fic wishes

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v8roadworrier:

flamethrowing-hurdy-gurdy:

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bassfanimation:

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bonehandledknife:

mazarinedrake:

bonehandledknife:

I randomly want to see groundhog day fic in Fury Road but have no idea what that would even look like.

oh my god, here’s an idea: the events of the movie are the final day in a Groundhog’s Day loop…FROM CHEEDO’S PERSPECTIVE. 

She broke the loop by helping Furiosa up onto Joe’s car. 

how many days did she spend trying to save angharad?, how many times did she make it to the green place?, fuuuuuuck i NEED to write this. (via mazarinedrake)

OMG YOU REALLY DO

Also?

#SCREAAAAAAAAAMINGGGGGGG

Oh my god THAT’s why she’s willing to sacrifice her crew, because she’s tried any variation of telling them, of asking their help, and there’s always somehow a weak link, they’re not good at secrets, at acting. They don’t even come away from the Citadel, or her crew is suddenly replaced by Joe, or she’s taken off the War Rig, or– In desperation she tries not telling them one time, and it’s gut-wrenching, but then she gets much further, and now she has to get them killed over and over again, punch Ace off of her running board like he’s one of the Wretched over and over again–

She only ever reaches the other Vuvalini once, on their final run, which is why it was so crushing when she found out that there were only a few left, and that her home was gone.  The run through we saw was the furthest she ever got, after hundreds of times watching her crew and the sisters die in different ways.  Maybe she even killed Max many times before, or left him to die in the desert.    

STOP THAAAAAT

*claws at face*

And he never once told her his name.

and the thing is, furiosa doesn’t think it’ll be the last run. she got unlucky with three war parties trailing her, she wasn’t able to kill the war boy which means he’ll show back up with a gun or a knife eventually, the fool shot angharad and now she’s fallen, gone under the wheels. she’ll keep playing along because giving up isn’t an option but she’s really just biding her time, waiting for the night to dissolve back into the walls of the citadel or a lucky bullet to land true and blot it all out.

it’s not until the sun rises and the fool come up swinging that she realizes she’s still driving. she’s still in the rig, in the light of a brand new day, and for the first time in countless days home is on the horizon

But that means that everything after that is final. No fifty different ways to find a path where Valkyrie lives. No alternate solutions to losing all but two of her people. What happens now is what happens. And she should be glad for that…

and for the most part, she is. For the most part.

fic wishes

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bonehandledknife:

yohunny:

bassfanimation:

flamethrowing-hurdy-gurdy:

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bassfanimation:

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bonehandledknife:

mazarinedrake:

bonehandledknife:

I randomly want to see groundhog day fic in Fury Road but have no idea what that would even look like.

oh my god, here’s an idea: the events of the movie are the final day in a Groundhog’s Day loop…FROM CHEEDO’S PERSPECTIVE. 

She broke the loop by helping Furiosa up onto Joe’s car. 

how many days did she spend trying to save angharad?, how many times did she make it to the green place?, fuuuuuuck i NEED to write this. (via mazarinedrake)

OMG YOU REALLY DO

Also?

#SCREAAAAAAAAAMINGGGGGGG

Oh my god THAT’s why she’s willing to sacrifice her crew, because she’s tried any variation of telling them, of asking their help, and there’s always somehow a weak link, they’re not good at secrets, at acting. They don’t even come away from the Citadel, or her crew is suddenly replaced by Joe, or she’s taken off the War Rig, or– In desperation she tries not telling them one time, and it’s gut-wrenching, but then she gets much further, and now she has to get them killed over and over again, punch Ace off of her running board like he’s one of the Wretched over and over again–

She only ever reaches the other Vuvalini once, on their final run, which is why it was so crushing when she found out that there were only a few left, and that her home was gone.  The run through we saw was the furthest she ever got, after hundreds of times watching her crew and the sisters die in different ways.  Maybe she even killed Max many times before, or left him to die in the desert.    

STOP THAAAAAT

*claws at face*

And he never once told her his name.

#mad max: fury road#holy shit#like this is so good#and furiosa definitely has to be the one relieving it#its why when she asks max about angharad she keeps going#because she keeps a running tally in her head#how many lost#how many down#maybe its like the edge of tomorrow#every time she dies its resets if she doesnt hit a certain point time wise#and so sometimes she just spends literal days doing nothing#runs out into the desert and screams and kicks and cries#shoots joe in the face with a shotgun only that restarts things sooner#sets the citadel on fire#sometimes she just sleeps#days at a time#because who cares really#and then sometimes its days of the same thing over and over#she convinces max 100 times to let them back in the rig#sometimes shes so tired she cant remember which ones work and which ones dont#god this is amazing you people are the greatest fandom ever#just when i feel tired this shit renews me (fuckyeahisawthat)

Graphic descriptions of violence and a ton of angst under the cut and holy shit I should not be allowed to write:

Keep reading

Oh my goddddddddddddd ilu

*helplessly raises hands into the air*

YESSSSS

hellofangirlparadiseblog:

modokiblack:

drew some mad max fan art

everyone please watch this movie

omg, this is gold

(via bonehandledknife)

bonehandledknife:

bonehandledknife:

fuckyeahisawthat:

bassfanimation:

fuckyeahisawthat:

bassfanimation:

mswyrr:

vespermartini:

-You’re more than welcome to come with us.

-I’ll make my own way.

#never have I wanted more#to gently reach into the screen and turn two people’s faces towards each other (mumblingsage)

#goddam you and those tags#cos now i’m gonna cry#or at least feel a very strong urge to do so#sigh#these two#why won’t you look at each other?#why only when it hurts?#*sadface*#max x furiosa#mad max fury road#my life was ruined on the 19th of may 2015#when i saw mmfr for the first time

mmfr, fury road, that tiny smirk on Furiosa’s face, I can’t tell if it’s because she knew he’d say no, or, I just want to drive to CT’s house and knock on the door with this screen shot printed out, hello Charlize yes I realize you’ve called the cops, that’s fine but listen, what does this mean, what is going on here, you need to explain to me this thing right here, before I go to jail, I need to know what you idiots are thinking.

Reblogging for this hilarisad string of tags. In my head that little smile is definitely Furiosa laughing at herself for even asking, like, What did you expect, you idiot? He won’t even tell you his name.

A+++ use of hidden from other character/revealed to audience blocking to maximize the emotional pain of this scene.

#Mad Max Fury Road#max x furiosa#these two wasteland idiots and their stumbling attempts to connect#movies for emotional masochists

mmfr, fury road, when I get out of jail I’m going to fly to England, knock on Tom Hardy’s door, hi yes hello Tom I’m sorry I interrupted your tea but, look at this screen shot I’ve tattooed on my chest, what were you guys thinking in this scene, I’m so sorry your children and wife are terrified of me but please I need to know,Charlize wouldn’t tell me she just screamed, before I am put into an English prison tell me, what you fools were trying to do to me with this scene, AH so Max and Furiosa are basically completely wasted for each other but you’re both too, emotionally distraught to admit that, so you say NO and she is smirking because she feels she was a fool to think you’d go, so you’re both going to just be in HeartBreak Land forever,THANK YOU FOR CONFIRMING THIS TOM, oh man English prison is going to suck I hate tea, but at least I have this knowledge to die with.

And Max slowly putting it together that he could have, and maybe should have, said something else, but not yet ready to take it back…

#She knew he would say no because she would’ve said no in his position#and she knew that he would say no but she still went and talked with the others#went to bat for him so he could have a place with them#even though she knew he wouldn’t go with them#because he’s haunted with his own overwhelming sense of guilt at not being able to save the people he cared about before#and they both know it#and it’s awful#I love this movie (via the trekkiehasthephonebox)

LOOK AT THEM THO, THE HESITANCY, is that a word I don’t know, you can SEE their brains working it over, look at their eyes, barely glancing to or away from eachother at just the right moment, she’s like Go ahead say no, He’s like you know I’m going to say no, she’s thinking Are you sure because I want to tell you that I want you to go, Do you want me to go with you, I cant tell you that I don’t know how, I don’t know how to tell you yes, FUCKING HELL, screaming at own ass, more effective communication than these two are with words. (via bassfanimation)

mswyrr:

okay so let’s break this down. first the sisters save furiosa by pulling nux off her:

image

that’s your pretty clear, straightforward life-saving courage. and it’s significant that the sisters are ready to fight like that even so early in the story.

but then furiosa goes for nux’s throat

image

in the sort of interaction she’s internalized after years of repetition: one of the war boys comes for her, she ends them. end of fucking story.

a moment of reflection, a moment of flinching back from immediately killing, would have doomed her in the past

she’s programmed herself to kill without mercy in order to survive. she doesn’t even consider if there’s an alternative. there never has been.

20 years and nobody’s ever stopped her. the only people who tried wanted to hurt her. but they didn’t succeed. otherwise, no matter what she did, who she hurt, nobody cared enough to stop her. they gleefully supported it or considered it her right or her obligation

murder, murder, murder, life means nothing. only weak people flinch from inflicting pain. and you know what happens to weak people. they end up dead or in cages. that’s the law of the Citadel

furiosa didn’t intellectually believe that fully, but you do something long enough and it gets inside you.

but angharad makes her stop

image
image

it’s brave and a bit self-destructive, given that this is Imperator Furiosa she’s fucking manhandling (good thing the Vuvalini seem to consider it a cultural virtue to take shit/major challenging lip from the younger women they mentor lol)

but for the first time in twenty years someone knows right from wrong and cares enough to stop her

i think angharad mostly cares for the principle of the thing. definitely condemnation is in there. but… you can read it as a very angry form of reaching out. you can read it as angharad’s response to furiosa’s lecture earlier about how “everything hurts” out here. whatever the case, furiosa is and always will be someone who kills. that’s key to how she survives and protects those she loves. but it’s possible to fight and kill without losing touch with the idea that killing doesn’t have to be the only answer. that killing is always wrong, even if it’s necessary. that you should be thinking about when it’s unnecessary to kill.

i think the sisters save furiosa’s life and nux’s life here but also are part of the journey of saving their souls in this scene

the lecture on Wasteland feminist theory nux received is more obvious, but angharad stopping furiosa is also this huge huge thing

for the first time in her adult life someone cares enough to stop her. to say: he’s just a kid. you don’t have to this time. and if you don’t have to, you shouldn’t.

you can stop

(via bonehandledknife)

Mad Max and Motherhood

penfairy:

damnmydooah:

penfairy:

When Furiosa finds the Vuvalini, she announces herself with the following words: ‘I am one of the Vuvalini, of the many mothers. My initiate mother was Katie Concannon. I am the daughter of Mary Jo Bassa. My clan was Swaddle Dog.’

This tells us Furiosa came from a matriarchal culture where ‘initiate mothers’ and older female role models were considered just as important as real mothers. She was raised and taught by a whole host of mother figures, and she clings tightly to this part of her identity.

We also know that Furiosa was stolen to act as breeding stock, but when she failed to produce any children she was discarded as worthless and had to become ‘one of the boys.’ By her skill and determination, she worked her way up through the ranks of Immortan Joe’s war boys until she reached a position where she was able to escape.

And all this makes me realise how cathartic it must have been to meet the wives and form a relationship with them. Throughout the film we watch her care for them, protect them and teach them. We watch her pass on her skills and knowledge to this new generation of women. We watch her relate to these women as a woman herself. We watch as her attitude towards them becomes almost entirely protective and maternal. Her mention of having an ‘initiate mother’ is particularly striking, since it would appear that Furiosa became just such a mother to the wives.

The only part of motherhood Joe valued was the actual birthgiving - a sentiment gruesomely displayed by the crude caesarean forced on Angharad. But the Vuvalini had many different ways to be mothers, and Furiosa proves that the most important part of motherhood is not the production of children, but the act of teaching and protecting. This, alongside the wives’ assertion that ‘Our babies will not be warlords,’ the culture of toxic masculinity that surrounds the war boys from being separated from their mothers at birth and the fact that a new, peaceful generation is ushered in by the war pups lowering the lift and the Milking Mothers throwing off their chains to give water to Wretched, tells us that the true value of motherhood does not lie in the ability to bear children, but in a woman’s ability to teach, influence and shape future generations.

Marvel are you paying attention?

I’m sorry for the self-reblog, but thanks to this comment I can’t stop thinking about the contrast between the way Age of Ultron and Mad Max dealt with having an infertile female lead.

Natasha called herself a monster. It was her deep, dark, tragic secret. She feared no man would ever be able to love her. She thought it would keep her from being with the one she loved.

On the other hand, it was patriarchal society that told Furiosa she was worthless because she couldn’t have children. She was stolen to act as breeding stock, and when she failed to accomplish the one thing she was considered useful for, she was discarded.

And in response, Furiosa says fuck that.

“I am one of the Vuvalini,” she says. “I am one of the many mothers.” She may be infertile, but so what? Her place is still with the many mothers because motherhood is so much more than birth and pregnancy. She is the initiate mother of the wives and she protects them with all her rage and love and ferocity. She’s welcomed as the new ruler of the Citadel by children and the Milking Mothers.

Furiosa of the many mothers refused to let her worth be defined by the patriarchy’s narrow definition of motherhood. She spat in its face and tore the entire toxic institution to the ground so she could create a world where women’s roles as mothers went far beyond the mere production of children.

So yeah, take notes Marvel.

(via fuckyeahisawthat)

bonehandledknife:

youkaiyume:

bassfanimation:

I can’t help but feel Max’s Interceptor is almost like a replacement for his lost family, in a symbolic sense.  He sees the Interceptor as “home”.  It’s how he says it in the comic too.  So let me present to you some very sad thoughts I’ve had about this:

Max talking to the Interceptor as if it is Jess.  Looking over to the seat next to him and imagining her laughing with him when they were young.

Max thinking about all the times he and Jess cruised together.

Max remembering how it felt to be a good man, driving that car, knowing people looked to him to be a hero.  Him being okay with that, taking pride in that.

Max out on the road, late night of working, and he stops in the middle of nowhere just to look up at the stars to remember the world still has beautiful things to see.  He looks over to the seat next to him and Jess’s image is there, smiling at him, agreeing that yes, there’s still beautiful things to see.

Max rolling up to the Citadel in a nearly battered-beyond-function Interceptor.  It’s caked in mud, has had numerous thundersticks thrown at it, mirrors all gone.  When a familiar face greets him, he feels so ashamed of his attachment to the car that he can’t bear to look at her, save a quick flash of red eyes.

Furiosa helping get the Interceptor into the garage, scooting under the it to inspect the extent of the damage.  She says from under the mass of wrecked metal that it’s not so bad, not bad all.  Max doesn’t believe her, he knows how bad the condition is.

Furiosa asks if she can look inside, and on Max’s nod she opens the door.  She touches everything reverently and gently.  She knows.  She looks at Max and says “She’s a beauty.  You’ve taken great care of her.”  Max wants to look at her but he can’t, he stays with his back turned.

Days go by, nights go by.  Furiosa doesn’t leave the garage.  Max takes short walks to think, alone.  He’s not sure about what he’s looking for anymore.  When he goes back to the garage, he tells Furiosa, who’s been working for days, to get some rest.  She simply replies that she’s never been a sleeper.

Max wakes up to see an empty space in the garage.  Just outside he hears running water.  He’s not alarmed at all, he knows Je—the car, is in good hands.  She’d feel safe if she were here.  He shuts his eyes again and drifts back off into daydreams.

When he finally wakes up, Max sees something that almost makes him think time has reversed.  The Interceptor, almost glimmering in the sun, has returned to him.  He is so amazed all he can do is stare, and walk around the car in a circle with his hands tangled in his tousled hair.  

Furiosa says he should take her out, see how she feels.  Max is almost giddy.  He opens the door, sees the newly cleaned interior, or as clean as it can possibly be in this world.  He goes to start the car, but he pauses, looks out from the window and nods over to Furiosa. 

As much as she wants to go with him, she knows it’s not her place.  “Go on, go, but come back and at least tell me how she does.”  She wipes her dusty brow and begins to walk away, but Max calls back to her, “Hey” Again he nods to the other door, more insistently this time.  

She gives in, but only because he asked twice.  She wanted him to be sure it was ok.  

As Max drives the Interceptor out onto the plains, he marvels at how smoothly she runs.  She feels almost brand new.  She’s still beat up, dusty, she’s been through everything with him, but she feels new.  How?  He swerves sharply to test the vehicle further, and he actually hears himself let out a laugh.  For the first time in so long, he’s forgotten what it felt like.  

Suddenly he hears another laugh, and he looks to the seat next to him.  There’s a familiar face, but not the one he usually sees.  Another laugh he’s never heard, another smile he feels he’s waited for for a long time.  He feels more at home than he has in ages.  But something feels wrong, too.  He’s not supposed to feel like he’s home.  That’s not the face he’s supposed to see.  He turns to drive back to the garage when he slowly comes to a stop.

Furiosa asks him if the car’s feeling right to him.  He doesn’t look at her, but instead steps out of the car.  He nods to the seat, and then looks at Furiosa.  She stares, gaping at him with a questioning face.  She’s not sure she understands but she’s trying to.  Her face is asking him if he’s sure.  He walks around to the driver’s side and opens the door, motioning her to scoot over to the wheel.  She does, but hesitantly.  

Furiosa has been working with this car for weeks, she’s touched nearly everything on it with a steady hand.  Suddenly, as she goes to grip the wheel, her hands, one flesh, and one metal, are unsteady, trembling.  Max looks at her and then to the road ahead.  She returns the gaze, and understands. 

As she drives the car, she glances at Max before making any move, any decision.  She feels the weight of every movement of the wheels, leaning just so on the ripping turns, shifting the gears on a dime.  She smiles and lets a small laugh escape as a bit of dust flies up onto the windscreen. Max laughs too.  He remembers this feeling like it was yesterday.  Furiosa yells over the roar of the engine, “She’s perfect!”  Max agrees.

It’s twilight as Max drives the Interceptor back to the Citadel.  They’re far enough out that the stars are showing brighter than they do normally.  Furiosa had rested her head in her hand on the door, and had fallen asleep.  All the times he asked her to rest and she wouldn’t do it, but here she is, sleeping not unlike she used to.  On those long, lazy drives together, just having fun.  Just living, with no fears, no feeling alone.  

Max suddenly finds he’s come to a slow stop.  They’re on a small hill and can see the Citadel just in the distance.  The sun is gone, but the sky is an array of colors not unlike the sunsets he loved from his home.  He bows his head to rub his eyes, for some reason burning with wetness, when he glances over to the seat next to him.  She’s still there.  Normally, when the tears come, she disappears.  

Max hears a whisper, not from the seat next to him, but from his open window, in the distance where the sun has set.  “She is perfect, don’t you think?  Good as new.”  Max knew this voice.  He knew it wasn’t real, but she sounded so real.  “New engine, and lot cleaner than you ever kept her…”  Max scanned the distance for her face but saw only the stars.  He frantically looks to the seat next to him, desperate to ask something he needs to know but she’s not there.  Only the sleeping face of this person that can’t answer what he needs to know, because she has the same question as he does.  

Max gazes once more through moist eyes, out to the horizon in front of them.  He sees a hazy figure just beyond the hood of the car. “She’s crazy ‘bout you, you know.”  She turns just enough so that he can make out her delicate profile against the starlight. “It’s ok, Max.”  He sees the shape of her mouth smile, and he collapses, head down, grasping the wheel of the Interceptor.  He can’t quite say it, when he feels a hand rest on his shoulder.

“Hey”, she says, watching him in the now violet dusk.  She can’t see his tears, but she hears the catching in his voice and the sniffs of his nose.  He could do like most and claim it’s just the dust, an excuse she’s used countless times to disguise her own cries.

“Sorry”, Max says as he turns the car on and presses forward, to the Citadel. She tries to lighten the mood by telling him the Interceptor is probably the best car she’s worked on. She slides her weathered hand gently over the dashboard and tells him, “She won’t ever let you down.”   He simply nods, blinking away the last of the tears.  

When they arrive, Furiosa takes a long, lasting look at the Interceptor.  This car means to him something she can’t ask about, something she can never offer him.  This piece of home.  All she could do was try and make her strong again, for him, strong enough to keep him safe for however long he needed her.  This place of rock and steel was not his home.  It wasn’t even her home, but was the best she had.  She looks up from the vehicle to ask if he needs anything more, saying they have plenty of food and water, and of course guzzoline.  Anything he wants, he’s more than welcome.

Max looks at her through the dark, only barely sidelit from the fires of the encampments surrounding the entrance to the tower.  When he doesn’t answer, Furiosa knows she’s offered what she can. It’s time for another goodbye.  

“You…need a couple more hands in the garage…maybe?,” he mutters.  “It’s ok…if you don’t.”

She stops dead in her tracks, facing away from him for a few moments, hiding her tearful smile.  When she’s certain he can’t see much in the growing dark, she turns, and nods towards the gravely road.  “Garage is this way.”

why do you hurt me this way…

OH MY FUCKING GOD ARE YOU POSTING THIS AS FIC, DO YOU NEED AN INVITE?

MY HEART HURTS AND I LOVE IT

youkaiyume:

The War Boys call him “lucky,” to be favored by the Imperator.

The Sisters call him her “support/partner.”

Furiosa calls him “reliable.”

Max thinks the correct term they’re looking for is “furniture.”

But all things considered, he’s been used for worse before. He doesn’t mind being of use to Furiosa.

I said I wanted to draw a series of doodles of Furiosa using Max as various forms of furniture mostly to lean upon…and him making bemused grumpy faces.

The Throne is especially for bonehandledknife 

(via dyinghistoric)

fuckyeahisawthat:
“lierdumoa:
“fuckyeahisawthat:
“Interviewer: You’ve got this rage within you. Where does it come from?
Charlize Theron: Uh…surprise. Women have that. I’m not the only one. (x)
#i will never get tired of looking at Furiosa’s various...

fuckyeahisawthat:

lierdumoa:

fuckyeahisawthat:

Interviewer: You’ve got this rage within you. Where does it come from?

Charlize Theron: Uh…surprise. Women have that. I’m not the only one. (x)

#i will never get tired of looking at Furiosa’s various murder faces

Attn: all the white feminists complaining that Furiosa isn’t a good feminist icon because she’s “acts like a male action hero” – rage is not masculine. Angry female characters are not “emulating men.” 

I actually had that debate with someone right after I saw the movie (a dude, with whom I agree on many things politically), about whether you could call a movie where women use violence feminist. I was all “rage and violence do not belong to men, even if they are coded masculine in our society.” This article says it much more articulately than I did at the time.

I would like to write something further about this, because I have a lot of thoughts as a writer/director about women expressing anger and being violent on screen, and how it’s often only allowed to be shown in certain ways. (I wrote about some of this in Furiosa vs. Tropes for Women in Action.) But at the moment I think the number of notes on this post is doing a good job of making my point.

primarybufferpanel:

youkaiyume:

Did Someone say… TRADING PAINT?!

I told bassfanimation that I’d do it so I did. *whispers* you didn’t think I’d do it did you?

Truthfully I just wanted to draw Toast and Capable shouting stupid innuendos at Max and Furiosa. And Furiosa giving zero fucks. Hooray for car slang!

And BONUS ACE! Because he’s totally alive and not dead and shut up im not listening to logic lalala.

cameo boltcutter sigil on Furiosa’s belt for primarybufferpanel cuz I thought it was a nice replacement for the skull.

*SLAMS on the reblog button*

There is nothing about this I do not love (and of course Ace is alive)