(Source: wonderrbat, via skymurdock)
Anonymous asked: BODHI MY BABY OH THAT BEAUTIFUL MARSHMALLOW
BODHI MY CHILD, OH MY GOD, MY POOR BRAVE BOY.
I just, okay, so, Bodhi is the messenger, right, that’s his WHOLE JOB. And he spends the entire movie trying to get a message to the Rebellion and be believed. And at first he’s grabbed by Saw’s people, and they don’t really believe him and they’re not really the Rebellion. And then he’s jailbroken and kidnapped by Cassian (Rogue One is basically just a bunch of people Cassian Andor kidnapped), and he gets to the Rebellion but they don’t believe him–or at least not enough of them.
And then, God, and then he’s down on Scarif and he finally gets through. It costs so many lives, so many ships, but he gets his message to the Rebellion and they hear him and believe him. There’s someone up there. There’s someone listening. Bodhi the messenger has finally delivered his message.
And he smiles as he dies.
I went to see Star Trek Beyond again the other day and I noticed something that I hadn’t before: the escape pods on the bridge of the Enterprise were specifically called Kelvin pods. At every other point, crew referred to escape pods until the bridge crew specifically began to evacuate. We saw the pods after ejection: escape pods were larger, presumably could fit multiple crew members (going by previous Trek history, really, and the size and number that we glimpsed), and had to be got to. The Kelvin pods were streamlined, single person carriers and built straight into the walls of the bridge. Accessible from any point in that space, effectively.
‘Kelvin pods’ or their equivalent haven’t been seen before in Star Trek (as far as I know) and definitely have never been referred to before in the Kelvin timeline. The USS Kelvin bridge crew had to leave the bridge to evacuate, and George Kirk had no point of escape after he set the ship on its fatal collision post. Given the name of these pods, it’s safe to say that these were installed after that incident to ensure that no Starfleet officer would ever have to go down with his ship in that way. Had there been pods in the bridge, George Kirk would have been likely to survive.
And I think that this is a thought that occurred to Kirk as he stood there, watching his ship be ripped apart too logn after the last of his crew (darling Checkov) had abandoned ship. As he lingered and made that decision to go. To live. To save his crew like his father would.
I noticed this when I saw it and remembered thinking what a beautiful little piece of world building it was.
It’s a very casual kind of way to remind the audience, not only the reaching effect of the Kelvin incident in-world, but also how hard it is for Jim Kirk to escape the circumstances of his birth.
There he is, able to get his crew to safety and follow them off the ship because of something that was created to prevent what his father had to do. In a way it’s George Kirk getting Jim off a crashing ship all over again.
It’s details like this that show why Simon and Doug need to write the next one if you ask me.
The level of emotional wreckage this movie has caused in my life is ASTOUNDING.
(via patroclvss)
words-writ-in-starlight asked: *appears to harass you again* Okay but for real, talk to me about the disaster that unfolds as Anakin has to deal with Padme's insistence that no one OWNS him, because he's a PERSON, not a thing, and also how that turns into handmaiden!Anakin, and also whether this eventually turns into Padme/Anakin, and also whether this still ends with Vader or if Anakin loses it completely and they have an untrained Dark Side nine-year-old. I swear I'll get out of your inbox someday, but clearly not today.
(I’ll be honest there’s a lot here so I just wrote The Next Thing That Happens, lolll. hopefully it satisfies?)
Anakin cries for a very long time, surprising Padmé exactly not at all. She guides him a little further away from the funeral stragglers and does her best to disappear him behind her robes in the shadows, suspecting that later he might be ashamed to know the Jedi had seen him do it, even if he’ll never see them again. Perhaps some part of her just wants the excuse to disappear him, but that doesn’t make her wrong either.
It doesn’t hurt to get him to sit down somewhere, either. He looks so exhausted.
So Padmé takes a seat, and she lets Anakin lean in against her side and weep silent tears into her chest. She does not reflect on why a nine year-old might cry hard enough to shake without making a sound. Her fists curl inside her sleeves, though, and she makes no effort to disturb his grief.
Anakin cries and cries and cries, and Padmé lays a hand on his back and watches the embers of Qui-Gon Jinn gutter out into nothing. Even with as long as the pyre has burned already, it takes a very long time.
She is so very tired, and there is so very much to do.
“Your majesty,” Sabé murmurs sometime later; Padmé blinks, slowly, and looks up at her. The gesture feels thicker than it should, padded by exhaustion and borrowed pain and a tinge of grief.
“Sabé,” she says, the name coming out slow too. Sabé and Rabé stand side-by-side in front of her, as close to mirrors as any two humans could be. Padmé wants to say more, but the right words won’t come. Words don’t seem to want to come at all, in all honesty.
“Anakin Skywalker is asleep, your majesty,” Sabé says; Padmé glances down automatically and finds that she speaks the truth, although she had not doubted it anyway. “Shall we take him to the Jedi’s rooms?”
“No. He is not a Jedi,” Padmé says, her fingers flattening against Anakin’s back. “He is one of the Naboo. He will stay with us, until such a time as he chooses not to.”
Sabé looks at Rabé, who looks back at Sabé. Padmé looks at neither of them, because Anakin is small and soft and sleeping against her side, body half-hidden by the heavy length of her sleeve but tear-stains still visible on his face.
“We will prepare a room for him, your majesty,” Sabé says, she and Rabé both inclining their heads in perfect unison.
“If you would, please,” Padmé murmurs, and lifts her arm a little higher to better hide Anakin. He shifts in his sleep and lays heavier against her side. She wishes, again, to disappear him–make him unremarkable, unnoticeable, uninteresting. As if she could take his Force strength and his grief and uncertainty off him as easily as she herself takes off Amidala and vanishes into a handmaiden’s cloak.
Of course, even when she takes Amidala off, she is always still Amidala, and Anakin would be no less Anakin if she could do the same for him.
Still. It’s nice, sometimes, to not always be looked at as though she is.
And even without everything he’s done for her people and planet, Anakin is someone who looks at her the same way no matter what she’s wearing. Padmé meant it when she told him he was valuable, and not just in the inherent way that any sentient is, not just for what he’s done–Anakin is valuable to her, for how he treats her. It’s one of the few truly selfish things Padmé has allowed herself to feel since being elected, and she has no intention of changing it.
Honestly, Anakin might need more people to be selfish about himself. Especially now, with Qui-Gon Jinn dead. Who else does he have, now that he’s left his home?
Her.
He will have her.
The rest of it … the rest of it they’ll just have to see, she supposes.
*opens mouth*
*screams forever*
how come xmen quicksilver can save 31+people, a dog, and like 5 goldfish from an exploding building and yet aou quicksilver can’t even stop himself from getting shot
(via thepainofthesass)
words-writ-in-starlight replied to your post: okay my inbox is full of cute stuff and funny…
Okay but say more????Things Vader has probably asked Padmé for/done his damnedest to provoke her into doing to him:
- tie him to the bed
- hit him in the face
- leave hickeys/bite marks/bruises in places he can’t hide
- wax/heat play, possibly to the point of burning
- choke him
Things Padmé has probably ordered Vader to do:
- answer to “Anakin”
Okay on the one hand OW that got painful real fast, but on the other hand that is exactly what I was hoping to get out of that question. This AU is just so fucking fantastic, I love it.
Look, I’ve been very cracky and fluffy and fun around here lately, I know, but if I go a month without someone being at least mildly traumatized by something I wrote then I will lose all my writerly powers and turn into a pillar of salt and blow away, okay, that’s just how it is. Therefore, Darth Vader is gonna have to learn real quick that every time his Master tells him to lay back and close his eyes, he better start answering to “Anakin” again ASAP or he’s not gonna get hurt the way he likes at ALL.
*coils protectively around this EXTREMELY EXCELLENT thing*
Cracky fluffy Mace Windu taking Anakin out for truckloads of glowing space ice cream and making morbid jokes is great, but for real I just want to talk about Empress Amidala and Vader and their twins who are probably really strange in this world and how the galaxy reacts when Queen Padme of Naboo is suddenly (and aggressively) promoted and the intricate details of how the Jedi flip their collective shit.
@words-writ-in-starlight: i continue to be trash this au matters to me so much i would murder someone for a movie trilogy set in this au my priorities probably need rejiggering ehhhhhh who gives a fuck not me and not padme because she’s busy trying not to let the galaxy go to shit now that she’s been involuntarily promoted to empress and sith master and person-holding-vader’s-chain (and the whole thing with her ordering him to answer to anakin is SO EXCELLENT) (this is exactly the kind of pain i feed on)
I think she ordered him to answer to “Anakin” exactly once and after that he just kind of had to learn the tells of when she wanted “Anakin” behavior out of him–the difference is so subtle for BOTH of them that it’s sort of a nightmare to get it just right, especially since “Anakin” is not exactly who Anakin actually WAS, just certain parts of Padmé’s perception of him that she knows damn well she’s exaggerating but wants anyway–especially because Padmé does NOT respond well when she does/doesn’t get him when she doesn’t/does want him.
Vader has an excellent sense of balance, at least.
It might be funny, if there was anyone left he could make the joke to. Definitely not any of the surviving Jedi. >>;;
MAN you are right, though, Luke and Leia are probably gonna grow up VERY UNUSUAL children, especially because Padmé will occasionally say things like “here is the list of things you need to lie to your father about no matter what” and VADER will occasionally say things like “eventually you’ll probably want to destroy each other and that’s a very natural feeling but I would recommend not following through on it because ruling the galaxy with a partner to do the parts you don’t like is just SO MUCH better”.
And meanwhile Luke is such a fucking sunshine bomb and Leia is so very fiercely JUST and KIND, no one is ever gonna believe they’re the Empress and Vader’s. Did–did Obi-Wan Kenobi maybe get Mustafar-ed for causing these two? Are these two HIS fault?
Okay, no, never mind: they’ll believe it the first time someone lets Princess Amidala anywhere near a lightsaber. They will believe it and FEAR IT.
@words-writ-in-starlight: WOOOO weird fucked up force twins who are on orders to lie to their father and who are a mystery to the galaxy luke who is just like a fucking space labrador retriever and his sister who is here to kick ass in the name of JUSTICE (maybe they don’t have labs in space because luke is taking up all of the sunshine cuddliness?) and their mother is like on the verge of a breakdown every time leia is talking to vader because it is VERY IMPORTANT that leia and vader have a very particular relationship in which leia doesn’t come down like a hammer on the whole ‘empire vs democracy’ thing (it’s KILLING padme that she can’t publicly train her daughter as a democratic politician) and in which leia learns the force from vader but doesn’t learn…his kind of thinking because padme is sitting there looking at these two kids who are just spilling power left and right like a goblet overfull of wine and she’s just thinking ‘if i let him vader would raise these two as the next part of our dynasty’ vader ADORES his kids he would give them the galaxy in a heartbeat laid out all starlight and fire on a silver platter and he has that option like that option is AVAILABLE to him and padme is TERRIFIED and padme does what needs to be done to save her children
No, no, not here. Padmé does what needs to be done to save the GALAXY. Padmé would die right now if she thought it would leave the galaxy a free Republic again; Padmé would’ve died in the delivery room, would’ve taken the twins with her into the Force, would’ve given up ANYTHING to avoid so much death and darkness. Anakin could never do the math, but Padmé knows that one or two or three versus three THOUSAND is not even a real sacrifice.
It is a sacrifice, of course. But there’s giving up your own neck for a greater purpose and there’s slitting three thousand unwilling throats on someone else’s altar.
And Vader really was right when he handed her the Empire. Padmé Naberrie can be Empress Amidala and still be Padmé Naberrie, and she can do the math, and she can hold him back when he’d tear the galaxy past the blood and to the bone and never, ever stop. She knows the difference between making a sacrifice and TAKING one.
She knows what a Queen must do for her people and really–is an Empress all that different from a Queen, when all is said and done? It’s just another name for something very similar. A sacrifice, and a sacrifice.
So yes. An Empress is very, very different from a Queen.
“Let me tell you about how to make a sacrifice,” Padmé Naberrie says with Empress Amidala’s mouth one day when Vader is far away cutting the galaxy to the blood, and the twins look up at her curiously. “Let me tell you what a dynasty is and should never be.”
#this entire scene is a fucking masterpiece #the building tension in Barbossa’s cabin #the strings in the score rising ominously #and then the entire movie turns on a /dime/ #‘oh okay’ #I remember thinking #‘fucking GHOST PIRATES’ #it drops from historical swashbuckler to fantasy swashbuckler in one set piece #in which the rules for how the crew work are given to you purely in visuals #and you get to see that sharp difference between horror-horror and fun horror #because this scene genuinely terrifies Elizabeth #and delights /you/ #instead of being awful for both of you #god it’s just so neatly done and raises the stakes for the film and puts everything into context and adds depth to the characters #and comes as a complete surprise #this is all the things you want in a set piece #we should all aspire to storytelling so economical #(incidentally so should THE SEQUELS #christ) (via wizzard890)
Fuck me, I remember the first time I was watching this as a kid and I was like….not super impressed (although I WAS super impressed with both Elizabeth and Jack Sparrow), and then this scene happened and it was like the first drop off a roller coaster and suddenly I was fucking RIVETED to the screen.
(Source: gifpotc, via wildehacked)
And they shared the whole story.
These women are awesome
(Source: BuzzFeed, via thepainofthesass)
“Let’s face it - English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren’t invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren’t sweet, are meat. We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig. And why is it that writers write but fingers don’t fing, grocers don’t groce and hammers don’t ham? If the plural of tooth is teeth, why isn’t the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? One index, 2 indices? Doesn’t it seem crazy that you can make amends but not one amend? If you have a bunch of odds and ends and get rid of all but one of them, what do you call it? If teachers taught, why didn’t preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat? In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites? You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which an alarm goes off by going on. English was invented by people, not computers, and it reflects the creativity of the human race (which, of course, isn’t a race at all). That is why, when the stars are out, they are visible, but when the lights are out, they are invisible.”— (via be-killed)
But, but, but!
But, no, because there are reasons for all of those seemingly weird English bits.
Like “eggplant” is called “eggplant” because the white-skinned variety (to which the name originally applied) looks very egg-like.
The “hamburger” is named after the city of Hamburg.
The name “pineapple” originally (in Middle English) applied to pine cones (ie. the fruit of pines - the word “apple” at the time often being used more generically than it is now), and because the tropical pineapple bears a strong resemblance to pine cones, the name transferred.
The “English” muffin was not invented in England, no, but it was invented by an Englishman, Samuel Bath Thomas, in New York in 1894. The name differentiates the “English-style” savoury muffin from “American” muffins which are commonly sweet.
“French fries” are not named for their country of origin (also the United States), but for their preparation. They are French-cut fried potatoes - ie. French fries.
“Sweetmeats” originally referred to candied fruits or nuts, and given that we still use the term “nutmeat” to describe the edible part of a nut and “flesh” to describe the edible part of a fruit, that makes sense.
“Sweetbread” has nothing whatsoever to do with bread, but comes from the Middle English “brede”, meaning “roasted meat”. “Sweet” refers not to being sugary, but to being rich in flavour.
Similarly, “quicksand” means not “fast sand”, but “living sand” (from the Old English “cwicu” - “alive”).
The term boxing “ring” is a holdover from the time when the “ring” would have been just that - a circle marked on the ground. The first square boxing ring did not appear until 1838. In the rules of the sport itself, there is also a ring - real or imagined - drawn within the now square arena in which the boxers meet at the beginning of each round.
The etymology of “guinea pig” is disputed, but one suggestion has been that the sounds the animals makes are similar to the grunting of a pig. Also, as with the “apple” that caused confusion in “pineapple”, “Guinea” used to be the catch-all name for any unspecified far away place. Another suggestion is that the animal was named after the sailors - the “Guinea-men” - who first brought it to England from its native South America.
As for the discrepancies between verb and noun forms, between plurals, and conjugations, these are always the result of differing word derivation.
Writers write because the meaning of the word “writer” is “one who writes”, but fingers never fing because “finger” is not a noun derived from a verb. Hammers don’t ham because the noun “hammer”, derived from the Old Norse “hamarr”, meaning “stone” and/or “tool with a stone head”, is how we derive the verb “to hammer” - ie. to use such a tool. But grocers, in a certain sense, DO “groce”, given that the word “grocer” means “one who buys and sells in gross” (from the Latin “grossarius”, meaning “wholesaler”).
“Tooth” and “teeth” is the legacy of the Old English “toð” and “teð”, whereas “booth” comes from the Old Danish “boþ”. “Goose” and “geese”, from the Old English “gōs” and “gēs”, follow the same pattern, but “moose” is an Algonquian word (Abenaki: “moz”, Ojibwe: “mooz”, Delaware: “mo:s”). “Index” is a Latin loanword, and forms its plural quite predictably by the Latin model (ex: matrix -> matrices, vertex -> vertices, helix -> helices).
One can “make amends” - which is to say, to amend what needs amending - and, case by case, can “amend” or “make an amendment”. No conflict there.
“Odds and ends” is not word, but a phrase. It is, necessarily, by its very meaning, plural, given that it refers to a collection of miscellany. A single object can’t be described in the same terms as a group.
“Teach” and “taught” go back to Old English “tæcan” and “tæhte”, but “preach” comes from Latin “predician” (“præ” + “dicare” - “to proclaim”).
“Vegetarian” comes of “vegetable” and “agrarian” - put into common use in 1847 by the Vegetarian Society in Britain.
“Humanitarian”, on the other hand, is a portmanteau of “humanity” and “Unitarian”, coined in 1794 to described a Christian philosophical position - “One who affirms the humanity of Christ but denies his pre-existence and divinity”. It didn’t take on its current meaning of “ethical benevolence” until 1838. The meaning of “philanthropist” or “one who advocates or practices human action to solve social problems” didn’t come into use until 1842.
We recite a play because the word comes from the Latin “recitare” - “to read aloud, to repeat from memory”. “Recital” is “the act of reciting”. Even this usage makes sense if you consider that the Latin “cite” comes from the Greek “cieo” - “to move, to stir, to rouse , to excite, to call upon, to summon”. Music “rouses” an emotional response. One plays at a recital for an audience one has “called upon” to listen.
The verb “to ship” is obviously a holdover from when the primary means of moving goods was by ship, but “cargo” comes from the Spanish “cargar”, meaning “to load, to burden, to impose taxes”, via the Latin “carricare” - “to load on a cart”.
“Run” (moving fast) and “run” (flowing) are homonyms with different roots in Old English: “ærnan” - “to ride, to reach, to run to, to gain by running”, and “rinnan” - “to flow, to run together”. Noses flow in the second sense, while feet run in the first. Simillarly, “to smell” has both the meaning “to emit” or “to perceive” odor. Feet, naturally, may do the former, but not the latter.
“Fat chance” is an intentionally sarcastic expression of the sentiment “slim chance” in the same way that “Yeah, right” expresses doubt - by saying the opposite.
“Wise guy” vs. “wise man” is a result of two different uses of the word “wise”. Originally, from Old English “wis”, it meant “to know, to see”. It is closely related to Old English “wit” - “knowledge, understanding, intelligence, mind”. From German, we get “Witz”, meaning “joke, witticism”. So, a wise man knows, sees, and understands. A wise guy cracks jokes.
The seemingly contradictory “burn up” and “burn down” aren’t really contradictory at all, but relative. A thing which burns up is consumed by fire. A house burns down because, as it burns, it collapses.
“Fill in” and “fill out” are phrasal verbs with a difference of meaning so slight as to be largely interchangeable, but there is a difference of meaning. To use the example in the post, you fill OUT a form by filling it IN, not the other way around. That is because “fill in” means “to supply what is missing” - in the example, that would be information, but by the same token, one can “fill in” an outline to make a solid shape, and one can “fill in” for a missing person by taking his/her place. “Fill out”, on the other hand, means “to complete by supplying what is missing”, so that form we mentioned will not be filled OUT into we fill IN all the missing information.
An alarm may “go off” and it may be turned on (ie. armed), but it does not “go on”. That is because the verb “to go off” means “to become active suddenly, to trigger” (which is why bombs and guns also go off, but do not go on).
I have never been so turned on in my entire life.
