writing-prompt-s:

inkskinned:

writing-prompt-s:

A friendship between a time traveler and an immortal. Wherever the time traveler ends up, the immortal is there to catch him up to speed.

when we meet, i’m older but born after her, which is confusing. she was immortal somewhere after the 3rd century, we’re not sure. something about an ancient ritual. a sacrifice. she was twenty. if she ages, it’s nowhere i can see. the cut on her ribs from the ritual never heals. she is constantly annoyed by it.

we met in a meadow, by chance, when i got lost after woodstock. she looked at me with these odd eyes as i stumbled out of the loop, still smelling of sweat and other things. for a long time we stared at each other, she in her peasant clothes, me in tattered peace signs. and then she laughed.

she meets me in london during jack the ripper’s reign. we get tea. i tell her about the future where women are rulers and she snorts. i tell her about medicine. she tells me about witchcraft. i tell her about spaceships. she tells me about books that will die before i get to read them. when she laughs my heart feels funny. i think it’s the death on the wind.

she meets me by the berlin wall. we break it down together. she dances her bare feet in the dust. when she laughs something very small breaks in me. i miss my twenty-third birthday by accidentally going back to the dinosaurs. when i find her in the twenty-second century she’s holding a cake for me, telling me she’d found the signs of my travels somewhere back in twenty fifty-three. we sit on a rooftop and look at the stars and eat cake. i save her a slice. when i go back in time, i find her crying. i don’t tell her how i knew. there is something really beautiful in watching someone break into a smile when they’ve been sobbing.

i don’t know what happens. i stop jumping so much. we’re not supposed to. we’re not meant for long stays, we’ll change fate. just in and out. but hours turn into days. we spend a week in paris in her apartment over the city and i’m silly drunk when she leans over to me. 

kissing her stops time. kissing her stops everything. 

she waits for the future where we are legally allowed to be together. in the meantime i find her in dark corners. she laughs when i get tangled in my own skirts. she shows me a different world. a place where i stay. she knows i have to go. but i can’t help wish i could stay.

time isn’t real. that’s the thing. we experience it only based on our own perception of events. i only realize what’s happening because i stay too long. we are skinny dipping in a cold ocean the first time i notice it. she says something wrong. it’s not a bad mistake. but she doesn’t seem to remember how we got here for a moment. and then, in a flash, it’s gone. we are hiking through the amazon the first time she starts screaming. it’s been a long history. there’s just too much. she has periods of lucidity followed by eons of confusion. everything for her flashes by in an instant. she can’t remember what’s already been invented or what are stories i’ve told. her language is slipping. 

i hold her in a future where she is shaking. i kiss her neck. she smells like summer. “i’m losing myself in it,” she whispers. her skin is still bleeding. “i’m losing it.” i don’t know what to say. infinity is a long time to wait. she experiences time in flashes, sees a hundred years at a glance. and me? i show up and evaporate before she even recognizes me.

if she is mad, i am just as bad. i travel too much to find how to stop this. into parallel universes. outside of the ages. i don’t sleep and i don’t eat and the whole time i hear her screaming. 

it comes to me while i am sitting in the library of alexandria. time isn’t real. if i break the law, time could unravel. i think of her. if it’s worth it. what happens if i’m caught. we aren’t supposed to do things like this. even if we’re in love. 

but i am in love. i am in love.

i open the loop. i could ruin everything. but there she is, crying on the night she will be taken. and my heart breaks. it’s simple. the only way to undo it without leading to ruin is to make sure it never happens in the first place. i take her hand and i give her my loop. she has all of time to explore now. i’ve already seen it. i take her place. 

it is many years later. we meet in a meadow and she laughs.

This is beautiful.

(via littlestartopaz)

courfeyr:

harveyspeckles:

wanweirds:

do you ever just think about the fact

that when Grantaire dies

Victor Hugo says he’s been hit by a coup de foudre

and in english we read that as him being struck down by lightning (in the penguin translation it just says he falls at enjolras’ feet) but

eugh coup de foudre is a EUPHAMISM FOR LOVE AT FIRST SIGHT

fucking

victor

hugo

and cry

I’ve seen this post a whole bunch of times but something only just clicked-

Early on during the introduction to Les Amis, Grantaire is described as not understanding exactly what he feels for Enjolras, bar knowing it’s a fascination. Hit by a coup de foudre at the very last second, Grantaire finally realises that what he’s feeling for Enjolras is love.

And then he dies.

(Source: isnothingsacredsmh, via enjolrarses)

ninewheels:

I was younger than you are now
When I was given my first command
I led my men straight into a massacre
I witnessed their deaths first-hand
I made every mistake
And felt the shame rise in me
And even now I lie awake
Knowing history has its eyes on me

(via shorm)

lastkodachrome asked: AU: Luke's gone dark and Leia and Han are on the run together.

notbecauseofvictories:

He doesn’t cut the string between them. That’s the cruelest part, Leia thinks—that she can still feel that cord of golden light tied around the struts of her ribs, knotted somewhere in her cardiac muscle, tying her to him. He plucks at it sometimes, and she can feel the vibrations in her throat, her back teeth. (That’s how her brother loves her, bile choking her and a blinding agony, like her heart is trying to squeeze itself through her ribs. I miss you, he whispers through the Force, through her dreams, a lover’s voice. We are all we have, Leia, why won’t you see that?)

It’s cruel, it’s cruel, she doesn’t want to feel the black mold and ice spreading out from his hands, calcifying and creeping closer, ever closer, to her. He should have cut it. He should have finished it, this, them. 

But then, Leia hasn’t cut it either. She’s not sure what her reason is.

.

The hardest part is the walk.

She can choke down the greasy slop that they serve at various dodgy cantinas throughout the galaxy. She can sleep on the itchy pallet on the narrow bunk in the Falcon. She can wrinkle her nose at Han cleaning his teeth and trying to talk at the same time—both too early in the morning when she really needs the refresher—and go without a hot sanisteam for weeks. She can lie and haggle and handle a blaster, speak Huttese like an Outer Rim rube or Basic with a thick Corellian drawl that never fails to make Han laugh.

And she can do it all while quietly slipping transmissions for the Rebellion into the right hands, praying that there is someone to read them on the other end. (It’s gone quiet in the wake of Endor, even though the Emperor had mysteriously retreated and all but handed them the victory. Leia doesn’t know what to make of that)

But when she’s not thinking about it, she reverts to the princess, the general—she’s always been someone who commands attention, and it’s written in the way she holds herself, the way she walks. It’s a dead giveaway, Han sighs, exchanging a look with Chewbacca. They’ve been watching her walk up and down the hold for what feels like most of the day, and nothing seems to be working.

We could shoot her in the foot, Chewie grumbles. Or you in the mouth, it’d have the same effect.

There isn’t truly ‘night’ when you spend most of your time in hyperspace, flitting from planet to planet, each with their own orbital period. Once, Leia had been able to shut her eyes and simply know what hour it was in Aldera, night or day, wherever in the galaxy she was. Even after Alderaan was destroyed, she had been able to breathe deeply and know, absolutely know, just before dawn, the oldawu blooms will be opening, or, third night watch, the streets quiet. 

These days, she can barely track her own internal chrono. They stumble from morning to midnight to afternoon to dawn and then back, into the timeless suspension of hyperspace. It’s disorienting. She think it’s making her sick.

Still, sometimes, Leia lays beside Han in the artificial dim of the cabin, and she is grateful. She is grateful. It’s easy to pretend in the no-time and nowhereness that they are just two unimportant humans, a man and a woman, hurtling silently through space as humans do. That they have not lost anyone or anything, they are not running. They are not waiting. They are not bleeding out internally, and they are not afraid.

They are just where they are supposed to be.

.

a dream: there is a boy with sand in his mouth, his lips stitched shut by cruel hands. he is heavy, he is so heavy, all the desert in his lungs and belly, burned sere and dry as bones in the sun.

there is another boy, and he is water. he is the flood. he lifts his hand and tears open the boy with sand in his mouth-lungs-belly—washes him away. it is a kind of terrible mercy to drown, the boy thinks. 

right then, he is not sure which boy he is.

in this dream, there is a girl who watches them, and screams thunder when the flood runs red.

.

in another world, the boy is still a flood, but he says drink instead of drown. but that is another world. it has no bearing on this one. it’s probably best if you don’t think of it any more.

.

Is he okay? Han asks her once. Leia is sitting in the empty co-pilot seat, her feet tucked under her. She’s fidgeting with her hair—she’d cut it short, terribly short, after some smuggler in a cantina recognized her braids as Alderaanian and nearly blasted her through. (The bounty on her specifies ‘alive’, not ‘well’.) Her head feels impossibly light now, bare and hollowed-out and full of loss.

It’s a kind of vicious equivalence to it, she thinks. Everything about her is full of loss.

I mean—Han starts, but she cuts him off.

I know who you mean.

(If she began spooling that golden thread around her fingers and followed it, to where her brother stands waiting for her in the dark, she knows Han would follow. He would. And he would love the thing she became, however terrible, just as he would love whatever monstrous remnant of Luke they found. She’s not sure he’d even see the ice and black mold growing in the cracks of the people he once knew—she and Luke could blind him with a sharp needle and kiss him after, pet his hair, and Han would be secretly glad, grateful to be wanted, to be allowed.

Sometimes, Leia cannot breathe with how much faith Han has in her, in them. She doesn’t know what she’s done to deserve it.)

Well? Han asks. His voice is soft. Is he okay?

I don’t know how to answer that, Leia says.

.

There was talk of a rescue, in the wake of Endor—Lando and Han in particular, still tired-eyed from the battle but upright, warming their hands over the ewoks’ fire. They talked about storming the Emperor’s star destroyer like it was Jabba’s palace, like Luke was trapped in carbonite somewhere and all they had to do was—

Leia had bitten her tongue until it bled. She was in too much pain, her connection to Luke howling, the whole Force digging its claws into her skin, her skull, that the blood in her mouth offered some relief.

At least it was real. She was still real, here, human, and not dissolved into light.

Leia! Han said, when she spat onto the grass. (She had still felt it, the red staining her lips, the corners of her mouth. Every atom in her body was screaming for Luke, her heart pulled against her ribcage like the string might snap if he went any further—)

We can’t rescue someone who doesn’t want to be saved, she’d said, and that was the end of it.

.

another dream:

why? the girl who is a storm asks the flood. tell me why and maybe then I will understand, maybe I will come.

I am so tired, the flood says. aren’t you tired?

they are standing in a charnel-house. she is not the reason for all the bones that lie here, but more of them are at her feet than his. (‘skywalker’ is scored into all of them with an uneven hand.)

that’s not a reason, the storm says. that’s an excuse.

.

They’re in some nameless place that serves nameless food, smoke-filled and seedy, when the grav-ball match cuts out. There’s a collective groan from the assembled criminals and riffraff when the Imperial sigil fills the viewscreen—Han’s good at finding planets, places, where there’s no love lost for the Empire. Leia shoots him an amused look; he shrugs, grinning.

Her humor vanishes when a soft-spoken voice says, My name is Luke Skywalker.

The viewscreen is old and grainy, marred by a spiderweb crack at one corner, but Leia can still see that his eyes are bloodshot, orange-red and unsettling. They seem to find her in the crowd, piercing her through and pinning her to the grimy wall. The nameless food roils in her stomach.

His smile is the same, she thinks. A crooked, farmboy smile, undimmed; almost a smirk but meaning-well.

He smiles as he recites the death toll from some ‘uprising’ the Empire ‘cleansed’. Leia barely makes it to the refresher before she’s sick over her boots.

.

can you come back? the storm who is also a girl asks. if there’s a chance, any chance—

you cannot stopper a flood, the boy says, and turns away.

.

Han finds her in the refresher, sobbing, blood in her ears, her nose. I’m sorry, she chokes out. She gets blood on his cheek but she can’t seem to stop pulling him closer and then struggling away, clawing at his shirt. I’m sorry, I’m sorry, I didn’t want to. I didn’t want to. I’m sorry.

It’s okay, Han says, gathering her up, holding her close. After a minute of struggling, she goes still, like a bird with a snapped neck. (He wishes he had a different metaphor.) Hey, hey, talk to me, Han breathes, stroking her shoulder with his thumb. Tell me what’s wrong, maybe I can help. I can help.

I cut it, Leia whispers. I cut the string out. I didn’t have a reason, I just had an excuse, so I cut it out of me. I think I’m bleeding, Han. I don’t think I’ll stop bleeding.

Han exhales. Okay, let me get the medkit, it’s just—

I’m so tired, Leia says, her voice barely louder than a whisper. She’s clinging to him weakly, and there’s blood in hair. I’m so tired.

skywalker-of-tatooine:

Star Wars + Star Trek quotes

bonus: Star Trek version

After years of gushing about how touching this, I realised something that makes it so much worse.

hermionejeanblr:

Think about this for a moment. Think about how hard it must have been for him to say those words.

‘He’s not your son.’ 

Like no no no, Molly, this is my Harry. My kid. James and Lily’s son from his appearance right down to the way he writes the alphabet and protects his enemies. I’ve known the kid literally since he was born. I know what James and Lily wanted for him. They’d want him to know what he’s getting into. They’d want him to know that we trust him. And Lily would skin me alive if I let her son face the “chosen one” scenario without knowing what it means. James and Lily Potter gave their lives as a result of this Prophecy and you’re telling me they would want to keep him in the dark? He is my godson, Molly. I would do anything to keep him safe. I’m the one Harry wrote to nearly every day for months and I know what he needs. I know what happened in the damned graveyard. I know what Harry’s been through and I know what his parents would want us to do. HE’S. NOT. YOUR. SON.

‘He’s not your son,’ said Sirius quietly.

Sirius is canonically the sort of person who’d get increasingly louder and angrier over the course of an argument. But no. Molly wants Harry to be a child. Her child. And all he can think of is  Lily. Her grit. Her principles. The way she’d have laid the truth out before Harry and then taken him out to a Quidditch game or something. 

He never gets to say any of that. There’s Molly’s below-the-belt Azkaban taunt and Sirius just retreats into his guilt about not actually being there for Harry… not being able to protect him last year… not keeping James and Lily safe.

okay satan maybe just  slow down there.

(Source: shakspaere, via cthulhu-with-a-fez)

more adventures of hamilton in the mcu

peradii:

  • He wakes up and the first word he hears is  wait! and his lips start to form the word burr? but then he sees the speaker: a woman with red hair wearing something obscenely, splendidly tight and he wonders if this is heaven and God is more of a tomcat that he suspected – but then he tries to move and pain flares down his spine, one greedy white jag, and he amends his original assessment: this is Hell, surely. “Pray tell,” he says, “where am I?” and the woman is joined by a sandy-haired man with some strange flesh-coloured apparatus curling around his ears. “New York,” says the man, “who’re you?” The man has a bow. The arrow is notched and aimed at Hamilton’s face. It is frightfully, laughably primitive – but then again the Indian braves have done much damage to westbound farmers with less and so Hamilton bites his tongue on some of his more hysterical questions and says, “My name is Alexander Hamilton. I’m at your service, sir.”
  • They tell him where he is. He does not believe them. They tell him when he is and he does not believe them – just a moment ago, just a moment ago, there was Burr, the gunshot, the smoke and the blood and I died I died I heard my heart lurch to a stop I saw God, the great beyond and –
  • They say a lot of words. There is a man in a slim black suit with obnoxious facial hair and he talks far too much and Hamilton is too quivery and out-of-place to understand the absurdity of such a condemnation (Hamilton says Tony Stark talks too much; in other news, a garden pond accuses the Atlantic of being overly wet.) He understands. He weeps. His children are dead, his grandchildren are dead. His legacy is –
    • there’s a musical, says Stark in a hush to Captain America (tall and blonde and how ridiculous, how perfectly absurd, this nation should not have saints or idols or – )
    • “A musical?” 
  • There is a musical. There are books and television and the internet – God help the modern world, Hamilton learns about the internet and the first thing he does is write a twenty five thousand word blog on why the memory of Jefferson is overrated and false. He gets Jarvis to proofread it. He gets Jarvis to stick it on the New York Times and there’s a mass panic about someone hacking into the website for the sole purpose of slagging off a long-dead Founding Father. Nick Fury explains about firewalls and internet security. Hamilton rants at him – the Avengers listen through the door, hear things like Sally Hemings and how would you feel if the worst person you knew was remembered a hero and the article is taken down but somehow, somehow Hamilton learns what a blog is. 
  • Things Hamilton loves about the modern world: twitter, blogging, Lin Manuel Miranda, swearing, loose sexual morality, Starbucks, minimal slavery (it still counts, he says hotly, in Africa and Asian it’s still there it isn’t gone yet – )
  • Yes he meets Lin Manuel Miranda. He rebukes him at length about inaccuracies. He thanks him. He sees his own play fifteen times and starts thinking about a sequel. 
  • Oh yes. There’s a sequel. 
  • Because the fact of the matter is this: Clinton’s corrupt and Sanders is well-meaning but doesn’t have the support and Trump is just…well. Hamilton breaks his nose and writes op-eds for every paper in the country declaring why he was right to do so. 
  • Look: American politics is a mess. And in comes the Founding Father Without A Father, the Bastard Son of a Whore and he says: so what did I miss?
  • And he claps his hands and grins and says I’m not throwing away my shot and the internet goes mad and the public goes mad and no one is saying he’ll win this election but the next one, oh the next one. Four years is an eternity in politics and Senator Hamilton has the one thing he needed most: more time. 

(via skymurdock)

im-lost-but-not-gone:

incinc:

love-phd:

boredpanda:

Perfect Handwriting Examples That’ll Give You An Eyegasm

The last one <3

TAG YOUR PORN 😩😍📃📜🖊✒️📝💙

Such gorgeous script!

(via im-lost-but-not-gone)

micdotcom:

Colorado English teacher Brittni Darras’ Facebook post about a student who attempted suicide is currently going viral. Her message is incredibly important — including but not limited to, the part about Safe 2 Tell.

For information about suicide prevention or to speak with someone confidentially, contact the National Suicide Prevention Lifeline at 1 (800) 273-8255 or the Crisis Text Line at 741-741. Both provide free, anonymous support 24 hours a day, seven days a week.

(Source: mic.com, via windbladess)

justmargaret:

ruf1oh-n1tram:

lascocks:

Throw me over your shoulder and carry me off to Valhalla you viking goddess.

For anyone who doesn’t know: The name of this adorable ‘viking goddess’ is Samantha Wright

Yes, she might be showing up in the 2016 olympics.

And yes, she is always this cute.

Samantha Wright is an adorable combination of the Hulk and Tinkerbell.

I would like to suggest Samantha Wright as a new fancast for the female Thor.  Yes, or yes?

(via littlestartopaz)