some thoughts about jaylah the magnificent

ink-splotch:

- Within her first week at Starfleet Academy, Jaylah hacked into the environmental controls and security systems of her dorm– because she was bored and twitchy, because she didn’t know what to do with a home she had not taken apart and re-wired herself. 


- She broke into the cafeteria after hours and told herself it was just to see if she could. She skipped class to go wander the streets and build a map of the city, of these concrete canyons and glass-and-steel cliff walls, of which way she would run if she needed to. She played her music too loud. Kirk wrote her from deep space, further and further away as the months and maydays of their mission moved on, to ask if she was trying to beat him in demerits earned in an Academy tenure. She took that to mean he approved.


- Jaylah had had a big brother, once. Elah had taught her about engines, about how to wrestle, and a lot of really terrible jokes, once. But Scotty walked her through the Enterprise’s engines, when she was rebuilt and shining. They got grease and fluids all over their overalls. Kirk and Spock sparred with her while they waited for the Enterprise’s next mission to come through– Academy martial arts and Vulcan holds and corn-fed Idaho brawling tricks. Uhura provided the bawdy humor, parsed out smugly at the edges of social gatherings. 


- They had set the ruins of the Franklin up as a museum, tucked into the floating bubble of Yorktown. Schoolchildren would take field trips to wander the halls of her house. They invited her to the opening ceremony, cut the ribbon while she and the Enterprise crew were still wandering, limping, through those clean curving streets, but she did not attend. 


- Instead Scotty showed up at her doorstep with a bottle of Scotch stolen from Chekhov. They played her music so loud it shook the walls and earned them a dozen pissed off texts from Bones and a single sternly disapproving note from Spock. They ignored them all and toasted the Franklin, a good lady, a fine home. 


- When Jaylah boarded a transport ship for Earth, for California and San Francisco and the Academy that lived in the shadow of that golden bridge, the whole surviving crew of the Enterprise came out to the loading dock to wave her good-bye. It had been so many years since she had known any faces so well, living, other than her enemies’. She pressed up against the window and watched them– peach and blue and brown and black and green– disappear. 


- No matter how hard she fought and hoped, she had thought she would never get off that planet. The moment she saw her father go down, she had thought she would never be able to survive that stab in his gut, that light that went out of his eyes. She had been small, willow limbs and shaking hands, and she had thought she would never see another sky again. 


- She got up early on cold mornings and walked through the swirling San Francisco fog. She greeted the sun as it climbed up over the Bay and burned the sky back to blue. 


- The crew pooled their credits and bought her a motorcycle for her next birthday, to replace the one they’d left on the planet. Jaylah had left a lot of things in that boneyard. She drove the steep streets on her humming bike and felt like perhaps she had not left everything. 


- When Jaylah took the Kobyashi Maru her final year, she watched her classmates complain and rant afterward about unfairness, about no win scenarios. She did not speak up, just took her results and left. The lesson was one she had already learned, already buried in herself. Sometimes you cannot win, no matter how good you are, no matter how brave, no matter how much you love your daughter and want to live and live and live for her. Sometimes all you can do is die the best way you know how. 


- (When the ruckus had finally died down on Yorktown Base, after the smoke had settled, after the crowds had parted, Jaylah had seen Demora Sulu run to her father’s arms. She had seen Hikaru kneel in the rubble and lift his daughter into his lap and hold her safe in his arms. She had thought, I would have died for this. I am alive, and I am glad, but I would have died for this, I would have, I would have died for this)


- (Her little sister Jessy had been about Dem’s age, the last time Jaylah had seen her alive). 


- She didn’t declare an emphasis in her Academy studies for two years. Scotty thought she should go into engineering, because as a traumatized, escaped child she had reverse-engineered repairs on the Franklin that could only be matched by his own genius. Kirk thought she would make an excellent command officer. Uhura, impressed by how she had taught herself Federation Standard from the Franklin’s logs, made sure the communications department paid friendly attention to her. 


- Instead, Jaylah took the introductory classes for every field of study in the Academy, ignoring the disapproving cries of her guidance counselors. In combat she was years ahead of her peers. She found languages easy, but their technical underpinnings were unengaging and confusing. In engineering she was gifted, but decades behind the state of technology. Scotty had happily dragged her through the Enterprise’s rebuilt engines, but her heart and her blackened fingers would always belong to engines lifetimes older.


- The Enterprise crew were on their second five year mission when Jaylah graduated from Starfleet Academy. They gathered in the main mess hall, all the crew that had survived the Enterprise’s first death, and the new crew members who had heard stories of this adopted daughter of the ship for years. They live-streamed the ceremony. Scotty wore a ‘PROUD BIG BROTHER OF A STARFLEET GRADUATE’ shirt Sulu had hand-lettered for him. Bones opened a bottle of good ol’ Earthside bourbon and pretended not to tear up when her name was called. 


- She wore medical blue.  


- After years of Academy schooling and medical training, Jaylah stepped onto a Starfleet ship, her badge pinned to her chest. The corridors curved into the distance. The lights hummed and lit up as the ship floor murmured under her feet. It felt like coming home. 


- But there were no rocky hills out her shipboard window, no dull sky, no shimmering shield to hide her from her enemies. There was just space– black, cold, endless; brilliant, star-studded; full of discovery and danger and things worth dying for. She was ready to boldly go. She was ready to bravely go. She had thought she would never see another sky and here she was, older than her oldest brother had ever gotten to be, with hands that could defend lives and save them and heal them. The universe was spreading out before her, endless stars lighting the skies of endless planets. She was ready. 

(via im-lost-but-not-gone)

rabidchild67:

thepathlesstrekked:

xenadd:

I went to see Star Trek Beyond again the other day and I noticed something that I hadn’t before: the escape pods on the bridge of the Enterprise were specifically called Kelvin pods. At every other point, crew referred to escape pods until the bridge crew specifically began to evacuate. We saw the pods after ejection: escape pods were larger, presumably could fit multiple crew members (going by previous Trek history, really, and the size and number that we glimpsed), and had to be got to. The Kelvin pods were streamlined, single person carriers and built straight into the walls of the bridge. Accessible from any point in that space, effectively. 

‘Kelvin pods’ or their equivalent haven’t been seen before in Star Trek (as far as I know) and definitely have never been referred to before in the Kelvin timeline. The USS Kelvin bridge crew had to leave the bridge to evacuate, and George Kirk had no point of escape after he set the ship on its fatal collision post. Given the name of these pods, it’s safe to say that these were installed after that incident to ensure that no Starfleet officer would ever have to go down with his ship in that way. Had there been pods in the bridge, George Kirk would have been likely to survive.

And I think that this is a thought that occurred to Kirk as he stood there, watching his ship be ripped apart too logn after the last of his crew (darling Checkov) had abandoned ship. As he lingered and made that decision to go. To live. To save his crew like his father would. 

I noticed this when I saw it and remembered thinking what a beautiful little piece of world building it was.

It’s a very casual kind of way to remind the audience, not only the reaching effect of the Kelvin incident in-world, but also how hard it is for Jim Kirk to escape the circumstances of his birth.

There he is, able to get his crew to safety and follow them off the ship because of something that was created to prevent what his father had to do. In a way it’s George Kirk getting Jim off a crashing ship all over again.

It’s details like this that show why Simon and Doug need to write the next one if you ask me. 

The level of emotional wreckage this movie has caused in my life is ASTOUNDING.

(via patroclvss)

janey-jane:

there were a lot of moments in Star Trek Beyond that emotionally compromised me, but as i am irrationally attached to the Enterprise herself i need to vent feels about my very favorite dilithium-powered inanimate object.

The previews made it pretty clear that she was going to be destroyed so it wasn’t a surprise; but watching the extended, gratuitous destruction scene - every puncture to her hull, seeing her nacelles severed, watching the drone ships pick her apart piece by piece - was still painful.

but… 

when Chekov & Kirk are standing looking at the burning ruins of her saucer and kirk says “She still has a few tricks up her sleeve, ” i. lost. mY. SHIT.  OF COURSE SHE DOES BBY. SHE WILL GIVE THE LAST PIECE OF HERSELF FOR YOU.  SHE LOVES YOU ALL.

And even at the bitter end, when the wrecked saucer is being COMPLETELY DESTROYED, she saves Kirk and Chekov one more time.  I almost fucking bawled.

(via cthulhu-with-a-fez)

As someone who hated “Into Darkness,” I saw “Star Trek Beyond” today

i-just-like-commenting:

(Side note: I had to sit through almost 20 minutes of trailers, none of which were new and almost all of which were terrible or dull; still saying the Nerd Prayer for Suicide Squad)

When you take the reins of Star Trek away from J.J. Abrams, Robert Orci, and Alex Kurtzman and give it to Justin Lin, Simon Pegg, and Doug Jung you get:

  • Every character having a plot-purpose and a highlighted moment where they shine
  • Prominent casting of non-white actors
  • Women who kick ass, fix spaceships, and don’t have a camera leer at them
  • No sexist jokes
  • A deeply touching send off to Leonard Nimoy
  • Hikaru Sulu taking charge of the bridge
  • Hikaru Sulu having a husband
  • Nobody making a big deal of Sulu having a husband
  • James T. Kirk, infamous lady’s man, looking at Sulu with his husband and daughter and clearly wishing he had that kind of close family to come home to because heteronormativity is dead in the future
  • Cast being listed in alphabetic order in the end credits so that John Cho goes first
  • I guess what I’m saying is that with both the director and one of the writers being Asian-American, there was clearly a push for Sulu to get the honor he deserves in this
  • So many possible couple pairings from all the scenes together, and I ship them, all of them, just a big free love multishipping orgy onboard the Enterprise
  • Creative fight scenes that incorporate futuristic sci-fi tech and zero gravity
  • New plot instead of recycling the end of Wrath of Khan
  • Kirk riding a motorcycle, but in a completely plot-justified and clever diversionary tactic
  • Beastie Boys’ “Sabotage” being used in one of the best scenes in the movie, I kid you not, it actually makes sense in context
  • Lots of humor and witty banter
  • Trek’s traditional shining optimism about unity in diversity and human potential for good
  • Continuity references
  • The best Rihanna song in a long time for the end credits

So yeah, I really liked it. In fact, I think I liked it better than the first in the reboot.

(via cthulhu-with-a-fez)

pureslime:

there are actually so many good things about the new Star Trek movie, but here’s a few that you folks might be interested in.

  • No womanizing Captain Kirk.
  • It gives ample time to all the main cast.
  • Doesn’t focus on Kirk alone.
  • Lots of Bones/Spock dialogue and development.
  • No weird underwear shots.
  • No obnoxious lens flares.
  • A plot that revolves around promoting friendship, peace, and diversity.
  • No sexist jokes.
  • Idris Elba.
  • A wholesome, fun, positive, space adventure that isn’t weighed down by tiresome stereotypes or edginess.
  • The best goddamn use of “Sabotage” by the Beastie Boys.

Please watch it. Please. They know what they’re doing now. Give the movie your money because goddamn it deserves it.

This movie just. GETS IT.

(via dyinghistoric)

peggycarterogers:

Honestly I think my fav part of Beyond was at the end when do the “Space the final frontier.” Montage and THE WHOLE CREW JOINS IN AND OVERLAPS with each other AND UHURA FINISHES IT with “Where no ONE has gone before.” And then my soul ascended into heaven.

(Source: stevetrevorr, via skymurdock)

mobile replies

buckygreyjoy:

@words-writ-in-starlight I KNOW RIGHT, god, that was the best thing I ever saw this year, right up there with Ghostbusters and an entire page full of cats. ngl Trek was my gateway into science fiction in general, I think, and I loved that this one was so clearly borne out of LOVE, love for humanity’s hope to reach for the stars and push beyond the frontier and then push some more.

I’m going to cry I have so many feelings.

I am just so glad I’m not the only person who’s like EMBARRASSINGLY weepy over how amazing that movie was.  Guys, guys, trust me, you want to see this movie.  Whether you’re a casual space adventure fan or a devoted Star Trek lover, you want to see this movie.  It’s just so much fun and so gloriously in love with itself and its universe and its characters, it’s up there as my favorite movie ever.

(Source: skymurdock)

readysteadytrek:

I can’t believe the Beastie Boys saved the Federation.

(Source: softglittertrek, via skymurdock)

"According to Pegg, director Justin Lin re-edited the final scene (spoiler alert) to add in a subtle tribute. “Justin went back and edited the final moment so that when Kirk says, ‘To absent friends,’ it cuts to Anton, which is really moving,” Pegg said in an interview with The Daily Beast."

bustle.com (via maxwrite)

(Source: bustle.com, via skymurdock)

Saving the Galaxy with Lunacy and Rock and Roll

words-writ-in-starlight:

I JUST GOT BACK FROM STAR TREK BEYOND.

IT WAS A RELIGIOUS EXPERIENCE.  THIS IS MY FAVORITE STAR TREK MOVIE OF ALL, EVER, EVER, EVER.

THERE WAS NOT A SINGLE THING I DID NOT LOVE TO BITS AND PIECES.

I AM IN LOVE WITH THIS WHOLE MOVIE.

I’m fine.  I’m totally fine.  I have never been more fine.  I am not at all teetering on the edge of an endorphin-drunk, sleep-deprived teary tirade about stars and the universe and humanity and how we’re so tiny and small but we just want to touch every star in the sky and hold hands with every being out there and KNOW what it’s like to fly and see the universe laid out beneath our feet, not ready for the conquering, but just THERE to be seen and reveled in and explored.