Thoughts on Soulmates in PotC

OKAY, so, I have an overwhelming need for soulmate AU’s of every-damn-thing and a love for Elizabeth Swann that burns like fucking Greek fire, so of course we were going to end up here eventually.  

  • There are three people in the world who could be Elizabeth Swann’s soulmate.  Depending on your AU of choice, these are the three people who see color when they meet her or have her name or first words printed on their skin or what have you.  All of them are in love with her.
    • Commodore James Norrington knew when he was a teenaged, freshly-minted Navy officer, meeting a nine-year-old girl with solemn eyes and a pretty, lilting voice, that he was going to love her.  When she was seventeen he was in love with the coiffed, well-heeled mask she wore, completely gone on her.  He was horror-stricken to find that he loved the steely, vicious creature of sea and storm underneath even more.  If he has a mark, it rings his wrists like cuffs, because for all that he might love her, James isn’t a pirate at heart, and being chained to one kills him as sure as a sword.
    • Will Turner loves the flashes of gentleness through her fire-bright shell, the way she always sounds startled when she laughs, the way she holds his face in her hands–gentle, like he’s made of crystal, but hard and immovable as steel.  Will’s mark, if this is a universe with marks, lies like a necklace at his throat, close to the curve of his neck.  He thought of it as a necklace, before he met her, before he knew her well.  Now he thinks of it as a collar, a mark of ownership–he is Elizabeth’s, full stop, hers to keep, and he has come to love being kept by her.
    • Captain Jack Sparrow loves the heart of her, as hungry and dangerous as a fire at sea, loves her for the glint of lust in her eye when she looks at a fine ship or a sharp sword or a gold ring, or Will or James or Jack–the glint of wanting, of greed, of that is mine and I shall have it.  When he looks back on it, remembering, he thinks that he fell in love with her when she burned the rum, and the flame in her eyes was brighter than the flame on the sand.  His mark, if such exists, stretches across his shoulders, like wings, like lash marks, like a weight that makes free.
  • Elizabeth cares for them all, loves them all in a way, but none of them can be everything to her, the way a soulmate is supposed to be.  None of them is the world entire, none of them is the ocean from horizon to horizon, and nothing less will satisfy her.
    • Elizabeth has no mark, if this is a world with marks.  Or perhaps she does–a skull and crossbones, a coiling ocean current, the brand of a pirate, the words ‘Gentlemen, hoist the colors’ in bold black letters across her fair skin.  
    • If this is a world where your soulmate’s touch stains your skin with colors, the three men are splashed with cerulean, azure-emerald-silver, and Elizabeth’s skin is clear.  Until she faints over the edge of a cliff and plunges into the ocean below, and she is drawn out with her skin swirled with ocean-blue, coiling down her limbs and over her heart, arching over her cheeks and around her eyes.
    • If this is a world where you see color when you meet your soulmate, she grows up with it, and the colors always flare brightest when she stands at the bow of a ship and looks toward the horizon, where the water and the sky kiss.
  • (There is a fourth soulmate for Elizabeth Swann, a fourth body stamped with a simple name, no matter the universe.  This one, perhaps, is the truest soulmate.  Tia Dalma, Calypso, Oceana, the queen bound in her bones, wears the name on her mortal form, and whenever Elizabeth steps onto the deck of a ship, the woman-goddess smiles, slow and secret.)
    • (Every queen must have a king, after all.  And Dalma-Calypso-Oceana is proud of her king, straight and proud and fierce as a sword of folded steel.  She loves her king like a hurricane loves a ship, like her king loves her lovers, hungry and desirous.  Her love is blessing and curse by turns–her king’s ship has sweet winds and raging storms, blazes into Navy flotillas and skates away by a finger’s length.  Her king stands in the winds and laughs and laughs, fierce and wild and free, and so, so in love.)

Anonymous asked: Honestly the thought alone of one day being able to read a fic about Elizabeth that's written by you is a blessing and will keep my heart warm

Oh my God you’re too nice.  Trust me, I too want to read a fic written by me about Elizabeth Swann, but I have no ideas that aren’t five pages of caps-lock-littered weeping about Elizabeth as the Pirate King, who keeps her bargain with the magic of the Dutchman by carrying the earth in a tiny glass vial around her neck, and who goes out and rages over the seas with her ships like a hurricane, and who raises her child on the waves as free and wild as a tern, and who crosses paths with Jack Sparrow and wreaks havoc and kisses him on the cheek and grins wickedly every time, and who catches men close when she kills them, slides a blade into their heart and a letter into their pocket and whispers in their ear “Take this message to my husband, dear sailor.”

I mean…that is what I would have to say.  Pretty much incoherent and plotless.  It would all be messages in dead-men-as-bottles, children raised to crawl the rigging of ships and charge wildly into trouble, and Elizabeth over it all, Pirate King and old friend of Calypso and wife of the Dutchman’s captain and comrade/sister/rival/unattainable love of Captain Jack Sparrow, she who is beloved of the sea.

If that appeals, hit me up with a prompt and I will deliver.

Tags: potc ELIZABETH SWANN pirates of the caribbean GOD I LOVE ELIZABETH SWANN SO MUCH no i'm serious i have a lot to say and none of it is coherent and none of it is plot although i have vague notions of a thing where all three of them are functionally immortal? like elizabeth is granted immortality by calypso as a gift/curse/reward/punishment (calypso is complicated and changeable and mercurial as the sea at storm and her reason changes daily) (elizabeth doesn't call it any of those things) (elizabeth bares her teeth and calls it nothing and in the depths of her mind she thinks that it is her due) (elizabeth swann is selfish and steely and not sorry for anything she has done) (she is not sorry for this either) and will keeps command of the dutchman to keep seeing her (they work out a more regular visiting policy after the death of their son) (a life for a life) (the boy died old and loved and happy and they miss him but do not mourn him for what in that life is to be mourned) and jack finds that all his searching for immortal life was needless because jack is a pirate and the last pirate and the best pirate (save perhaps the pirate king) and there are some things that the world is determined to preserve and the noble trickster archetype is one and it's been a thousand years and elizabeth doesn't sail a ship anymore she leads a small fleet of starships the dutchman is a ruined old battlecruiser that drifts out of the black to claim those lost in space (sometimes a nebula flares electric green in the passing of a ship's ports and the passengers say that a soul's returned) and jack doesn't scramble through riggings anymore and he misses the feel of the sail canvas under his hands but... oh he's always wanted to explore and now he has a galaxy at his fingers bring him that event horizon

Picture This

tadpole-in-a-tuxedo:

runlikedavid:

So the whole point of the Pirates movies is Captain Jack Sparrow is trying to find a way to become immortal. What if the last movie in the franchise ends with him achieving that somehow. Then the movie goes to a montage of Captain Jack dancing through history doing all sorts of shenanigans. He keeps creating new identities and showing up in different settings. We see Jack with bootleggers, with Elvis, pitching the Pirates ride to Walt Disney, maybe he has a beer with Wil Turner and the Beatles, anti war protests, all over the place and then the movie ends. Then the end credit scene opens at a film studio. Young hopefuls are standing in line for some sort of audition. We see captain Jack in the line. When it’s his turn he walks in and sits in front of the casting people and introduces himself as Johnny Depp. The casting director tells him he’ll be reading for the part of Jack Sparrow when he interrupts her with a, “I think there’s supposed to be a ‘captain’ in there love” and then the movie cuts to black.

This is GREAT because usually movies about immortals are all angsty, “boohoo, I’m immortal, boohoo.” But not motherfukcing Jack Sparrow. He’s having the time of his life and he’s rocking the SHIT out of it

(via primarybufferpanel)

valkyriestrikeofthelashatterdome:

gotterdammerungs:

#pirates of the caribbean was kind of a formative influence #so here’s the thing #after years of chasing curses and hearts and fountains; losing the pearl and winning her back and losing her again #after rum enough to drown his sins and sorrows both#captain jack sparrow wakes up one morning and he’s immortal #just like that #no deals with calypso (he hasn’t been able to find her since the brethren court broke her chains) no desperate double-dealing #one morning he just…stops #stops aging stops dying #he gets the seas forever—except #except #the edges of the map are closing in #the lure of undiscovered treasures is waning and merchant ships are becoming better defended #the day that the East India Company takes Shipwreck Island; Jack feels a great chapter in the world’s history close #(he flees to the Barbary coast with the rest of his ilk; but the romance has gone out of it—the is too much desperation #too much hunger too much blood to it nowadays #the age of the swashbuckler won’t live out the decade) #I imagine this thing he’s chased all his life would crumble through his hands as he bounced from ship to ship #he never gets used to the square rigging on the clippers; though they lead to some good work running tea from china #but the first time he sees a steamship he nearly walks off the dock out of shock #of all the ways sailing would have changed; who thought you’d get rid of the /sails/ #(he swears he’s never getting on one of those monstrosities; let alone sailing on one) #(he manages to hold out until 1893 when the longing for the sea overwhelms him and he decides that even #that ghastly smog and the humming of the engines can be endured) #sometimes he’ll see calypso out of the corner of his eye—leaning on the deck railing; darting alongside the ship with the dolphins #(someone in the early 20th century tells him they’re not fish and he nearly busts a gut laughing) #he wears a hundred names and a hundred looks; cuts his hair short or grows it long #calls himself american; spanish; english (british); caribbean #he has two dozen different copies of Stevenson’s Treasure Island—it reminds him of something gone and half-forgotten #and in 1920 when Seitz comes out with Pirate Gold; Captain Jack Sparrow is in the first row (x)

And then in the future, everything changes. He’s been through it all, of course-watched humanity rediscover the heavens above them, watched them begin to wonder what’s out there. He cheered with the rest of the world when they landed on the moon, cheered as if he’d found Isla de la Muerta all over again, because there was something new. New treasure, a new horizon. But then they stop going, stop exploring, and he goes back to riding tankers across the rising seas. So he’s surprised when one day he wakes up from a night with his bottle of rum (his truest companion), and hears that there’s colonies on Mars now, and they need ships to supply them. He spends the next decade crafting new identities, learning all he can to qualify for the job, and after several tries (and even more faked deaths-this immortality thing isn’t all it’s cracked up to be in the age of the inerasable digital self) he gets it. The ships go nearly constantly now, the needs of the terraforming project creating an unbroken line of vessels from Mars to Earth and back again. “Show me that horizon,” he whispers to himself, his personal prayer of thanksgiving, each time they leave orbit, because the worlds, the stars are in motion and it’s never the same, with nearly three years for a round trip the ports are always different, even if they keep the old names. And finally one trip something goes wrong with the reactor, they’re too low on power and have to deploy the backups, and Jack (Lucky Jack, they call him, for he survives too many things he shouldn’t but science has yet to accept that maybe some things weren’t old wives’ tales after all) goes out for the spacewalk to bring up the solar panels. And as they rise, geometric patterns black against the sun’s glare, he’s struck by a powerful sense of déjà vu, because it’s all here-wind and sails, a ship beneath his feet and stars above his head, horizon in all directions. He wonders, for a moment, if the reason he’s still here is because the universe wanted a witness, to mourn the end of one age of exploration, and rejoice in the birth of the next.

Well shit.

(Source: jamesfrancos, via bonehandledknife)

fatandfabulousmermaid:

muldertorture:

sarahsupastar:

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asuna-tan:

the curse of the black pearl vs at world’s end

I love this because you have Elizabeth who couldn’t even defend herself in the first one to becoming this master sword fighter and leader of ALL pirates. You watch Will who was just this angsty little brat head over heels for Elizabeth become this grown man who faced all his demons.

and then there’s Jack

“Elizabeth who couldn’t even defend herself”

Do you mean…

Elizabeth who improvised a weapon when pirates invaded her bedroom

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Elizabeth who could have run for the exits but instead went straight for the swords

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Elizabeth who demanded to speak with a pirate captain and then used the leverage she had to get him to agree to her demands

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Elizabeth who CAME AT BARBOSSA WITH A GODDAMN KNIFE and then fucking STABBED HIM when she couldn’t get away

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Elizabeth who was trapped on a tiny island with nothing but crates of rum and a man she couldn’t stand and who used those supplies to summon a rescue party for herself

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Elizabeth who made a rope out of sheets and climbed down the back of a ship to save the day herself when no one would listen to her about how dangerous the pirates were

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Elizabeth who snuck onto the Black Pearl, knocked two cursed pirates straight off their ship, and rescued Jack’s entire crew

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Elizabeth who rowed straight back into danger without any backup instead of running away with everyone else

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Elizabeth who came to Will’s rescue with a blunt object and a one-liner

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Elizabeth who proceeded to team up with Will to take down all the remaining pirates in the cave

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Elizabeth who – without being asked or told what was going on – faked unconsciousness to create a distraction for Will’s rescue of Jack

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Elizabeth who stepped in front of a ring of muskets, successfully protecting Jack and Will from being shot or captured

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Elizabeth may have learned some impressive sword tricks in the later movies, but she was a Badass from day one.

preach

I couldn’t appreciate her when I was younger because I was salty about her tryna be with my man Orlando Bloom 😂 #5thgradecrushes

(Source: ridleydaisy, via adelindschade)