I don’t even care that I already reblogged this because seriously, how is this not a masterpiece painting hanging in the Smithsonian? Everything about this photo just says Romanticism to me
the thing about writing fantasy stories is that language is so based on history that it can be hard to decide how far suspension of disbelief can carry you word-choice wise - what do you call a french braid in a world with no france? can a queen ann neckline be described if there was no queen ann? where do you draw the line? can you use the word platonic if plato never existed? can you name a character chris in a land without christianity? can you even say ‘bungalow’ in a world where there was no indian language for the word to originate from? is there a single word in any language that doesn’t have a story behind it? to be accurate a fantasy story would be written in a fantasy language but who has the time for that
Tolkien had the time apparently
LIsten. Linguistics Georg, who invented over 10,000 conlangs each day, is an outlier and should not have been counted.
Oh my god THAT’s why she’s willing to sacrifice her crew, because she’s tried any variation of telling them, of asking their help, and there’s always somehow a weak link, they’re not good at secrets, at acting. They don’t even come away from the Citadel, or her crew is suddenly replaced by Joe, or she’s taken off the War Rig, or– In desperation she tries not telling them one time, and it’s gut-wrenching, but then she gets much further, and now she has to get them killed over and over again, punch Ace off of her running board like he’s one of the Wretched over and over again–
She only ever reaches the other Vuvalini once, on their final run, which is why it was so crushing when she found out that there were only a few left, and that her home was gone. The run through we saw was the furthest she ever got, after hundreds of times watching her crew and the sisters die in different ways. Maybe she even killed Max many times before, or left him to die in the desert.