diva-gonzo:

cinnamonrolltoogayforthisworld:

gaelissfelin:

accio-shitpost:

tbh people mock harry for going back to rescue fleurs sister in the second triwizard task but harry knows dumbledore better than anyone else. he probably looked at the situation and thought “would dumbledore let an eight year old drown just because fleur couldnt do this bit? yes. yes he would.”

it’s also possible he was acting off of the lessons he learned in the abusive dursley household. that’s why he does a lot of his so-called “hero complex” shit. he takes a lot of personal responsibility for other people bc he learned growing up that “no one’s here for you, no one will help you, you will not catch any breaks”. he helps bc if he didn’t, who would? certainly not the dursleys, and that’s what he grew up with.

he does things by himself and the two people he actually trusts, bc he’s learned that authority figures are no help and will only make things worse. he takes situations at face value bc he’s never seen other options in his life, he’s never HAD other options in his life. speaking very personally, that was a serious marker of abuse that i saw in myself - i never thought abt escape, or what i could do to improve my situation, bc i didn’t even see that as an option. the options were survive or don’t, deal w it or don’t, acclimate or implode.

maybe he wasn’t thinking abt what DUMBLEDORE would do, what anyone at hogwarts would do. maybe he was acting off what he knew the dursleys (his main authority figures) would do. the dursleys would let the girl drown. and harry was there, and harry could do something, and so harry did. he took personal responsibility for fleur’s sister’s safety bc all his life he’s learned that authority figures cannot be trusted to do so.

people characterize these aspects of harry as a “hero complex” or a “stupid nobility” or a “lack of common sense”, but i don’t agree with that. i can’t put my finger on exactly what it is. it’s not completely unhealthy; it’s even very useful and responsible on occasion.

it’s called “complex ptsd” and if you get out of the abusive situation before you’re old enough to understand how fucked up it was, like Harry did, you don’t end up with the classic flashbacks so much, just atypical behavior patterns and a high risk of other shit. That’s why Harry is so fucked up by everything that Umbridge does, it’s because he’s being retraumatized in his safe space.

@ladyknightley - FYI…

That was always how I interpreted Harry’s behavior, because I’m also prone to the same sort of reactions.  It’s not about mistrusting a specific person or a specific group of people, it’s about the automatic bone-deep assumption that no one will help.  Personal example: I don’t trust authority figures, even the ones I know and like on a personal level–I reported a sexual assault to a teacher a year and a half ago and I had a worse panic attack about that than I did about the assault, ever.  The assault was business as usual.  Telling an authority figure about it, giving someone that kind of weapon to use against me, was fucking traumatic, my roommate had to come with me and I had to sit down on the ground outside the building before I could walk.  Harry Potter example: he doesn’t tell anyone about Umbrige because he assumes that not only will they do nothing, they might use it against him–if I hear literally one more person bring up the fact that he didn’t tell McGonagall, I will have an aneurysm.  It’s not that he doesn’t think McGonagall cares about him, nor that, in the Triwizard Tournament, he thinks Dumbledore would let a kid die.  It just doesn’t even occur to him that someone else might help.  When someone suggests that he go to McGonagall about Umbrige, his response is basically “wait, what?”  Once he’s out of the second task in the Triwizard Tournament, and the adrenaline’s clearing, he does sit back and go “why did I do that, Dumbledore would never have let her get hurt.”  He doesn’t even realize what he’s doing in the moment, he just sees a threat and resolves it because no one else will help.

It’s not…personal, okay?  It’s just the learned knowledge that no one is going to get you or anyone else out of a situation, so you have to do it.  Every time.

And as long as we’re on the subject, this is part of the reason I dislike Snape pretty hardcore.  I mean, I have a litany of sins for Severus Snape, which ends with ‘you can die like a hero but that doesn’t make you a good man’, but this is one of them.  He treats this impulse of Harry’s as an attention-seeking behavior, not just a ‘saving-people-thing’ but something entirely motivated by some perverse desire to be in the spotlight.  And he punishes him for it.  He repeatedly penalizes Harry for trying to save people.  And let me tell you something, from personal experience, the more people punish you for this, the stronger the impulse becomes.  It’s a self-feeding cycle.  Because, says the little voice in your brain, if they’re punishing me for helping, that means they wouldn’t have helped, so that means that it had to be me.  Because better they punish you, right?  Better you pay for helping someone because you would have paid for something anyway, right?

I’m not saying it’s a healthy mentality, but I’m also not going to condemn it as an unhealthy one, because sooner or later you might actually be the only person who will help.  You might be the only person available.  And if nothing else, this mentality does teach you to keep a cool head in a crisis.

(via academicfeminist)

Tags: harry potter moran is pissed LITERALLY FIGHT ME OKAY HARRY IS A TRAUMATIZED ABUSED KID OF COURSE HE DOESN'T THINK PEOPLE ARE GOING TO HELP HIM IT'S NOT ABOUT //TRUST// IT'S ABOUT EXPERIENCE AND KNOWLEDGE HARRY //KNOWS// THAT PEOPLE WON'T HELP HIM HE HAS TWO PEOPLE (MAYBE THREE) WHO HE RELIES ON AND IF THEY AREN'T AVAILABLE WELL THAT'S JUST TOO BAD AND HE'S ON HIS OWN also fuck severus snape so much i do not like him anti snape and you know what i'm not obliged to like him so if you want to fight me on that too come the fuck at me you better have the balls to do it off anon though like i connect way more than is healthy with this train of thought i was that kid in high school who would report something to a teacher (so that it was on the record) and then when they inevitably failed to help me i took it into my own hands (so that it was ACTUALLY RESOLVED) and then when they inevitably tried to punish me for punching someone or slamming them into a locker or dropping them judo-style (as they always did) i said 'you did nothing so i did what needed to be done and if you want to put me in detention go ahead' i have had a LOT of teachers denounce me as 'unmanageable' and 'wild' and (one memorable time) 'sociopathic' in addition to the standard 'violent' and 'angry' so i FEEL harry on this okay authority figures are really not trustworthy i have had maybe two authority figures help me in my whole life not including my parents because honestly as authority figures go they basically just tell me 'your choices your consequences' they're good parents it's a good parenting method if anyone is curious

the world's oldest ship war

  • Aeschylus: Achilles goes on top.
  • Plato: No; definitely Patroclus.
  • Xenophon: They were just friends.
  • Plato: Shut up, Xenophon.
  • Aeschines: It's practically canon.
  • Aristarchus: I know it looks canon, but Homer didn't write that - someone added it later.
  • Shakespeare: It's canon.

claricechiarasorcha:

rideronapalehorse:

vrabia:

deputychairman:

Yeah sure they’re dragging you off to be tortured and killed, but make sure you get a good look at the decor before you go, won’t you?

y’know, considering how the resistance is desperately underfunded and canonically runs x-wings held together with duct tape and hope, i think this is poe’s ‘well shit’ moment of finally realizing what they’re really up against. the first order is so much better equipped and funded and i need to know every detail about their dealings with shady corporations and multiple money laundering gigs.

#tqbh that middle gif doesn’t look so much like a ‘well shit’ as a bone-deep ‘oh no’ #‘oh no there’s no way we can defeat that’ #like that half second where he looks legit hopeless? yeah. #now add that to the fact that poe knows no one’s coming to rescue him #and even if they did #there’s no way in hell they could get him out :)))) (x)

I was watching the movie last night, and I noticed this – and yeah, I read it as Poe going OHHHHH FUUUUUCCCKKK because the reason Leia’s set up the Resistance is because the New Republic is handwaving the First Order as a bunch of pissy little Imperialist relics with no real power or influence. I’m pretty sure this is the first time one of the leading Resistance pilots has seen what the fuck the First Order has actually become.

Also, I just love the way he’s so excited to fly a TIE fighter. Er. He could be killed at any second and for a moment he’s just ZOOOOOOOOOOOOOM I LOVE THIS THING

(Source: rose-tico, via ailleee)

novellafreak13 asked: in the empress au who does vader care more about, padre or the twines (ie. if she ordered him to do something like kill them, would he?)

suzukiblu:

… ha. ha. ha. hahahahahahahahahaha THAT IS A GOOD QUESTION, FRIEND. 

Look, there is not really a “care more about” there, he literally can’t parse that between those three, but I think we can all agree Vader is not quiiiite hitting on all eight cylinders here. He has LITERALLY dissociated from “Anakin” as thoroughly as he is able to except for when Padmé wants the persona trotted out and oh yeah he’s still convinced Obi-Wan deserved, you know, to be SKEWERED and LEFT FOR DEAD in a FUCKING LAVA PIT. And look, sure, he murdered basically everyone he ever fought beside who isn’t currently under lifetime mind control, but that was for PADME, so it’s fine. Like, obviously. 

But long story short, yeah, Padmé COULD get Vader to kill the twins. She would have to do it in a very specific WAY–one that fit the script, one that was For The Best–but she could do it, yes. And he WOULD do it, yes. 

Alternately, the twins could get him to kill HER, if they came up with a reason that fit the script. It would be REALLY FUCKING HARD to do, though, and the likelier result would be ending up with a broken Sith Lord, and possibly whoever was trying to talk him into killing the other person being the dead one instead. Or, you know, both! ‘CAUSE YOU KNOW, HE DOES HAVE A HISTORY OF THAT KIND OF BEHAVIOR. 

Basically, you do not want to force Vader to choose, because if you do? He’s probably not choosing you

vealchopy:
“ ineffably-crowley:
“ sparkafterdark:
“ glumshoe:
“ sparkafterdark:
“ tenaflyviper:
“ He is, however, perfectly willing to fuck with time and reality.
And also steal your infants.
”
He didn’t steal anything. She literally asked him to...

vealchopy:

ineffably-crowley:

sparkafterdark:

glumshoe:

sparkafterdark:

tenaflyviper:

He is, however, perfectly willing to fuck with time and reality.

And also steal your infants.

He didn’t steal anything. She literally asked him to take the baby. Don’t make him the bad guy just because she was a shitty sister.

I think you are severely misinformed as to how baby ownership works.

It was not her baby to give.

David Bowie is unquestionably the villain.

Which do you think existed first, modern custody legislature, or the goblin king? 

The girl was entrusted by her parents with the care and custody of the child. By the laws governing the goblin king and his transactions, the girl was the current rightful owner of the child and made a deal with the king to take the child. Perhaps you’re not familiar with english folklore. Fae have rules, they’re tricksters, they can be sneaky, but they never break the rules.

Slammin’ it down in the Labyrinth fandom tonight, kids.

Don’t talk about breaking rules to the Fae. They don’t put up with that shit.

(via clockwork-mockingbird)

mumblesbot:
“ counterpunches:
“  #finn is raised by murderers#doesn’t become murderer
” ”

croatoanmary:

marauders4evr:

So back in the eighth grade (a good eight years ago) I thought of this scenario where the Marauders wanted to find a loophole for the ‘No students out of bed at night” rule. And I came to the conclusion that they would absolutely sit on their beds and levitate them throughout the corridors so that they were never actually technically out of bed. And it’s been eight years and I just remembered this headcanon and I still think that they absolutely would have done this.

someone please write a fic where they debate the technicalities of this with McGonagall

(via keeperofthehens)

reylotrashcompactor:

So I went into TFA with no expectations, no real idea about the cast except the old-timers, and no strong feelings one way or the other. I really liked the original episodes, watched them a lot growing up, and hadn’t watched the prequels because everyone said they sucked. (I will be rectifying this over the long weekend, no worries.)

And the movie was so, so good.

But the moment that got me was Kylo Ren taking off his mask for Rey. Not in a shipper sense, not romantically, but just that moment. I had no idea who was cast as Ren, and the first time I saw his face felt like hearing that Darth Vader was Luke’s father. I knew what DV looked like under his mask, and I knew what villains were supposed to look like.

And he doesn’t look like a villain.

He has a soft face, a full mouth. He looks young, feminine. Villains are sharp boned and thin lipped (lookin’ at you, Loki) and Ren did not look like a villain.

He was beautiful. And I’m not saying this in a “Adam Driver is so hot” kind of way. I’m saying that he was beautiful, and that made everything worse.

Darth Vader wore his mask because of his injuries. Ren wears his mask because he doesn’t look like a villain without it.

He looks young. He looks soft. He looks *good.* He doesn’t look like the Dark Side.

And he knows it. He knows he has his father’s Aquiline nose and his mother’s eyes. He’s tall like Anakin, but not sharp and angular. He chews that full bottom lip that Han so graciously cursed him with. He knows he doesn’t look the part.

So why did he take off the mask for her? Why, when he wants something from her? Why show her his greatest flaw:

His kind face.

(via amusewithaview)

zombb-8:

januariat:

guys someone talk to me about poe dameron - best pilot in the resistance, top dog, guns-blazing male protagonist - and how he was so kind. how he took an ex storm trooper at face value and with unconditional, immediate trust and even a fierce kind of joy- yeah, you go buddy! fight the darkness. i’m here to help you. i’m here to work with you. i’m not here to take control- we won’t get out of this unless we work together. 

how he didn’t treat him with suspicion or macho posturing despite the fact that he’s a top tier pilot and has probably been at war with people like FN 2187 for years. how the first thing he does once they’re out of immediate danger is give him a name, treating him like a person worthy of respect and not like another faceless white mask. how he is patient with a panicking Finn even under the incredible stress of a life or death situation, ensuring he knows what to do and being endlessly positive and encouraging instead of berating him when he falls short.

how he gets out of his jet at the end of the big firefight and sees BB8 and his whole face just lights up. how he unselfconsciously runs to BB8 like a kid, automatically lowering himself to BB8′s level. 

how he doesn’t need to be the spotlight, the center of attention. when they gather around the hologram to strategize, star pilot and battle veteran poe dameron shuts up and listens. 

how he never has a Trek-reboot Jim Kirk-style playboy sequence, no endless string of girls. not even a hint, and you know they could have stuck it in there if they wanted to. how we never see him treat another being, human or otherwise, with anything less than respect, optimism and good nature. i’m just. i mean. do you realize how significant this is?

you guys, if poe dameron is the future of male protagonists in big action movies, sign me the fuck up. 

I WAS ALREADY IN LOVE WITH HIM I DIDN’T NEED THIS POST TO REMIND ME 

(via yea-lets-do-this-shit)

boromir-queries-sean asked: Final papers are busy killing me right now and I am all of the anxiety, so please talk to me about what a Leverage Hogwarts AU would be like.

amusewithaview:

OH MAN OKAY.

So I know we all have thoughts and feelings and whatnot about the characters as they appear in the show, but lets focus on their 11 year old versions because I think they’d be slightly different.

THE CREW:

Parker is a half-blood orphan, and a Slytherin through and through.  Her ambition is to be the greatest curse breaker to ever walk the earth.  Why would she steal from Muggles when magic is such a great challenge?  She’ll learn bravery and loyalty and a love of learning and knowledge for its own sake later on down the line.  Right now though it flat out doesn’t occur to her to be afraid, she’s never had people of her very own so loyalty is a nebulous concept, and learning is awesome when it gets her where she wants to go.  The hat barely touches Parker’s head before barking out her House.  McGonagall, who spent three weeks trying to track the young scamp down in order to deliver her letter, breathes a sigh of relief and shoots Snape a look of sheer gloating triumph.

Eliot is a pureblood, and a Gryffindor, but that tends to surprise the people who get to know him well as an adult.  He values bravery and the defense of the innocent and his head is full of stories of heroes and valor and he has so much faith.  He is bright the way that the young idealists always are before the world gets its grubby paws on them.  The shiny wears off in Auror training, when he gets to see how the wizarding world really works.  After that, bravery doesn’t hold the same value for him anymore, and nor do ideals.  He makes his world a little smaller, a little easier, and focuses on people instead.  Once he finds them, he makes himself both sword and shield.  Gryffindor is the house of his youth, but Hufflepuff is his “final form” so to speak.

Hardison is a Muggle-born who spends the intervening weeks between getting his books and getting on that dang train absolutely devouring every word.  He wants to know it all, he wants to see everything, he is absolutely enamored with his new world from the word ‘go.’  It’s absolutely no surprise to him when the hat pronounces him a RAVENCLAW!  “Age of the geek, baby,” he says to himself as he struts to his seat at his new table.

Nathan is an absolute hatstall as an 11 year old, a halfblood who never thought he’d get to go to Hogwarts - never dared to dream he’d follow in his witch mother’s footsteps.  He’s brave, inquisitive, hard-working, and he’s not entirely sure what he wants to do but he’s going to be the very best.  He discusses his options with the hat for several minutes (who better to learn about the houses from than a hat that sat on all the Founders’ heads?), alternating between advocating for a house he might fit in and playing devil’s advocate to the hats suggestions.  Eventually, amused when it realizes what the child is playing at, the hat settles on Ravenclaw: a solid foundation of knowledge will be necessary for Nathan on his path, whatever he decides it will be.

Sophie has many names and many faces.  She leaves behind the girl she was and guards that information more dearly than her own life.  On any given day, she might say she was a student at Beauxbaton, Durmstrang, Salem, Hogwarts, or any of the hundreds of magical institutions that dot the planet.  Her favorite color is yellow, and that might be indicative, or it might not.  The truth is a matter of perspective.

Recurring Characters:

Tara Cole - Hufflepuff

Maggie Collins - Ravenclaw

Archie Leach - Gryffindor

James Sterling - Slytherin

Colin “Chaos” Mason - Ravenclaw

The setting:

Former Unspeakable Nate Ford and his band of cohorts act as modern-day Robin Hoods, pulling elaborate scams targeted against the greedy and the corrupt of magical society. Nate was inspired to begin his con business when the Ministry refused to allow research into the magic that could have saved his son’s life.

Hitter - Eliot Spencer was an elite Hit Wizard until a mission went seriously wrong, now he’s a wand for hire with a reputation for getting the job done by any means necessary.

Hacker - There’s not a language Hardison doesn’t speak, a runic script he can’t decipher.  He combines his expertise with wards, rituals, arithmancy, and Muggle tech to break the systems in ways nobody sees coming.

Thief - there’s not a curse Parker can’t break, no system she can’t slip through.  By hook, crook, or transfiguration, she’ll get in and out with the goods.

Grifter - Sophie can become anyone she needs to be, and that’s before she taps into her metamorphmagus abilities.

Mastermind - Nate knows how to bring them all together.  The consummate jack of all trades, and a master of knowing exactly how to put the right people in the right position to get the job done.