction (and what a cop-out it is, making the power-enhancing substance so destructively addictive that your OP character has to quit cold-turkey and never have powers again) and on how trigger-happy he’s gotten with demons specifically. Who, again, are Universally Bad and have been their avowed enemies since episode three. It’s not like the writers have any space to suddenly get high-and-mighty about how you’re not supposed to kill monsters all willy-nilly, not this far into the game.

If the question of Is Sam Human can be answered by what ratio of hemoglobin to sulfur is in his veins, your setup is flawed. If having special abilities from questionable origins is monstrous, then they should throw away that demon-killing knife they get off a demon, and the demon-killing gun that Ruby fixes up special for them. If sympathetic monsters are occasionally introduced, but the show never explores whether that means some monsters can be relied upon to act morally in the long run, or what the consequences are of granting or denying them the ability to do that, then what is the point?

@words-writ-in-starlight

Gonna reblog two versions of this so I can do some shameless self-promo here.

#anyway I would love you read your spite novel moran #anywhere I can do that?

I’m working on getting that motherfucker published!  The tag for the spite novel (actually titled Falls the Shadowis here, and @lathori might cry tears of genuine joy if any other living human spoke to her about this novel.

#also now I really want a story where someone is followed around by a bunch of demons who keep pledging their unwanted allegiance #or something of that sort anyway

Funny story, the spite novel is actually a spite trilogy and I’m working on the second one and there is a subplot that can be summed up as “Sam is being stalked by loyalist demons who want her to run Hell.”

I HAVE N O IDEA WHAT YOURE TALKING ABOUT BUT TALK TO ME ANYWAY

YOU’RE A CHAMP AND I’M TALKING ABOUT THIS IN CASE YOU ACTUALLY WANT TO KNOW.

But so Krei, everyone’s favorite Buff Tree Lesbian (IN AN AMAZING SHOW OF RESTRAINT, THAT IS NOT HER ACTUAL TAG), really genuinely likes making flower crowns.  It’s the only really finessed plant magic she’s good at–Krei is much more the ‘hey you need someone to wreck that wall, I got you’ type of magic worker, but she makes A DAMN GOOD FLOWER CROWN.  (Her mother, who had a talent for delicate work and was known for her trellises as much as her sword play, despaired of her.)  And of course since she’s a plant worker it’s practically legally mandated that Krei know the meanings of various plants, but her girlfriend Shiko is a baby who only just recently showed up in Alleirat and knows Nothing.  So Krei gets away with a lot of shenanigans based on plant messages before Shiko finally buys a book of plant meanings off someone and bullies Brenneth into translating it for her.

But I just really want you all to picture a tiny serious-faced Japanese girl standing at the head of a small army of reanimated corpses with a crown of daisies and aster on her head the whole time.

Anyway I’ve been attempting to Novel for almost five hours now and I’ve decided that clearly I am too aggravated to write an emotionally wringing trial and sentencing.  All I really want to do is talk about Shiko wearing flower crowns made by her girlfriend and Brenneth and Crispin sitting on a roof and looking at stars while they mutually get drunk on the most expensive wine Crispin can get his hands on and the fact that Brenneth and Krei are actually legally family according to Alleirai law.

So if you also wanna talk about that, hit me up so that I can pretend I’m being productive.

Anonymous asked: Fanfic meme R :)

Another ask for the fic meme

R: Are there any writers (fanfic or otherwise) you consider an influence?

Hell fucking yeah there are.

FANFIC

Honestly I love @determamfidd and @caffeinewitchcraft‘s writing styles more than words can say.  Obligate hat-tip to @notbecauseofvictories, who is glorious.  I’m sure there’s a laundry list of other people who I’m not remembering because I’ve been cleaning all day.

NON-FANFIC

Insert ode to Robin McKinley here.  I love her writing literally more than words can address.  I talk about her a lot.

Also PC Hodgell for armies and cities and people, lately Jay Kristoff who wrote Stormdancer, I should probably include KA Applegate who taught me how to torture my characters at a young age, and IDK Eric Flint who wrote 1632.  I could definitely go on for A While with this list, but I’ll stop here.

Anonymous asked: Things we lost in the fire C, X and Z if you don't mind? :)

*manic laughter* YEAH OKAY AVATAR AU IT IS

For this ask meme

C: Which member do you identify with the most?

…Grantaire.  Like, just generally.  It’s why the whole thing is from his perspective.

X: A character you enjoy making suffer.

GRANTAIRE.  No smart comments please.  But really, this whole fic could have the tagline “Grantaire has the power to move mountains and he suffers anyway.”

Z: Major character death–do you ever write/read it?  Is there a character whose death you can’t tolerate?

This is Les Mis, darling, character death is what we do.  I generally prefer canon if you’re going to do character death, and I don’t think I’ve ever written it except sort of in the reincarnation AU?  Anyway, Avatar is a happy story, please rest assured that I have no current plans to murder anyone in this fic.

skymurdock asked: FIC MEME S, V and X

Yaaaay, more asks for this fic meme

S: Any fandom tropes you can’t resist?

There are a number, but some I can think of right now are:

BED SHARING (especially if they’re still in that phase of ‘how DARE you suggest i’m interested in that person’ or alternatively ‘I can’t actually stand within six inches of this person without swallowing my own tongue and/or blushing so hard I combust’)

Soulmate AUs.  I know they’re super fucking tropey and predictable but sometimes I just need a happy ending.

I know you know this, but Winter Soldier AU’s are my fucking weakness.  I’m actively working on one for Hamilton and I’ve got plans to write one for The Song of Achilles and I wrote that general overview for 

V: If you could write the sequel (or prequel) to any fic out there not written by yourself, which would you choose?

…um, off the top of my head I’d love to write a prequel OR a sequel for The Philosopher Poetic by @defractum, Silence Is the Speech of Love by someone whose tumblr url I can’t find, and In Spite of Song by @seagreeneyes who it will not let me tag, which are real good Les Mis AUs.  I want a sequel any way I can get one for Dragonsfire, that one Aragorn/Arwen fic, including writing one myself.  I desperately want to write literally anything in the universe of The Son of Man by @copperbadge, which is an absolutely fantastic JARVIS fic.  

…this list could get long, okay, so I’m going to cut myself off here. 

X: A character you enjoy making suffer.

Listen, I never met a character I didn’t enjoy torturing.  All of them.  God help them if they have a rough canon or anything even tangentially in common with a tragic archetype, because that just gives me Ideas.

Moran Rereads the Animorphs

Book 7: The Stranger

AKA “The PTSD squad sees the future and finally fucking wins a round, the Ellimist shows his not-face, and Rachel antes up her battle morph”

Keep reading

wildehacked asked: UH tell me everything about the star wars au immediately

So this is the OTHER Star Wars AU.  It was the second variant I came up with and, while it ruins fewer childhoods (this is the one with Prince Cesare of Alderaan and Lucrezia as the first of a new Jedi Order), I feel like it’s much truer to the characters.  Plus Lucrezia still gets a lightsaber.  This time with 2x the Dark Side!  It’s been a million years because HA I forgot this was done and I didn’t want to work on it anymore.

Cesare, no last name because slaves don’t have them, is a very small boy on Tatooine when a pair of Jedi Masters and their padawans show up with a child-queen. Cesare is only nine, but nine is already nearly an adult among the slave quarters, and he brings the whole lot of them back to his mother before they can get in trouble.  Queen Bonadeo is shy.  She doesn’t matter in this story.  One of the padawans, a fierce woman named Sforza, is almost through with her training, but the other is a pretty girl like a shaft of sunlight, just a little younger than Cesare.  The Jedi, Padawan Sforza’s Master and Master Farnese, want Cesare to come with them, to be trained as one of them, and he goes for the sake of the golden-haired girl who promises a better life.

When they return to the Core, they are greeted by a man just beginning to pass middle age, steel-grey hair and a steady, trustworthy voice, who is very interested in Cesare.  Cesare has never been interesting to anyone before.  It is incredible.  The man introduces himself as Senator Borgia, and tells Cesare to keep in contact. Cesare does.

Padawan Sforza becomes Cesare’s Master after her own Master is murdered.  She and Master Farnese could not be more different—Caterina, which Cesare is forbidden to call her, is fierce and military, while Giulia is gentle and fluid and diplomatic—but their opposing styles are beautifully complementary, and they are often put on missions together. Cesare comes to know the golden girl as Lucrezia, and they are best friends, as like as two halves of a coin, and as they grow up, they train together, fight together, live together, until the entire Temple speaks of them in a single breath, as Cesare-and-Lucrezia.  

Lucrezia is the only one who knows about how often Cesare and Master Sforza clash, about the times that they shout at each other until Cesare is screaming and Master Sforza is all but glowing with rage.  If Cesare cannot control his emotions, cannot master this lightsaber form, cannot do this simple Force trick, cannot be a Jedi, Caterina shouts, then what did her master die for? Lucrezia is furious—she is shaking with it, she has never been so angry in her entire life.  She destroys Giulia in a sparring match and is advanced to her Knighthood trials at sixteen, the youngest Knight in living memory. And living memory stretches back quite far, with Master Innocent being several centuries old.

That’s not quite true.  One other person knows.  Senator Borgia.  He does not think Cesare is a failure, he does not think Cesare was an ill investment, he thinks Cesare is bright and clever and strong and full of potential.  Cesare tells him everything.

Keep reading