Anonymous asked: Okay, so, I'm a senior in college and I have zero free time to actually find fics my own damn self, so I was wondering if you had any recs for Buffy/Angel fics? (I have some issues with Buffy/Spike for personal reasons, but it's the most popular ship and wading through it is just kind of exhausting, you know? Like, no judgement, but I can't do the ship, and it takes FOREVER to find Buffy/Angel stuff.)

snarkyeloquence:

okay, i’m SO SO sorry this took a hundred years. like i said, i wanted to make sure to give more than just a few recs. they’re all bangel, set during various seasons. hope you like them!! 

had to put it under a read more because it got longer than i thought it would

Keep reading

Your identity is a slur

marbleflan:

I’ve been really preoccupied mentally with this ‘queer is a slur’ thing going around. I’ve seen a lot of ppl explaining the histories behind queer and its reclamation by queer folks, but I wanted to riff a little bit about the reasons, for me, that reclamation makes sense as a reaction in the first place.

When I was a young gay, growing up in Birmingham, Alabama, I remember there being one slur I heard a lot that I don’t really hear anymore. I don’t know if this was just an Alabama thing, but pretty much every gay person I knew had heard or used this word at some point and lots of str8 folks used it too: flamer. 

It was short for ‘flamboyant’–used primarily to describe gay men. I cannot even begin to describe to you my loathing for this word. Not only did I just fundamentally think it sounded stupid, I hated that: (1) it was consistently used to gender-police gay men, because of course acting flamboyant was all about not being sufficiently masculine; (2) the idea that to be acceptable queer folks need to hide their queer ways and act like str8s is distasteful; (3) str8 ppl would sometimes mis-define by claiming that it was because “gay people would burn in hell”; (4) gay men used it against each other as much as str8 ppl used it against gay men.

One of my best friends back then was a guy named Josh. Big, cuddly, sweet, I-dare-you-to-no- love-this-guy Josh. There was nothing particularly effete about Josh’s appearance, but he was not remotely interested in the trappings of masculinity; one of his many affectionately given nick-names was “Spirit Sparkles.” Josh often referred to himself as a flamer–he took a lot of pride and pleasure in the term. Sometimes he would introduce himself that way to other gay kids we met. It was a really aggressive stance, because it flipped the tables on anyone who wanted to use the term pejoratively. 

What I mean to say is that in a situation where one person called another a flamer as a derogatory term, you’d have to pick the term apart and point out all the things wrong with it: “Hey, you shouldn’t use that word because it implies that there’s something wrong with acting gay and anyway how does someone act gay that doesn’t make any sense, and also it sort of implies that men who have feminine attributes are wrong and that’s gross.” On the other hand, to embrace the term was to signal that everything deemed ‘bad’ by its use as a slur was in fact a source of pride. Moreover, it put the other person in the position of having to say what was wrong with being flamboyant. In this way, this act of reclamation was a Gordian knot solution–rather than untangle the term, reclamation allowed Josh to cut through all the bullshit.

One of the persistent problems with terminology in the queer community is that there are no words for us that haven’t been at one time or another a slur because for an enormous chunk of our history in Western culture the dictionary definition of who we are was itself imbued with negativity. Even the word homosexual was a pathologized medical term for a psychological disorder until 1974. In this context, reclaiming slurs as markers of pride is one of the only courses of action open to us: and, in fact, this is one of the key concepts in Pride parades. They sprung up in the wake of the 1969 Christopher Street Riots as an explicit way of saying to str8 communities: these people you denigrate the most (drag queens, transgender individuals, POC) in the gay community are a source of pride for us. We’re here, we’re queer, we’re not going anywhere. 

My identity is a slur. What I do and what I am are offensive to people. I cannot escape this, but I can embrace it. I can take pride in the very aspects of myself that others find perverse. I can–and I do.

(via windbladess)

louisinplaid:

⭐️this is not the election for third party protest voting ⭐️

(via cthulhu-with-a-fez)

ninewheels:

I was younger than you are now
When I was given my first command
I led my men straight into a massacre
I witnessed their deaths first-hand
I made every mistake
And felt the shame rise in me
And even now I lie awake
Knowing history has its eyes on me

(via shorm)

art-is-the-word:

towritecomicsonherarms:

jsmcavoyed:

(+) 

Am I fucking dreaming ? 

holy shit

The xMen weve always dreamed of

(via starwarsisgay)

rootbeergoddess:

buzzfeednews:

And they shared the whole story. 

These women are awesome

(Source: BuzzFeed, via thepainofthesass)

words-writ-in-starlight:

words-writ-in-starlight:

words-writ-in-starlight:

I‘m showing my parents Hamilton (well…the soundtrack…because who has money these days) and my mom was crying by the start of Satisfied and I’m just like…can I in good conscience show her It’s Quiet Uptown?  I’m gonna have guilt at the end of this.

BUT HAMILTON IS IMPORTANT SO I’M GONNA DO IT ANYWAY.

Update: my mom, like me, is a Gryffindor to the bone.  My mom, like me, basically burst into tears during Yorktown (I mean, I burst into tears for me, which was…like…two tears total, but whatever).  Why do Gryffindors all cry during Yorktown?  is it because we’re all combative victory-loving people?  Because that’s my explanation.

I’m trying not to think about the upcoming trainwreck now that we just finished Say No to This, SO.  It occurs to me that, in Hamilton, basically every female character who appears except Peggy (who…doesn’t really appear) is in love with Alexander Hamilton.  AND YET.  They still pass the Bechdel test with the very first appearance of the Schuyler sisters.  

BURN.

OW OW OW OW.

Well, we just started Blow Us All Away.

It’s been my pleasure to know y’all; I like red flowers, especially roses, so bring those to the funeral.

(via words-writ-in-starlight)

ventral-fins:

luckycalico:

My grandma sent me this video on the trans bathroom controversy. His name is the Liberal Redneck and he is now my best friend.

BOI IM #LIVIN FOR THIS GUY

(Source: wqsnijkfgefdjhklfvedjhknflvd, via princehal9000)

teachertotodile:

kellioharatonywinner:

roane72:

cellardoortumbles:

anothervisionofus:

hogwartshiddenswimmingpool:

ladystoneshield:

marvins-wedding-gown:

Yorktown

This is magical

The Hamilton posts on my dash left me with a vague desire to see the show if the opportunity ever arose. But this. I pressed play, and at a minute and 20 seconds into this video, I paused it, opened iTunes, and downloaded the soundtrack. What the fuck is this. I didn’t ask for this.

THIS IS EXACTLY HOW IT HAPPENED.

I can’t put words to just how much the orchestra loses their collective shit during Yorktown – specifically during Oak’s rap + right after it. Their volume skyrockets, the conductor was headbanging…it felt like my seat was rattling off its hinges with the energy of it.

Yep, this is what sucked me in too. Listen with headphones. Every single time I get goosebumps when they get to “The world turned upside down…”

I’m so beyond excited to see this

The goosebumps are sooo real

I am so broke, but I would literally kill a man to see this musical.

(via cthulhu-with-a-fez)

"

Dear 15
When the car breaks down (again), you will reach deep into your pockets and offer up all of your measly life’s savings to fix it. Your mother will shake her head and you will not understand it. There is a lot you don’t understand, yet. And sometimes love comes in the shape of a “no” you are not equipped to accept. But 15 isn’t nearly so grown up at you think it is and the future is toddering toward you on shaky legs and it’s okay to be afraid of it. You don’t know who you are right now, but here are a couple hints: red meat makes your stomach hurt, pink is not the enemy, and girls are really, really pretty. And it’s okay if you want to kiss them.

Dear 13
Get a good look at this one—you’re going to remember him. The cherub face, the voice that rings louder than the one in your own throat; he is the worst thing that ever happened to you. But it will take four more years of being crushed into the margins of your own story to realize that. Right now, right now, he comes dressed as the answer to all of your prayers: looks like God right when you were starting to wonder if there was one. But, darling, if I could go back and keep you away from him, I wouldn’t. He is the atom bomb to your Nevada body and he mushroom-clouds everything that you think you know about yourself.
But he is also one of the only reasons you make it, at all. Broken things always grow back stronger, and now he’s a rumor of a boy with no home that wants him, and you are still standing. And you are stronger.

Dear 11
This is dangerous loving. You are too small, too soft. They are going to make mincemeat of you.

Dear 17
You took it too far—turned lonely into solitary confinement and apathy into a pissing contest. But the betrayals don’t hurt anymore so, hey, you did it. You let the ones who hurt you go. You let everything go. Your body is a steel wall, ninety degrees of unbending Empty. Your first kiss is a boy you hate; you are done leaving voicemails for a boy who might be dead, tomorrow;  they are not the same boy, but they might as well be. You will snowball all this Nothing into an avalanche.

Dear 19
Please stop, please stop, please stop, please stop. You can’t set fire to the hurting.

Now
11 wants to know what you did with your hair. 15 misses Dad and 19 doesn’t. None of us even recognize you and we can’t tell if that’s a good thing or a bad one but 13 is in love and 19 is kicking the shit out of her. And 15 is in love and 19 is setting her hair on fire and 17 says she doesn’t know what love means. 11 cried her eyes out yesterday and 17 didn’t do anything. How did you grow up on the backs of so many broken things? How strong can a bed of eggshells be? 15 is starving for affection—can’t remember the last time she was touched. 13 still has nightmares about the boy on the bus and the grin on his face and his hand down the front of her jeans and the way her heart felt like a chicken-wire fence caught in a hurricane. 13 didn’t get out of bed today. 17 sees the boy and hugs him instead of hitting him and feels sick for weeks but 19 is a survivor and she tells the rest of us to get the fuck over it.
What we mean is… are you happy? Because 19 made homes out of beds that she didn’t belong in and we just want 21 to make it.
Are you making it?

"

— untitled, (1/30)

(Source: latenightcornerstore, via latenightcornerstore)