Anonymous asked: So your rant on Supernatural? Also I fell in love with the story you're talking about and basically want to know more. Sorry.
My buddy, you have made An Error, but let’s do this shit. To any SPN fans who have wound up here
through Ye Olde Search Function, I encourage you to stop reading now.
I watched up to about halfway through Season Five before I
decided that I could Do It Better (I think this is the novel you’re talking
about, anon, unless it’s Earth is where the trouble comes from), and dragged
myself up to about halfway through Season Seven before I packed it in and gave
up, resigned that the parts of the show I loved were about four to five seasons
dead. So like that’s the information I’m
working on here.
So, obviously, lots of people have lots of legitimate
complaints about Supernatural,
including treatment of queer characters, characters of color, and women, as
well as their fairly rampant history of queerbaiting. And lots of people have covered this in more
competent detail than I could ever manage, so like google “sexism in Supernatural” or something and you can
do your own reading there. Hell, if you
want to do it the lazy way, you can knock out two of the above with this one
article in friendly, easy-to-read Buzzfeed format. To the nominal credit of the people involved,
I will add that the cast seems acutely aware of these problems and finds it
distasteful, HOWEVER the problems persist and therefore that credit is minimal. Anyway.
These things are covered much more thoroughly by many other people who
are far more cogent than I could hope to be, so I’m going to leave those alone.
Instead, my rant is mostly summed up as “YOU CALL THIS SHIT
STORYTELLING.”
So there are four basic parts to this rant, or rather four
basic flaws that form the fundamentally weak foundation of Supernatural as a narrative.
- Failure to commit to a single cohesive narrative
arc, also known as “SOME OF THAT AND SOME OF THAT AND SOME OF THAT AND SOME OF
THOSE” syndrome
- The persistent and erroneous belief that
character death = character development and narrative progression
- Inability to commit to a major change of
paradigm, also known as out and out narrative cowardice, which I personally
call “flinching during Plot Roulette”
- Total incapacity to put their characterization
where their script is regarding the Winchester brothers and the other major players
*cracks knuckles*
Keep reading