Alright but moana introduces maui to her people and after the inital “wow it’s really him!” He becomes almost like just another villager, minutes the whole being a demigod thing, and has what’s like a big family for the first time and one day moanas dad/mom congratulates him by saying “good job, son” and he has to take a minute because………son???? He’s someone’s son now??? He starts to tear up and moana is like “hey you ok?” And he just nods, replying “I finally have a family”
And he’s so happy that Moana decides that she’s gonna tell her parents to call maui son as much as possible and they’re cool with it so they start calling him son and maui loves it but Moana decides to go above and beyond so she tells all the grownups in the village “hey call him son he’s never been part of a family” and they’re like ok yeah sure we all like the guy so all the grown ups in the tribe start calling him son and the kids catch on and start calling him brother and mauis just so overwhelmed with happiness.
And after Maui is “adopted” by the tribe, he gets a new tattoo that’s directly over his heart of him being part of the tribe as family.
But in this tat he’s not the center of attention like all his other ones. He’s just a little part of the whole village, next to everyone else.
Needless to say, it’s his favorite tattoo he has
BONUS: one day some kids see the tattoo on his back and they’re like u don’t need that cuz ur real family wouldn’t just throw you away like that plus we’re your family now and they use body paint to paint over it. And since he does have a family now, when the paint dries and washes away the tattoo changes. Some of it stays the same, his human parents casting him away, but instead of the ocean being down there, it’s the village of motonui with their arms raised to receive him
(via cthulhu-with-a-fez)
Baze doesn’t start repeating Chirrut’s chant when he dies, at least not quite.
Chirrut’s chant is “I am one with the Force and the Force is with me”. What Baze says “The Force is with me and I’m one with the Force”.
Reverse order.
And it’s not because he’s just picking it up where Chirrut left off, Chirrut is silent when Baze reaches him. Plus when he starts his suicide run after Chirrut is dead he says exactly the same thing: “The Force is with me and I’m one with the Force”.
Again, reverse order.
It made me think.
What if the chant was always two part, meant for two people to conduct? One saying “I am one with the Force and the Force is with me” and the other replying “The Force is with me and I’m one with the Force”.
Chirrut haven’t heard the second part in years, not since Baze lost his faith. He could he supposes find another partner for the chant but he doesn’t want to, it’s Baze or no one.
He still keeps his own part, his own faith are as strong as ever and he makes no demands that Baze say his part. It will genuinely from the man’s heart or not at all, but he can’t refuse that the loss pains him some times.
Hearing Chirrut’s chant sometimes annoys Baze, it reminds him of what he once had but lost. But he says nothing. Whatever he does or doesn’t believes these days he won’t take faith away from another. And he knows that Chirrut isn’t doing it to upset him, but because it means something to him. So he stays silent on the matter, though sometimes he wishes he could say it again.
And the last thing - the very last thing - that Chirrut hears in this world, as consciousness fades from his body is Baze’s heartfelt voice saying “The Force is with me and I’m one with the Force”.
(via slyrider)
How did you do that?
This line!
I am still so fucked the fuck up over this line!
2016 might be a fucking mass hallucination but at least it gave me this!
(via lotstradamus)
Anonymous asked: but during the battle of Yorktown, Ben crouching under a table, holding Demora, and saying "don't worry, your dad is going to come and save us." and when the ship shows up, he points at it outside the window, "look, I told you, he's the one bringing it right for us."
But can you imagine the fear in Ben, he wants Demora to believe that Hikaru is coming for them, but he himself is quietly sure that Hikaru is dead or abandoned because there’s no way Yorktown would be under attack if Hikaru’s Kirk had anything to do with it.
And can you imagine the joy and relief and utter love when he saw the incomprehensibly out of date Federation ship flying on past, practically waving at him to let him know Hikaru is on board. He’s never been so sure of anything, and he feels Demora relax in his arms when he point up at him. She can spot the difference too.
i just love how jillian holtzmann hit every queer girl like a fucking truck
(Source: momobyte, via goblinbutch)
full and complete offense but the scene in Ghostbusters where Holtzmann starts lip syncing and dancing to DeBarge to flirt with Erin >>> every other attempt at romance in the history of cinema
(via goblinbutch)
I went to see Star Trek Beyond again the other day and I noticed something that I hadn’t before: the escape pods on the bridge of the Enterprise were specifically called Kelvin pods. At every other point, crew referred to escape pods until the bridge crew specifically began to evacuate. We saw the pods after ejection: escape pods were larger, presumably could fit multiple crew members (going by previous Trek history, really, and the size and number that we glimpsed), and had to be got to. The Kelvin pods were streamlined, single person carriers and built straight into the walls of the bridge. Accessible from any point in that space, effectively.
‘Kelvin pods’ or their equivalent haven’t been seen before in Star Trek (as far as I know) and definitely have never been referred to before in the Kelvin timeline. The USS Kelvin bridge crew had to leave the bridge to evacuate, and George Kirk had no point of escape after he set the ship on its fatal collision post. Given the name of these pods, it’s safe to say that these were installed after that incident to ensure that no Starfleet officer would ever have to go down with his ship in that way. Had there been pods in the bridge, George Kirk would have been likely to survive.
And I think that this is a thought that occurred to Kirk as he stood there, watching his ship be ripped apart too logn after the last of his crew (darling Checkov) had abandoned ship. As he lingered and made that decision to go. To live. To save his crew like his father would.
I noticed this when I saw it and remembered thinking what a beautiful little piece of world building it was.
It’s a very casual kind of way to remind the audience, not only the reaching effect of the Kelvin incident in-world, but also how hard it is for Jim Kirk to escape the circumstances of his birth.
There he is, able to get his crew to safety and follow them off the ship because of something that was created to prevent what his father had to do. In a way it’s George Kirk getting Jim off a crashing ship all over again.
It’s details like this that show why Simon and Doug need to write the next one if you ask me.
The level of emotional wreckage this movie has caused in my life is ASTOUNDING.
(via patroclvss)
