kitoky:

I need you to protect me. Can you do that?

Fine, fandom. You don’t want to gif Mako and Stacker? I’ll fucking gif Mako and Stacker, because if there was ever a relationship that carried the emotional impact of a film, it’s fucking this one. Without a doubt, we saw their relationship from start to finish and it was complete with a role reversal. Stacker protected Mako in Tokyo, and now she’s protecting him on Operation Pitfall. And this scene is just my absolute favorite because Stacker’s a soldier from top to bottom, but here we genuinely see the father that he’s become to Mako and the person she looks up to and the one she gets her strength and drive from. And without words, although the words hurt just as much, they managed to destroy me emotionally with this small gesture, a you-blink-and-you-miss-it moment: Stacker saying to Mako, “Hey. [We’ve got a job to do, let’s go do it.]” A subtle tipping of her chin; a quick, inconsequential shrug of his shoulders, and immediately Mako straightens, squares her shoulders, taking his strength as hers and they’re ready. They’re ready to save the world together. In Pacific Rim: Tales From Year Zero, Stacker comments that young Mako reminded her of himself; “Quiet, serious.” Based on this, I feel like their relationship is significantly based on their body language, and how they conduct themselves around each other. There were just volumes that were spoken about their relationship in this one scene and this one moment that it made seeing it in theaters 8 times worth it.

(via im-lost-but-not-gone)

soyonscruels:

witchpriest:

OK THE PACIFIC RIM CLASS POST

we have people of colour, badass ladies, badass disabled people, can there be more?

yes, yes there can because as far as i can tell our leads are working class. 

“Safe zones that only the rich and powerful can buy their way into” [Pentecost] said. “What about the rest?“

i’m going off both the movie and the novelisation here, but let’s start with stacker pentecost, and idris elba. idris elba is from one of the poorest areas of london, and he has an Accent, which he uses for stacker. that alone is an argument, but according to the novelisation, stacker is from tottenham. 

Born December 30 1985,  Tottenham, England. Parents Obadel, laborer, and Viviane, club performer. Family loosely involved with organized crime. Father died 1995 of wounds suffered in a knife fight with nightclub owner. Stacker, then 12, burned the club down and attacked father’s killer. Sent to ministry school, realized suitability for military service.

i don’t know how canon this is now, since it doesn’t mention his sister luna at all but jesus christ can you get more working class, particularly london working class and black. and even if that’s not canon his family are military which often attracts working class kids, if not outright targeting them.

and this is the guy who saves the world, because pacific rim might be about how you need to work together and have meaningful connections, but pentecost keeps the jaeger programme together, a black, working class man from a potentially criminal family depending on how canonical the novel is, who probably has a criminal record, this is the leader of the resistance, because he won’t let poor people be crushed by the kaiju, he will not stop defending the entire fucking planet, he’s literally a christ figure he had a HALO, his last name is PENTECOST. and he’s still educated and culturally sensitive and obviously a great dad and a good fucking person

and then for raleigh, charlie hunnam is from newcastle and while he’s playing an american he’s using the same accent he’s used to play white trash jax teller. i’m going to steal from postcard actually, because charlie hunnam’s current accent is ‘two mixed-together accents both of which are almost exclusively found in the way they sound in his mouth on shaggy-haired filthy men in biker gangs’. the novelisation says his family have been to a lot of different countries but he still doesn’t feel not working class? so maybe there’s military there; or a fic suggested an embassy worker parent. and then obviously there’s his predisposition towards construction, and just his general everything. also, again, working class person who is culturally sensitive and emotionally sensitive and a good fucking person. 

i don’t feel comfortable analysing mako’s class background in depth, because i’m white and english and know fuck all about japanese class systems, but her dad was a swordmaker, which is the definition of working with your hands, at least and she lived in a small village, and had never been to toyko before she was there when onibaba attacked. and then she was raised by stacker, of the aforementioned background. 

the point of this post is WORKING CLASS PEOPLE OF COLOUR SAVE THE WORLD, ACCOMPANIED BY THE ONE DECENT WHITE DUDE WHO IS ALSO WORKING CLASS, AND DISABLED SCIENTISTS WHO ARE HUGELY IMPORTANT IN THE WORLD SAVING, NO REALLY WHERE DID THIS FILM COME FROM

yeah like i’ve wanted to say for a while that i’m OBSESSED with stacker pentecost’s ‘today we are cancelling the apocalypse’ speech because his speech patterns are 100% working class london — cancellin’, not cancelling — and there are very, very few films that give a speech of such gravitas and importance to someone who is allowed to keep non-RP speech patterns like that if they’re british

and this really matters, guys. it matters if you’ve gone to see english-language films all of your life, often with british actors in them, and you’ve basically never heard anyone who sounds like you in them. and idris elba not only gets to be that person, he gets to be the leader. the messiah figure of the jaegar program drops his g’s, he sounds like he’s from a council estate in hackney, he gets to be not only a figure of authority but a figure of inspiration and of hope. that’s fucking HUGE. i’d be really, really hard-pushed to give you more than a few examples of hollywood films with british actors in any role that’s even remotely comparable.

(Source: handsomewitch, via bonehandledknife)

allmyprettylittlefandoms:

When you come out of Mad Max: Fury Road walking proudly with your chest held high, the cold gleam of death in your eyes, feeling more powerful and badass than you did before, and realize this must be what guys feel like every time they walk out of an action movie

(Source: teleriprincess, via johanirae)

gotmilk5101520:

aaliyahmermaidd:

riskpig:

fifty-shadesofgay:

castielsunderpants:

straighttohelvetica:

Easily the most horrifying line of dialogue I’ve ever heard in an animated movie.

NO BUT THIS WAS SUCH A GOOD GODDAMN MOVIE LIKE THE MUSIC IS FUN AND SUPERB THE CHARACTERS WERE REAL PEOPLE EVEN THE ANTAGONISTS THE WOMEN WERE GREAT IT WAS ALL GREAT. IT DOESNT MATTER IF YOURE JEWISH, CHRISTIAN, MUSLIM, ATHEIST, WHATEVER ELSE IT DOESNT MATTER ITS SUCH A GOOD MOVIE AND ITS LITERALLY ONLY 90 MINUTES OF YOUR DAY AND EXPERIENCE THIS HERE JUST CLICK IT LITERALLY IT WILL OPEN IN A NEW TAB GO WATCH. 

also can we point out that none of the characters were white? like damn accurate depictions of Biblical characters

I reblog every time Prince of Egypt comes up because holy fuck this movie is so good.

I love this. I use to watch this all the time in my elementary school, so glad I found this post I could never think of the name of this movie.

Gooddamn. That scene alone was the most horrifying thing i have ever seen in a animated movie.

(via academicfeminist)

dawidum:
“ Inigo Montoya, in The Princess Bride movie, with Mandy Patinkin in the prime of life!
”

dawidum:

Inigo Montoya, in The Princess Bride movie, with Mandy Patinkin in the prime of life!

(via effyeahprincessbride)

aggressive-opposition:

eleneripenneth:

lilyliqueur:

 Wesley the sass master, here.

Because there is never enough Princess Bride.  Ever.

rendezvouswithdisaster

(Source: hs-gifs, via allephant)

otterly-riddikulus:

lyssismore:

Always reblog Easy A.

This movie is gold

(via anacfranco)