cygnaut:

mumblingsage:

solitarymushroom:

mumblingsage:

molluscagonewild:

socially-awkward-libra:

Okay, so I was watching Mad Max…. and during this scene I noticed something…

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Let’s take a closer look…

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Now, pardon my bad gif making skills but…

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IS THAT FURIOSA RESTING ON MAX’S SHOULDER!? 

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you’re right, that’s her

So not only are they sitting on the roof & holding hands while the car drives onto the lift, they’ve been resting against each other the entire way there!?

I didn’t know they were holding hands on the roof! I wonder if the car ride is missed out in the same way that Max killing the Bullet Farmer is missed out. Like Furiosa is out for the count pretty much so would it be too focused on Max? In the same way the other scene in other action films would have been included?

There would have been so much bonding through unspoken words and eye contact and touching tho omg I want to know what happened during this drive!!

Oh yeah they were. It’s like 95% to provide physical support for her but…that other 5%… 

(And I kind of feel like after the moment of intimacy and vulnerability “My name is Max” ends on, both of them need and deserve a long drive with her napping on his shoulder. The more I think about it the more it feels right.)

I just want high-res screencaps of every millisecond of this last scene.

I’m still not over this. THEY’RE SO CUDDLY AT THE END

Furiosa is completely exhausted and all of Max’s barriers are down after the blood-giving scene. Like 95% it’s about literal physical support, but 5% is “oh god after everything we went through I’m so glad you’re alive let’s touch”

(Source: whoa-there-mcfuckboi, via bonehandledknife)

madhattressdelux:

Benefits of having OTPS that can double as brOTP:
Always together (platonic or romantic)
Nobody can deny they aren’t important to each other
Their fucking friendships are a precious thing
A good relationship
Communication comes relatively easy
Simple things can’t shake their unbreakable bro-ship

Cons:

Did you mean MAX ROCKATANSKY AND IMPERATOR FURIOSA.

(via anacfranco)

mumblingsage:

mswyrr:

mumblingsage:

zombeesknees:

#oh noooooooooo  #growing up at Citadel it wasn’t just that she couldn’t grieve for her mother  #it was that the life at Citadel made many human reactions impossible  #human habits and rituals and ways of being  #so many things would have been shut off and shut down and put into emotional cold storage  #because it’s not like Citadel was lacking ritual - they were lacking the basic humanity behind the need for ritual  #all Citadel rituals were about control and containment (eg ONLY those based on fear/awe)  #and any other human action with symbolic value that might have to do with community and memory - that’s gone  #stamped out  #there’s no lighting birthday candles in Citadel - only holy dread and worship  #so she’s actually forgotten - you can see it on her face - totally forgotten this gesture  #and she’s remembering another way To Be in mirroring it  #yes - like this - we remember her  #we acknowledge her - like *this*  #with this gesture I thee recall  #with this gesture I thee respect  #7000 days of repressing that communal value and it comes back in 2 seconds  (via harrietvane)

also I just want to point out that this gesture symbolizes both preservation–keeping someone with you forever–and closure because the rest of the Vuvalini did not do this until Furiosa told them her mother died and that whether it’s done immediately upon witnessing someone’s death (Valkyrie and Maddie) or two decades later it is just as important  (via @hauntedjaeger) 

Closure, yes. Logically I know the religion of the Citadel can’t be based on American white Evangelicism because of little details like it taking place in Australia, but comparing “Witness me/I live, I die, I live again” vs this gesture I was reminded of nothing so much as Slacktivist’s commentary on Rapture theology. It’s not about dying, it’s about evading or bypassing death. Same with Valhalla. It’s not about dying in glory but instead about being escorted to the gates (pearly or chrome as it were) and living forever.

This hand-to-heart gesture is not about living forever. It’s about accepting death, accepting its inevitability and absoluteness. And the grief that comes with that.

I apologize for coming into this thoughtful conversation with only one cry to shout but: CHARLIZE THERONS’S EYES!

/stomps around, flailing arms excitedly/ There’s so much in them in this movie. She does so much work with her gorgeous, amazing, talented, brilliant eyes and face.

Her acting here absolutely blew me away. You know without words that this is the first time she’s been able to grieve her mother. You know it in your bones. Just like you know holding Vaylkie in the Vuvalini embrace was like being able to breathe for the first time in decades for her. 

And then when she learns that the Green Place is gone, spoiled and ruined…

I legit tear up remembering it.

The thing about Furiosa is that she is a woman of strength but not a Strong Female Character. Her strength is equal to her vulnerability. Her rage is equal to her love, it exists because of her love. Tears come to her eyes more than once, she loses a physical fight… she’s allowed weakness but it is portrayed as an organic part of her and her courage and strength. If she wasn’t the kind of person who had the love left to tear up when Angharad is lost she wouldn’t have been the woman who risked everything to help the sisters escape.

I’m repeating myself but… there’s a Green Place in her heart that has not been spoiled, has not gone to ruin, and Max’s advice to turn back around and take the Citadel only works because of what these people have in their hearts. Because of the way we, as this gesture shows, live in and remake each other’s hearts.

Because Furiosa knew the love of her people and hid it deep but never let it die; because of the freedom the sisters gave each other learning with Miss Giddy, fashioning new ideas, liberating their minds; because they were able to reach Furiosa out of that and turn the key on her heart, a group of women speaking to the child of a group of women as only they could; because the Vuvalini endured and survived and kept their ways, and that alone is enough of a victory to make change possible, enduring and surviving; because of the gift of kindness Capable gave Nux out of that; because Furiosa helped lead Max back to himself. So much so that Max, after warning against hope, comes back and asks them all to hope and give their lives for it.

Everyone liberates each other, everyone holds each other in their hearts. The kind of witnessing Nux asks for and the kind that Capable gives is about holding someone in your heart. Which is a recognition of death, but it’s also a recognition of relationship, the way people change each other, which is something Joe did not want - he wanted everyone to fruitlessly seek after relationship with him as their demi-god; only he could lead you to Valhalla, only his approval meant anything, etc, etc. 

People connecting with each other and touching each other’s hearts is how liberation happens. And ALSO. This is an action movie, yes?

But if none of that work had been done–if, for one exmaple, the sisters had not mentally liberated themselves w/ Miss Giddy before escaping–the whole effort would have failed. It doesn’t matter how far you run or how hard you fight, if all you have is brute strength you are not free.

It really, really honors the kinds of non-physical work the sisters did and the relationship work the characters do for each other. Furiosa reaching out to Max is as important as any fight; the sisters changing Furiosa’s mind is the most important moment of all. And all of that happened in conversation. Relationship.

No wait you started on Theron’s eyes and came back to QUALITY ADDITIONS TO THIS THREAD OF META how did you do that?

What’s that Mary Shelley quote?  “I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe.  If I cannot satisfy the one, I will indulge the other.”  I think that encompasses Furiosa excellently.  Stolen from her family, she finds herself cut off from satisfying the depths of her love.  In indulging her rage, though, she manages to claw her way up the ranks to the point we see in the movie, where she fights her way back to a place from which she can love.

(Source: angharxd, via bonehandledknife)

cygnaut asked: If Max Rockatansky was your boyfriend, he would never ask if the symbolic black scarf you gifted him is a male imperator scarf or a female one.

bonehandledknife:

miwrighting:

bonehandledknife:

mumblingsage:

bassfanimation:

mumblingsage:

mumblingsage:

And he would definitely wear it while proposing you go on a fiery road trip of redemption. 

#Imperator Engagement Rings #do you take this black scarf #heck yeah I take it (@bassfanimation)

#I’m still trying to pinpoint the exact moment these two become Married#personally I still feel like it’s earlier in Brothers in Arms#With this killswitch code I thee wed. And with this gun I thee vow to respect and support all the days of my life.#Which might just be today because there’s a motorcycle gang AND a car with a flamethrower after us#With my bloody hand upon your metal one serving as a substitute wheel I thee endow#(and all my worldly goods which at this point amounts to my name and a blood transfusion because the fucking War Boys took everything else)#Mad Max#furiosa x max

Perfection.

Look at the 2nd gif and tell me that doesn’t seem like part of some desperate wasteland wedding ceremony (also enjoy Toast, Cheedo, and Capable as the world’s most appalled flower girls.) 

Filed under um blood cw through the gif maybe ‘blood brothers’ is the term I’m looking for but it’s too platonic Mad Max Sage talks Mad Max Toast: I don’t have any objections to this match but I STRONGLY OBJECT TO THE ROCK WE’RE ABOUT TO RUN INTO Cheedo: Does this mean we have a new dad? Capable: forgot the beginning of her wedding toast and is scrambling to make something up (I still want that arranged marriage fic and if I can’t have it I will just write accidental marriage fix in my tags so there) *fic but Freudian slip there

I’m just over here, dragging hands slowly down my face and giving up on any sort of pretense of objectivity.

I never noticed that he put his hand on the back of the metal one in that second gif, until you pointed it out. What. Even.

…true talk tho, the only way that arranged marriage fic might happen to these two is if there’s literal guns pointed at literal heads, and there’d need to be hostages involved, possibly multiple, and perhaps (given this universe) cannibalism, maybe some electrocutions.

And at least three explosions.

And a pint of blood.

Forced-Marriage-Vows Boy, bleeding gently: “By your command, shiny and chrome Immortan, we told Furiosa and the feral of your plans to force them into marriage and breeding.”

Immortan Joe, glaring: “AND?”

Forced-Marriage-Vows Boy, swaying due to blood loss: “The good news is, casualties were minimal and the pair did appear to be bonding as they stole a vehicle and fled into the desert.”

Immortan Joe, glowering: “THE BAD NEWS?”

Forced-Marriage-Vows Boy, curling into a fetal ball in a pool of his own blood: “There’s fire everywhere.”

FUCK WHY IS HTS OS FUNNy 

cygnaut asked: If Max Rockatansky was your boyfriend, he would never ask if the symbolic black scarf you gifted him is a male imperator scarf or a female one.

bonehandledknife:

mumblingsage:

bassfanimation:

mumblingsage:

mumblingsage:

And he would definitely wear it while proposing you go on a fiery road trip of redemption. 

#Imperator Engagement Rings #do you take this black scarf #heck yeah I take it (@bassfanimation)

#I’m still trying to pinpoint the exact moment these two become Married#personally I still feel like it’s earlier in Brothers in Arms#With this killswitch code I thee wed. And with this gun I thee vow to respect and support all the days of my life.#Which might just be today because there’s a motorcycle gang AND a car with a flamethrower after us#With my bloody hand upon your metal one serving as a substitute wheel I thee endow#(and all my worldly goods which at this point amounts to my name and a blood transfusion because the fucking War Boys took everything else)#Mad Max#furiosa x max

Perfection.

Look at the 2nd gif and tell me that doesn’t seem like part of some desperate wasteland wedding ceremony (also enjoy Toast, Cheedo, and Capable as the world’s most appalled flower girls.) 

Filed under um blood cw through the gif maybe ‘blood brothers’ is the term I’m looking for but it’s too platonic Mad Max Sage talks Mad Max Toast: I don’t have any objections to this match but I STRONGLY OBJECT TO THE ROCK WE’RE ABOUT TO RUN INTO Cheedo: Does this mean we have a new dad? Capable: forgot the beginning of her wedding toast and is scrambling to make something up (I still want that arranged marriage fic and if I can’t have it I will just write accidental marriage fix in my tags so there) *fic but Freudian slip there

I’m just over here, dragging hands slowly down my face and giving up on any sort of pretense of objectivity.

I never noticed that he put his hand on the back of the metal one in that second gif, until you pointed it out. What. Even.

…true talk tho, the only way that arranged marriage fic might happen to these two is if there’s literal guns pointed at literal heads, and there’d need to be hostages involved, possibly multiple, and perhaps (given this universe) cannibalism, maybe some electrocutions.

And at least three explosions.

And a pint of blood.

Anonymous asked: That look that Max gets when he picks up Furiosa kills me every time, he looks so terrified. Poor hobo man doesn't want to loose his queen

oneangryshot:

do you mean this face anon?? this face?? because yeah. yeeeah. that is the face of the most frantic, most terrified, tiny baby ever to roam the wasteland.

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or maybe you mean this face, where he’s realising exactly how hurt she is (and cheedo’s in the background like eh, tis a scratch).

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or maybe you mean this face, which i like to call The Worst Face, because of how terrible it is. this is the face you make when you realise that you have to bail soon because you’re having feelings and that hasn’t happened in A Long Time.

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yahtzee63:

ecouter-bien:

redshoesnblueskies:

bonehandledknife:

redshoesnblueskies:

aelberethgilthoniel:

redshoesnblueskies:

mswyrr:

oneangryshot:

this is max’s face when he realises that furiosa is climbing over to joe’s car.

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he knows immediately that she will kill herself trying to kill joe. so he fights a hundred guys to get to her.

#this entire last scene was a love scene disguised as a car chase I swear (via mumblingsage)

love scene disguised as a car chase….brilliant

#he legit does not take his eyes off her for the rest of the movie tho#like from the time cheedo says she’s hurt real bad#his entire goal is to get to her#look at his eyelines on the doof wagon#he is staring at her the whole time#everyone he fights#is just in the way#stopping him from getting to her#im telling you this was the most intimate movie i have ever seen#and im not even talking romantically intimate#like#dont touch me right now

intimate - that’s exactly the right word isn’t it.  wow.  I’m just gonna sit with that for a while…

…intimacy is what makes this movie tick, but what cultural references do we have for intimacy that aren’t actually just code for ‘romantic attraction’? But…intimacy isn’t that at all.

Max & Furiosa have chemistry from the first time they see each other, it goes sparks-to-tinder during the fight, and is fully underway by, “Does it matter?” They recognize something in each other.

Meeting someone who gets you, and who you totally get, is an overwhelmingly intimate experience.  It doesn’t mater what your eventual relationship will be, intimacy will be profound and the devotion proportional.  It’s the kind of rare and indefinable connection that movies are always trying to sell us - but they almost never deliver.  Trying to convince us that romance or great sex or [insert trope here] are the proof of that connection doesn’t work - it’s not the real deal, and we can tell the difference.

In Max and Furiosa we have intimacy stripped of all else - and it’s almost outside our cultural ability to discern, isn’t it.  But we all know it when we see it. And we’re fiercely protective of it.

“but what cultural references do we have for intimacy that aren’t actually just code for ‘romantic attraction’?”

I’m just going to point out that this is probably one of the reasons why slash fanfiction is so popular.

I mean the origins of the name comes from K/S, kirk-slash-spock, and is from their fully developed relationship and just learning each other. And you have acres of episodes where they learn to recognize each other.

This is the classic picture of what slash is, in one image (via Henry Jenkins):

When I try to explain slash to non-fans, I often reference that moment in Star Trek: The Wrath of Khan where Spock is dying and Kirk stands there, a wall of glass separating the two longtime buddies.

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Both of them are reaching out towards each other, their hands pressed hard against the glass, trying to establish physical contact. They both have so much they want to say and so little time to say it. Spock calls Kirk his friend, the fullest expression of their feelings anywhere in the series. Almost everyone who watches the scene feels the passion the two men share, the hunger for something more than what they are allowed. And, I tell my nonfan listeners, slash is what happens when you take away the glass.

What is interesting in the case of Fury Road however is that it puts the glass back in between.

I’m laughing with delight here - step it UP, yes!  Well explained!  That’s the core of ‘why slash’ - intimacy well acted and well written is compelling and we cannot help but imagine more about it.  At the same time, we (as slash fans/writers) are still enacting a cultural myth that says ‘true intimacy is romantic in nature,’ - which is not true at all.  Yes, there’s non-romantic slash out there, but it’s the exception.

Ah! Okay - I think I  finally have an answer for you for ‘why I don’t ship them…yet’ - it’s this issue.   In Fury Road the on-screen romantic potential is there - but what makes the relationship so poignant is that they don’t need it in order to have more intimacy than we can almost stand to see.  

For me, acting on that potential for romance undermines the the idea that intimacy, real and profound, can exist independent of romance.  And that’s important to me personally - my own quirk and no judgement on anyone else.

Yes, just yes to all of this. I think that’s why, even though I’ve read and enjoyed and squeed at fic where they’re romntically/physically intimate, I still hesitate to outright ship them. For me they already (as redshoesnblueskies said) experience this profound sense of intimacy, and while the idea of romance/physical intimacy is fun, in the end for me it doesn’t add anything to their relationship that isn’t already there in spades. It doesn’t detract from it either, of course, and goes without saying that this is all IMO.

As someone who ‘ships Max/Furiosa but is fine with the relationship as platonic, I would only add this: When I want to see Max/Furiosa shown as romantic, I don’t want to change *anything* about the way they interact. What I want is for THIS to be the way romance is portrayed – as an act of profound intimacy and trust between two equal partners with their own individual motivations. I would be hungrier for more platonic male/female friendships of such depth were I not even more hungry for romantic relationships (of any stripe) shown with the complexity TV and films usually reserve for male friendship. 

(via bonehandledknife)

Good Guy Ace?

redshoesnblueskies:

schwarmerei1:

lies:

sentimental-mercenary:

war-rig-ace:

Lately the concept of “Good Guy Ace” has come up in discussion.

The Ace is a good guy. He works hard; he is diligent, professional, and respectful. He is extremely skilled and competent (competency porn! What a great term!). He seems like the kind of man we would want to know in our own lives; he could be easily someone’s father, uncle, grandfather… The Ace is an older man secure in his strength and abilities; a man who sees people for what they can accomplish and thus does not resent a woman’s leadership, a man who lives the meritocracy he believes.

The Ace is compassionate and caring; he is concerned when Furiosa is cold to him, he bows deepest at Morsov’s death (in contrast to Slit who mocks Morsov’s sacrifice). He is intensely loyal; he shields Furiosa from Nux’s sawed-off shotgun (and Nux in turn is unwilling to shoot a fellow War Boy out of hand). And as aforementioned, the Ace is not the kind of man who would be sitting in the back of the War Rig with the other War Boys, saying, “Women drivers, amirite?” These values make him a good man in our world, and as far as we’re concerned, in any world.

But the Ace, no matter how much of a good guy he is, is still complicit in the system of the Citadel, an oppressive system with a foundation in dehumanization. He is trusted with protecting valuable commodities. The War Boys are literally giving their lives for commodities, because in this world, those things have more value than their labor or even their lives. The Ace also appears as one of the most pious; he bows his head the lowest when saluting Immortan Joe, and again when he Witnesses Morsov. 

Uncritically, the Ace has no idea that the accumulation of these actions mean that he implicitly supports an oppressive system that strips him of individuality, adulthood, self-determination, and even procreation. After all, those chastity belts are meant to hurt people on both sides of the iron. As intensely manly as the War Boys are, they are essentially eunuchs, drones, interchangeable parts no more individual that a factory-produced bolt, emasculated by a cult of toxic masculinity. Immortan Joe doesn’t just control the water and with it their lives; he controls all the means of production too, even the reproduction of human beings.

So how do we know for sure that the Ace is complicit in the system? After all in a fiercely male-dominated, patriarchal world, he trusts Furioa and she trusts him in return. It is obvious they have experience working side-by-side. They move as a well-rehearsed team and know each other’s minds. But when Furiosa betrays their system, the Ace takes her by the throat. This is not the action of a man who is good in the context of our world; this is the brutal action of a man who is good in the context of their world. A man who is protecting the assets at the cost of friendship and mutual respect, profit above all else. Even though we know the Ace doesn’t necessarily think “profit before friends”, by attacking Furiosa and doing what he thinks is responsible, he is supporting that toxic worldview.

As much as we love the Ace, the Ace is sick like the rest of the War Boys, not only physically, and unable to see it. He has not had his eyes opened by the Splendid Angharad as Furiosa and the other Wives had. He’s carved out a little bit of goodness in an ugly world, but the Ace, like everyone else, is a product of his environment and the system they live in. It doesn’t stop him from being a good guy; it’s just that in their world, no one’s hands are clean. Everyone is complicit, no matter how good they are and how much one wants to like them. This best example is the Keeper of the Seeds, whose last planted seed is an Anti-Seed, a rifle bullet, in Furiosa’s assailant’s eye. Even she whose mission is to give life to the wasteland is a killer, many times over, and mostly unapologetic about that, though her seeds are a chance to redeem herself.

It is important to judge characters and people by the context of their world and their society, not ours.

So in sum: Ace is a good guy. Hell, even a great guy, in the context of his world.  We still love him. But one may not want him over for dinner.

I agree with…most of this. But as a former soldier, I’d like to slap down some ethos here, and, in fact, as an interrogator, I have to say, you probably wouldn’t want to have ME over for dinner, either.  ^_^

I’d like to point out that it’s clear the Furiosa is ALSO complicit in this system?  She likely didn’t get her rank by being nice or even rebellious. She got Joe’s trust by, uh, playing the game. In fact, if you take it that she knowingly played the game in order to serve her own ends, it makes her, in a sense, morally WORSE than Ace or any of the War Boys, because she knowingly used/manipulated them. She claims agency and her first act of agency is betrayal.  And that she must have done things she did not quite square with either. He might have a misguided or misaimed honor, but she is seriously crippled in the integrity department. 

I’d like to also point out that fighting in an army does not mean 100000000% supporting the ideology of that army.  A little research into the ‘comitatus’ would probably do some good here–military units coalesce around a homosocial code, so you tend to fight for your guys, rather than for that abstract idea. In other words, when I was in a firefight, I wasn’t like YO BALD EAGLES FREEEEDDDDDOOOM, or even YAY PRESIDENT, I was like, SHIT they’ve got Smitty pinned down. When someone betrays you in that system, FUCK YEAH you take it personally. Ask Bowe Bergdahl’s old unit how they feel about him. Be prepared for profanity. 

When you live close to death (which most people who can fart around on Tumblr probably don’t) you DESPERATELY want meaning. You desperately want to believe that there’s some sense or logic–if not in a sort of ‘magical thinking’ ritual you follow, then at least in the sense that when you do lose your buddies, you want to believe that it was…for something, or that they went some place other than a plastic bag. Because if you can’t…it crushes you. 

Think how much death Ace has seen. That might explain his faith. 

Ace is really clearly the very common war movie trope called the ‘Immortal Sergeant’. You see this type in just about every war movie/novel ever, all the way from Kat in All Quiet on the Western Front. The Immortal Sergeant is good at combat. He’s at home there. He can’t quite fit in anywhere else, and he knows that. Because war is uncivilized, and once you get really good at crossing that line, you can’t really come back.  Unlike a character like Rambo, the IS is not an isolated loner who can’t function in any society: he can function in his structured society. Why do most vets today try to make other vet friends?

I like both Furiosa and Ace, but I like them because they’re flawed. I think it’s a good reminder to everyone that hey YOU TOO are complicit in a system whose values might be systemically destructive of your agency, freedom, and self determination, which likewise ALSO participates in the oppression of other groups.  YOUR SOCIETY TOO views you as less than human–your boss views you as a source of labor, and the drive in education toward ‘workforce development’ additionally institutionalizes the shift from ‘free human’ to ‘worker’ as the primary focus of education, your society too seeks to police and limit your sexuality and self-expression, (even tumblr where  you MUST FIT INTO ONE OF THESE LABELS or else), and every place that takes your money views you as a mere consumer. 

Saying that this is just something in his world, or that he’s doing the same damn thing you probably are…somehow makes him bad?  WOW that’s really dangerous.  That’s alterity to the point of self-annihilation.

Sorry for the posthumanist theory rant there at the end. Not really.

Thanks to both of you for offering interesting perspectives.

Going back to the OP, I wanted to offer a slightly different take on this part:

But when Furiosa betrays their system, the Ace takes her by the throat. This is not the action of a man who is good in the context of our world; this is the brutal action of a man who is good in the context of their world.

I think the Ace’s actions toward Furiosa, and in particular his last action toward her, are more complicated than that. Someone posted about this a while back; I apologize for having lost track of who it was. A lot of this is repeating that person’s previous comment.

Ace is loyal to Furiosa. He questions her three times (about diverting from the road, continuing despite the flares from the Citadel, and taking on the Buzzards rather than running them into their backup), and each time he accepts her evasive response at face value.

It’s only the last time he questions her, when the Buzzards have been defeated and she’s continuing to drive toward the dust storm, that he escalates. “Why can’t you stop?” When Furiosa doesn’t answer Ace is left with no possible explanation but the actual one: she’s betraying Joe. He shouts at her, “What have you done?” Again she doesn’t answer.

At this point, if Ace were merely “a brutal man who is good in the context of their world”, he could have incapacitated Furiosa. He could have punched her, or attacked her with some other weapon he presumably had access to. He could also have followed Nux’s shouted instructions to get out of the way, so he (Nux) could shoot her. He didn’t do any of those things. Instead, he continued to shield her from Nux while grabbing her by the throat and repeating his question, “What have you done?”

In the context of the kind of violence we’ve seen the war rig’s crew dishing out, I don’t think this constitutes an attack. Instead, it feels like a minimal escalation of force intended to compel her to answer. Ace still is motivated by his loyalty to Furiosa. He can’t let her continue unimpeded. But neither is he willing to attack her. Instead, he uses a minimally violent means to compel her to answer, while leaving himself open to the counter-attack that she actually makes.

It might have been me? I posted about Ace refusing to confront the obvious evidence that Furiosa had gone rogue on him, and that this is demonstrated by his question “Why can’t you stop?”. I agree so much with what sentimental-mercenary said. It’s so easy to be swept away by Furiosa’s competence and her mission and the fact that she is running from the “bad guys” but she MUST have done terrible things in Joe’s name to rise to her rank. And her actions at the start of the film are motivated by feelings of revenge rather than nobility. She saves five women from captivity because they are Joe’s most valuable property. She sacrifices nearly 20 men who trusted her completely as their commander to do it. The film shows us her tears. We are supposed to know she did something terrible.

“She saves five women from captivity because they are Joe’s most valuable property. She sacrifices nearly 20 men who trusted her completely as their commander to do it. The film shows us her tears. We are supposed to know she did something terrible.”

*flings self on sand* *screeeeeeams*

[this post just keeps getting more amazing guys]

(via primarybufferpanel)

bonehandledknife:

bonehandledknife:

 icarus-suraki:

cactusspatz:

childofjobassa:

#let’s just save each other and casually share a meaningful glance aka WHY ARE YOU DOING THIS TO ME

Seriously, his face right here is killing me. They’re in the middle of a fight and Max just did an insane flying tackle while running down a moving vehicle to save her, but then Furiosa brakes for him and he takes this moment to stare at her like he can’t believe it. (I’m really trying to come up with an explanation that doesn’t sound like it got filtered through my shipper goggles, but I can’t. He’s not noticing Toast is gone – the eyeline is all wrong – and it could just be a ‘we’re so fucked’ look, but he has to be visibly startled out of looking at her by a guy attacking over the cab roof.)

On reflection, it’s a lot like the look Max gives Furiosa when she offers him a fully loaded bike.

We’ve talked a lot about how Max and Furiosa come to trust each other over the movie, but when was the last time someone protected him like that?

I’m biased for having read that the outright intention was to create a character (Furiosa) who is an equal to and in and of herself another Road Warrior–but it’s almost as if they look at each other and see themselves right there in the other. 

“I’m me and I’m you. You’re you and you’re me. I’m you and you’re me and you’re me and I’m you. All at once.”

good god the ‘non-shippy’ reading is even sappier than the shippy one it’s beautiful my reading is that they’re both SO CONCERNED like Holy hell you’re still all right and not quite able to believe it like did Furiosa actually expect her breaking trick to work? he had to grab the engine not to go flying off they’re desperately making up tricks to rescue each other at 60+ miles per hour and it’s wonderful (via mumblingsage)

Also noticed on this go around the way he’s holding his left hand, it’s still wrapped up from when the steering wheel got harpooned. I love the consistency in this movie, how damage carries over.

I love that confused look on Max’s face, “you braked. you braked for me. Why. why. you keep moving. you need to keep moving.”

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you need to keep moving:

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Bonus: The War Boy who stabbed Furiosa managed to more easily climb back onto the Rig because she was braking to save Max.

So I thought this morning, maybe I was just nightblogging. Maybe it’s not the sort of the same expression he had during the my name is max scene.

Oh god no my heart. It kinda is? Still that confused concerned whyyyyyy. Ugh Tom Hardy do you even realize what your face is doing jfc of course you do, and so does Sixel.

(via bonehandledknife)