Anonymous asked: for the random fic titles: "spring will be here soon"

Since you didn’t specify a fandom….this is the story of the girl Jaylah.

Her people are from a high tundra part of their world–even after she forgets the name of her planet, the name of her people, the name of her family, she will remember this.  The shimmer of the sun at midnight, the dance of stars at pitch-black noon, and the song of the wind over the snow-layered ground will stay in her dreams all her life, a tiny scrap of peace.  Winter on the high tundra is dangerous, even in the cities-and-starships age, and Jaylah’s people never quite managed to forget their heritage of cold nights and terror.  The promise of new life, of melted snow and living things, is the hope their people holds up to get through the days of unbroken night, the vow they make in the darkest moments of their life to fight on.  

As a little girl wondering if the sun will ever come back, Jaylah’s mother strokes her hair back from her face and whisper that spring would come soon, so soon that Jaylah wouldn’t even believe it.  

In Krall’s dungeons, as Jaylah sobs silently, hands pressed to her mouth so hard that her teeth draw blue bruises on the white skin, her father hugs her to his side.  “Spring will be here soon, you’ll see, precious girl,” he whispers–a lie, but the familiar words soothe her tears and make her mother, bleeding out slowly from a gash to the leg, and her mama, pressing her hands to her wife’s skin, smile faintly.  

When her mama is taken, still smudged blue with her mother’s blood, she kisses Jaylah forehead and her cheeks and promises, “Spring will be here soon, little snowflake, little darling.”  A lie, but a warm and gentle one, bittersweet.

When her father dies, and she runs until she can’t breathe for tears, she curls up in a mountain cave, far too close to the search parties scouring for her, and she lies to herself, “Spring will be here soon, Jaylah.  You just have to stand up.”  And she scrubs her face with her palms and pulls herself upright.  

She tells the lie a thousand times, a hundred thousand times, every time a new circuit breaks or she hasn’t eaten in twelve days or she is run off from a precious salvage or she can’t stand the loneliness any longer.  Spring will be here soon, Jaylah.  Get up and meet it on your feet.

Years from now, she’ll be an ensign sitting cross-legged on a chair in the Enterprise mess hall, surrounded by the bridge crew and Montgomery Scotty and Doctor Bones, her red Operations uniform a bright contrast to her white hair and a glass of scotch from Montgomery Scotty’s illicit still in her hand.  (She will know, by then, what a nickname is, but she will insist on her old names for them, at times like this, when they are together and laughing.)  Captain James T will smile at her, and Montgomery Scotty will clap her on the back as he tells them about how she repaired the replicators and stopped them from turning all the food purple, and she will think that perhaps she was not lying to herself all along after all.  

send me a made-up fic title and i’ll tell you what i would write to go with it

(Source: bluegrasshole, via wildehacked)

kashinoha asked: #70. (67%) with Hardison/Parker/Eliot!

From this ancient prompt list, because I am the worst and it took me forever to get around to this.  I just want everyone to be proud of me because I almost went somewhere REALLY terrible with this prompt.  Because the last episode of Leverage fucked me all the way up and I remain vengeful about that.  That near miss will be obvious.

The con had unraveled at light speed.  Things had gone south almost as quickly as the time Leverage Incorporated had stolen the maquettes of the David, leaving Parker scrambling to adapt their plan and salvage as much as possible.  They’d managed to get the files that would prove their target responsible a fistful of deaths revolving around tainted eggs, but now Eliot’s earbud was fried.

Well. He thought it was fried—admittedly he hadn’t devoted a lot of time to checking in more detail.  Between the black eye swelling on his face (bone undamaged, bruising unlikely to occlude vision), the blood seeping into his jeans from a nasty knife cut to his thigh (missed the artery, unlikely to prove lethal, would inhibit full range of motion) and the four cracked-hopefully-not-broken ribs impeding his breathing (another hit would shatter them along the fissures) and, naturally, the fact that he was tied to a chair (efficiently, they had practice), the earbud had taken low priority.  If it was fried, he was going to murder Hardison with his bare hands, assuming he got out of this with both hands intact.  

Also assuming that the others got out of this to be murdered, of course, which was never a certainty when someone had the forethought to take their hitter out of the equation.  Eliot almost would have been reassured if the target’s hired muscle (most of them half-decent, with a small command structure of better trained mercs) was busy torturing him, because if they were occupied with him, the others would have time to get out.  Instead, they had managed to knock him out with a hard blow to the head (mild concussion, vertigo manageable for motion) and left him here alone, tied up and out of play.  But he was trying not to think about that, because if he thought too hard about the kind of disaster that could befall Hardison and Parker when he wasn’t there to take the hit for them, he got a little lightheaded (possibly the concussion, more probably a mild anxiety response).  So the dead earbud had to take a back burner to getting the fuck out of here and finding the other sixty-seven percent of Leverage International.

Keep reading

Anonymous asked: ♫ Enjolras/Grantaire

RIGHT, so I got Third Eye by Florence + the Machine (also I super love this meme and more people should do it.)  I ain’t even a little sorry.  Canon era, motherfuckers, because I can.

Grantaire was arguing with him again.  Most of Enjolras’ mind was occupied with ripping down the other man’s case, almost enjoying the familiar pattern, but that quiet part at the base of his skull, the part that had been getting louder of late, was distracted.  It was discomfiting and foreign, as if he no longer quite knew himself.  It did little to inhibit his argument—they were second nature by now, he could spare that scrap of attention—but he was bothered by its persistence.  Just when Enjolras believed he had shaken off the strange abstraction, Grantaire would tip his head back and laugh at something Joly had said, his wild curls falling back from the line of his throat, and it would return with a vengeance.

He’s brilliant, the quiet voice noted now.  It was true, something Enjolras had noticed before. For all that he dulled its edge with wine and other, stronger spirits, Grantaire’s mind was as keen as the edge of broken glass, quick and incisive, and he soaked up information as effortlessly as he did liquor.  Grantaire claimed to know nothing—nothing but love and liberty, he had said—but he could hold his ground against Enjolras, and quote Greek and Roman writings without so much as a pause to recall. He spoke rapidly, as if the thoughts piled up behind his tongue and pressed to be first through his lips, and was prone to winding, tangential thinking, but his points were good and clear and glittering.

Keep reading

peekbelowthesurface:

Send me a number and two characters - get a drabble.

  1. Introduction
  2. Love
  3. Light
  4. Dark
  5. Seeking Solace
  6. Break Away
  7. Heaven
  8. Innocence
  9. Drive
  10. Breathe Again
  11. Memory
  12. Insanity
  13. Misfortune
  14. Smile
  15. Silence
  16. Questioning
  17. Blood
  18. Rainbow
  19. Gray
  20. Cookies
  21. Vacation
  22. Mother Nature
  23. Cat
  24. Orly?
  25. Trouble Lurking
  26. Tears
  27. Foreign
  28. Sorrow
  29. Happiness
  30. Under the Rain
  31. Flowers
  32. Night
  33. Expectations
  34. Stars
  35. Hold My Hand
  36. Precious Treasure
  37. Eyes
  38. Abandoned
  39. Dreams
  40. Rated
  41. Teamwork
  42. Standing Still
  43. Dying
  44. Two Roads
  45. Illusion
  46. Family
  47. Creation
  48. Childhood
  49. Stripes
  50. Breaking the Rules
  51. Sport
  52. Deep in Thought
  53. Keeping a Secret
  54. Tower
  55. Waiting
  56. Danger Ahead
  57. Sacrifice
  58. Kick in the Head
  59. No Way Out
  60. Rejection
  61. Fairy Tale
  62. Magic
  63. Do Not Disturb
  64. Multitasking
  65. Horror
  66. Traps
  67. Playing the Melody
  68. Hero
  69. Annoyance
  70. 67%
  71. Obsession
  72. Mischief Managed
  73. I Can’t
  74. Are You Challenging Me?
  75. Mirror
  76. Broken Pieces
  77. Test
  78. Drink
  79. Starvation
  80. Words
  81. Pen and Paper
  82. Can You Hear Me?
  83. Heal
  84. Out Cold
  85. Spiral
  86. Seeing Red
  87. Food
  88. Pain
  89. Through the Fire
  90. Triangle
  91. Drowning
  92. All That I Have
  93. Give Up
  94. Last Hope
  95. Advertisement
  96. In the Storm
  97. Safety First
  98. Puzzle
  99. Solitude
  100. Relaxation

(via amusewithaview)

Request from @littlestartopaz​ for Harry/Corlath from the Blue Sword on the music meme.   I got Bleeding Out by Imagine Dragons, so…yeah…that happened.  ALL RIGHT HERE WE MOTHERFUCKING GO, goddamn but I love these books.

Corlath had known what it was to be king since his father’s death when he was a young man, only just eighteen.  He had known he would fight a war for even longer, since before his kelar came to him—maybe he’d known it forever, maybe it was what his mother sang to him at his birth and whispered to him when he was wakeful at night.  The first time he tasted the Meeldtar, it snatched him away from himself and brought him visions of Thurra and his fierce white stallion, streaked with blood and battle rage.  When he came back, he dropped the leather pouch as if his hands were suddenly as weak as a sickly child’s, and he wept for the terror that was not his and the battle he had seen, and his father had soothed him with a gentle hand and quiet voice.

It was not until he was on the field before the Bledfi Gap, his soldiers holding well against the mere trickle of Northerners coming through, and he felt the prickle of his kelar stirring, that he understood that old vision.  It was not his battle, no—but it was his terror.

Keep reading

lathori asked: ♫ Billy/Colin (it didn't say it couldn't be one of YOUR ships)

You are correct, I did not say that.  But you realize that now I have to EXPLAIN this shit, right?

Okay, so, Billy Johr and Colin Ramsey are from my novel Falls the Shadow, which is the 350 page monstrosity I wrote during sophomore year and which I am now editing to be sent out to an agent.  Short version: Sam Lightworth, their pseudo-adopted daughter (they’re the two Witnesses), is the Antichrist and Horseman of Death, and her brother Oz, their pseudo-adopted son, is the Horseman of Pestilence.  War and Famine are kicking around too, but they don’t really matter as much here.  The POINT is that Billy and Colin accidentally raised an Antichrist and the world barely missed ending.  That’s it, that’s the book.  And then…well.  Billy and Colin.  They are canonically in love, and have been since they hunted together as twenty-somethings and thirty-somethings.  Billy, now sixty-three and no longer spry enough to hunt himself, is an archivist and weaponeer for every hunter of supernatural things.  And the now-sixty Colin…well, Colin’s a Catholic priest…so…they’re not together and they never will be.  And Adler is never going to forgive me for that.  I’m sorry.  Please don’t hunt me with torches.

I put my music on shuffle and got I’m So Sorry by Imagine Dragons and…um…yeah, actually, this is a snippet from while the Almostpocalypse was happening.  I’m…so sorry.

“Preacher,” Billy said quietly, and Colin didn’t look at him, still standing at the edge of the porch and staring down the road.  He didn’t need to look to know that Billy would step forward, stand next to him until their shoulders pressed together, the once-red hair steely in the corner of his vision.  Billy was a broad, solid warmth at his side, half a head taller and steady as ages, and Colin let their shoulders bump together, acknowledgement that he was there.

“Did you hear it?” he asked, barely more than a murmur, and Billy nodded slowly beside him, looking out in the same direction—south, to Nevada, to where the Horsemen were, miles and hours away.  The scream had come from nowhere, from everywhere, like standing directly beneath a roll of thunder, but the voice had been Sam’s.  “The others,” Colin said, almost blank.

Keep reading

fizzygingr:

Let’s play the game where you give me an AU and I’ll expand on it.

(via notbecauseofvictories)

@littlestartopaz​ asked for the answers to F, W, X, and Y from this post, sooo here we go.

F: Share a snippet from one of your favorite dialogue scenes you’ve written and explain why you’re proud of it. 

Answered here.

W: Do you like more general prompts, or more specific ones?

As I believe we’ve established, my writing operates on a very strict rule: the less specific a prompt is, the faster it gets out of hand.  Do I like general prompts like “Hamilton Star Wars AU” that I can write about at length?  Absolutely.  But I also really don’t have time to do a lot of them, so perforce I’m going to say ‘specific’.

X: A character you enjoy making suffer.

…all of them.  Ever.  Specifically?  Um…nah, I’m going to stand by that.  The more I like a character, the more I want to see them cry over the bodies of everyone they’ve ever loved.  One of my most beloved original characters actually has that exact experience in the canon plot of her novel, and everyone I killed for it were characters I adore.  No one is safe.

Y: A character you want to protect.

I’m going to assume that it’s perfectly feasible to both like making a character suffer and want to protect them, so…yeah.  Wanda Maximoff is the first one to come to mind, also Kurt Wagner, Jean Grey, and Warren Worthington III, John Laurens (I can include historical characters, I do what I want), Grantaire, Enjolras, Cosette, Eponine, Bucky Barnes, Steve Rogers, Sam Wilson, Natasha Romanoff…Veronica Mars, Logan Echolls…the Animorphs if anyone gets THAT reference…Aerin Dragon-Killer, which is even MORE obscure…Rogue, Gambit, Kitty Pryde, Colossus…this list could go on.

ghostdog401 asked: F: Share a snippet from one of your favorite dialogue scenes you’ve written and explain why you’re proud of it.

This conversation, from this untitled Sam/Steve/Bucky friendship ficlet.

“It’s Captain America, Barnes,” Clint said, a laugh hidden beneath the deadpan.  “He doesn’t need taking care of.”

Bucky stopped and gave the plane at large a pitying sort of look. “You poor sonsabitches, you fell for it. You fell for the spiel.  Let me tell you somethin’, when I say I left for five minutes, I mean five goddamn minutes.  I turn my back on this little shit, last time I’m gonna see him before I go off and get my ass shot at by a bunch of dickless Nazis, and he runs off and signs up to be a guinea pig for Stark.  I wasn’t even out of the city, I was a hundred yards away.”

“So compared to that, this seems like a much better plan, don’t you think?” Steve asked, grinning. 

BECAUSE I FELT LIKE BUCKY NEEDED TO GET THAT OFF HIS CHEST, AND I AM PROUD TO HAVE BEEN A PART OF IT.  

I’m also very proud of literally all the dialogue in this untitled Rogue/Remy ficlet, but I couldn’t pick a favorite bit.