warblebee:

devoureth:

A most excellent lesson in self-defense à la Agent Gracie Hart.

Friendly reminder that Miss Congeniality featured a practical self-defense lesson in the middle of a Hollywood movie while also dealing with with issues of sexual assault and victim blaming, dismantling the myth that all feminists need to look and act a certain way, featuring women of color in the pageant without it being any kind of issue, and bringing in an awesome female villain because women can be any kind of character thank you very much.

Rock on, Gracie Lou.

(via cthulhu-with-a-fez)

(via n-haught)

bananagirlworld16:

okay but why don’t more people talk about Night at the Museum like

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poc characters and people being portrayed by poc people

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this movie is so good

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and it has one of the funniest, best, most ridiculous friendships in movie history

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and you have Robin Williams as Teddy Roosevelt I mean

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and if all that didn’t convince you there’s also a t-Rex skeleton that plays fetch with one of its own ribs

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THIS MOVIE

(Source: goddessofidiocy, via gryffindorconsultingtimelord)

thegreatgame:

Bill and Ted’s Excellent Adventure (1989)

(Source: tarratastic, via cthulhu-with-a-fez)

fluffyrabidkitten:

spirit-babe:

theyellowbuttroad:

mynameisemmegoddamnit:

loyaltothemightiestheroes:

THATS RIGHT.

REBLOGGED THIS ONE BEFORE BUT I DONT EVEN FUCKING CARE 

YAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAASSSSSSSSSS

I would also like to point out that that’s his car and she takes it and leaves them there

good

(Source: splendous, via bleedingwillow96)

enterprising-gentleman:

So I may have jumped on a certain bandwagon.

(Source: shamrockjolnes, via cthulhu-with-a-fez)

polytropic-liar:

kateelliottsff:

jenniferrpovey:

wintersoldierfell:

ohhaiguise:

  (x)

Okay, but this movie wins the award for Best Use of Manpain, tho.

In any other movie, Raleigh would’ve spent 90 minutes being like MY PAIN IS MORE IMPORTANT THAN YOUR STUPID WAR, and instead, he snaps back into action as soon as he meets Mako. That’s awesome. But what floors me is that he uses his own grief to help Mako survive hers. He knows how awful it is to lose your family. He knows what she’s going through. And instead of whining or thinking his pain makes him entitled to opt out of his responsibilities, he empathizes with Mako, supports her, and encourages her.

Raleigh’s greatest strength is his compassion. And that’s the kind of male hero I’d like to see on my screen, please.

Plus, like, a bazillion more movies about Mako Mori.

I have a friend who thinks Pacific Rim is the best expression of true, non-toxic, GOOD masculinity in recent times.

All agreement.

Let’s talk about Stacker Pentecost in light of this, though. Because we learn, towards the end of the movie, that the day he met Mako is the day he lost his partner. He gets out of that jaeger after having piloted it alone, after having his body burned for hours by toxic radiation, after losing the person he was mentally linked to (family? partner? friend?) and what does he do? He adopts a young girl, and more than that, he promises her her right to revenge if that’s what she wants. Tries his best to keep her safe but gives her the tools and skills and support and eventually permission to fight. Respects her enough to rely on her. Gives her a home and family and meaningful, important vocation during the goddamn apocalypse. Let’s talk about the kind of masculinity that uplifts others that completely. That takes all kinds of pain and stands up in the face of it because of the people who need to see him still standing. That has purpose and drive and passion but above all understands other people and believes in them.

Stacker fucking Pentecost everybody.

(Source: molegan, via cthulhu-with-a-fez)