katfiction2001:

“writers always know exactly where they are going with their work!”

r u sure

“no writer does anything by mistake, it’s all very strategic”

r u sure

“they use symbolism in everything. for example, a simple sentence symbolises directness and-”

R U SURE

Okay listen, just LISTEN, there are totally times when everything has Meaning, like Methods of Inheritance, which is rattling around my Tumblr somewhere.  Literally everything has Meaning and Symbolism because one does not simply write faeries without that.

But like 99.997% of the time I am making everything up every step of the way.

(Source: arequipenby-moved, via clockwork-mockingbird)

muteelfmoonmoon:

bjornwilde:

dragonsinmeliodas:

ajmakoko:

hasufin:

seananmcguire:

knitmeapony:

seananmcguire:

priscellie:

Man. I feel so thirsty lately.  I can’t drink enough water. I feel like the senator guy in that X-Men movie after getting exposed to Magneto’s mutant machine, and he keeps drinking drinking drinking water uncontrollably until he dives into the ocean and becomes a terrifying jellyfish creature and explodes.  Freaking Magneto. I was already sympathetic to the mutant cause. Why you gotta hate?

You’re not a mutant, honey, you’re a mermaid.  It’s all right.  Once your scales start coming in, you won’t be as thirsty.

You know, being a diagnostician in a world with more public magical creatures must be a trip and a half.  

  • “Extreme thirst has a lot of causes.  Let’s check your blood sugar, and let’s take a skin sample to see if you’re developing scales.”
  • “Joint pain is pretty common when someone’s pushing themself that way with training, and I’d definitely recommend some rest, but it sounds like it’s been coming on with the moon so we might want to do a blood test to check for lycanthropy.”
  • “I’m going to give you this journal.  Keep track of how often you’re near bodies of water and copses of trees – not single trees, there needs to be a cluster.”
  • “Bear with me, I know you’re lactose intolerant, but buy a pint of milk and keep it in your kitchen.  If it spoils faster than expected, we’ll have a better idea of what’s going on here.”

“Have you considered that you may not, in fact, actually be a mammal?”

“Okay, I’m going to have to refer you to a specialist. It looks like your tertiary dentition is coming in.”

“I think we need to check for allergic reactions to silver, iron, a few types of wood, garlic, and holy water. That’ll help us rule out some possible causes for this rash. In the mean time I think you should avoid Italian food and holy ground.”

“Have you noticed clusters of birds following you? Were they corvids? Hm, interesting. You ought to come in to the office so we can discuss this further.”

“That itching sensation might be a rash, but I think we ought to give you an MRI and see if you’re about to grow horns.”

“I can’t tell from this ultrasound if you are pregnant with 1 centaur or 2 satyr twins. There’s definitely 4 hooves though. We’ll need to do some more tests.”

We may have to run some tests as it might be adhd but the way you’re describing it you might just be taking the energy from your electronics

*Makes grabby hands*

A series about a doctor in a modern magical community.

(via muteelfmoonmoon)

slyrider:

fallingthroughfandoms:

Honestly this drive to make tv shows darker each season is so annoying if I wanted to feel sick to my stomach for hours I would watch the news not my favourite tv program

@words-writ-in-starlight

Oh my God I could snarl about this trend for HOURS, okay, like, listen, just LISTEN, if your TV show is 100% non-stop hardcore tragedy, and you just ante up at the end of every season, that loses its appeal, okay (SPN, I am looking AT YOU, you had potential, I have mentally rewritten everything past Season 3 to my satisfaction, I wrote AN ENTIRE GODDAMN NOVEL as a result of how angry I was, that’s how hardcore I am; SPN is gonna be my negative example here and I’m just not even sorry, that’s what fucking HAPPENS).  

Because the reason tragedy is TRAGIC is because it’s not the fucking status quo, okay, like, that’s how this works.  If every other episode is someone dying or abandoning their morals or fighting with someone they claim to love (GODDAMN MOTHERFUCKING WINCHESTERS, OKAY, IF YOUR WHOLE PLOT IS GOING TO BE ABOUT HOW YOU WOULD DIE FOR YOUR BROTHER, I EXPECT YOU TO ACT LIKE IT, JESUS GOD), then that’s not interesting anymore, and furthermore it’s not sustainable.  Sooner or later something gives out and here’s the thing, HERE IS THE THING, it’s always, always the character.  Not in, like, some emotional ‘poor fragile baby’ way, I mean in the hard and fast writing-a-believable-character way.  After a certain point, that shit falls flat.  If your character’s ONLY defining trait is how miserable they always are, and how much they want out of their life, and how tired they are of their life, that is a one-note character, that is a caricature, and you have officially lost my interest.  Your characters have to carry the show, okay, and that means that they have to be complete, dynamic people at all times, and THAT means that, even if it is Tragedy Train Central, they can’t just fucking mope about it okay.

AND AS LONG AS WE’RE ON THE SUBJECT, anteing up at the end of every season, raising the stakes…um, that’s an expiration-date sort of thing.  That’s not sustainable in the long-term.  That’s how you get into trouble.  Because sooner or later, you will have ante’d up past the point of rationality (*cough* SPN) and you will have really fucked up any perspective on what your character actually cares about (also see “Winchesters comma The”).  Like, all right, y’all, look, if you’re going to ante up every season, bring in a bigger threat, then you need to PACE YOURSELF.  Do NOT just go straight for “Literally the biggest bad in the universe,” do not just pit your characters against the Apocalypse and avert it outright and then just come back the next season with ANOTHER Apocalypse.  (There are times where ‘multiple Apocalypses’ can become a running joke, see: Buffy, but you gotta spotlight that shit and have your characters be blase about it, okay, if you’ve done three possible Apocalypses in a year, your characters have to treat this like just another day at work.)  Because you know what, after the fifth time I’m promised A Real Actual Facts Biblical Apocalypse that everyone is so worried about, I am going to be expecting that you shit or get off the pot.  Give me your goddamn rain of fire or S T O P.  Similarly, if you make something a huge plot point for a season or two, like one of your characters being Not What We Thought (Sam Winchester), or being Possibly Corrupted By Evil (Sam, and then Dean, and then Sam, and then Dean, and then Cas, and then I stopped watching), you need to CARRY THROUGH.  The thing I’m specifically thinking of here is the Sam thing in the first couple seasons, the whole “well he’s a hunter but also demon blood” thing that they devoted two seasons to.  Like.  You can set that up, totally, I set up a novel on that premise so I’m not going to judge, but then you need to stick to your guns.  It’s a risky move, plot-wise, because it explicitly aligns a protagonist with the Dark Side, as it were.  It’s Plot Russian Roulette.  But then you have to pull the trigger.  You can’t flinch and drop that plot point once you’ve put a lot of time and effort into it.  Because once you drop THAT alignment with the Dark Side, you’re going to feel compelled to ante up (see above) and that will get out of hand and your characters will suddenly need to ante up from SATAN, literal goddamn SATAN, and like I’m sorry but that…that’s just fucking embarrassing.

TL;DR: I have a chip on my shoulder the size of Mount Rushmore, tragedy is only interesting if it’s unusual, characters are only interesting if they’re not one-note, and go ahead and play Plot Roulette, but don’t flinch when you pull the trigger.  And SPN flunked all of these criteria, thus the chip.

(Source: starsarewishesindisguise)

If you’re a writer and you see this post, stop what you’re doing.

hsavinien:

minim-calibre:

minim-calibre:

minim-calibre:

mark-helsing:

WHENEVER YOU SEE THIS POST ON YOUR DASH, STOP WHAT YOU’RE DOING AND WRITE ONE SENTENCE FOR YOUR CURRENT PROJECT.

Just one sentence. Stop blogging for one minute and write a single sentence. It could be dialogue, it could be a nice description of scenery, it could be a metaphor, I don’t care. The point is, do it. Then, when you finish, you can get back to blogging.

If this gets viral, you might just have your novel finished by next Tuesday.

Goddamn it, it’s back.

If it stays back, I might manage to finish a third story this year. Jesus.

I swear, this is now my only writing motivation.

BACK AGAIN??? Sigh. 

Okay, sorry if anyone gets sick of this, but it’s the best way for me to get myself to write.

(via littlestartopaz)

teratomarty:

hypotheticalwoman:

klondikeaura:

citizen-zero:

So in lore, vampires have this trait that I’ve almost never seen used, and that’s the fact that vampires are OBSESSED with counting things. Like, the Count on Sesame Street was almost certainly created specifically as a vampire because of this piece of lore.

Like, I read this vampire book years and years ago that explained that a surefire way to protect yourself from vampires getting into your house was to spread a ton of seeds on your doorstep–poppy and mustard seeds were particularly recommended for the purpose. Basically, if you suspected someone to be a vampire, all you had to do was drop a sackful of seeds on the ground in front of them.

If they didn’t immediately start counting them, they were not a vampire. However, if they WERE a vampire, they’d be seized with the urge to count all the seeds and they would not budge from that spot until they knew how many seeds there were in total. The point was to keep them there until the sun came up and killed them, because if they hadn’t counted all the seeds by sunrise they wouldn’t be able to leave. Presumably you could just go about the rest of your evening as normal, though no word on whether it’s possible to make them lose count and start over.

Having remembered this piece of lore, I want fewer stories about brooding tortured Edward Cullen-esque vampires. I want to start seeing more stories about math nerd vampires.

Vampire accountants who are an honest company’s best asset and a corrupt company’s bane because they are frighteningly accurate with the accounts and will not hesitate to blow the whistle on a CEO scamming money because fuck you for making the numbers wrong.

Vampire cashiers that don’t need to look at the register screen because they already mentally calculated your total. 10-items-or-less vampires who know goddamn well you have 20 items in that basket and NO, you cannot just slip in with the rest.

Vampire math tutors who are constantly in high demand and have to hold lotteries to see who gets to be tutored by them.

MATH NERD VAMPIRES

If anyone would like the term for this, it’s arithmomania.

Incidentally most of the banks in Lost Souls-verse are run by vampires

The counting thing always seemed symptomatic of OCD, to me. Do medications work on vampires? If one bit me, would he be able to chill out on the counting for awhile?

Okay but that’s a whole other layer.  Because it’s generally accepted that, while normal meds/drugs don’t work on vampires, they WILL get some kind of transmitted effect if the person they chomp on has something in their system.

So are there, like, helpful college students on anxiety meds who are making bank by donating blood to vampires every other weekend?  Are there, like, therapists who give vampires counseling and then set them up with a human ‘meds buddy’ who’s willing to donate the occasional pint?

(via clockwork-mockingbird)

If you’re a writer and you see this post, stop what you’re doing.

hsavinien:

minim-calibre:

minim-calibre:

minim-calibre:

mark-helsing:

WHENEVER YOU SEE THIS POST ON YOUR DASH, STOP WHAT YOU’RE DOING AND WRITE ONE SENTENCE FOR YOUR CURRENT PROJECT.

Just one sentence. Stop blogging for one minute and write a single sentence. It could be dialogue, it could be a nice description of scenery, it could be a metaphor, I don’t care. The point is, do it. Then, when you finish, you can get back to blogging.

If this gets viral, you might just have your novel finished by next Tuesday.

Goddamn it, it’s back.

If it stays back, I might manage to finish a third story this year. Jesus.

I swear, this is now my only writing motivation.

BACK AGAIN??? Sigh. 

Okay, sorry if anyone gets sick of this, but it’s the best way for me to get myself to write.

(via suzukiblu)

writing-prompt-s:

As a child, you and your best friend made a pact to go on an real fantasy adventure. After growing up, starting your separate lives and families, and losing touch, one day he/she bursts into your office, throwing you a sword and insists you accompany them.

(via littlestartopaz)

Tags: ADLER writing

littlestartopaz:

writing-prompt-s:

Everybody in the world has a superpower that compliments their soulmates superpower. When together, both their powers increase in strength exponentially. You have the most useless power ever, when one day……

@words-writ-in-starlight :D does this hit enough of your weak points?

ALL OF THEM EVER

(via littlestartopaz)

blackfirewolf:

one of the most annoying things is making OCs cause like, i’ll develop their character and design but slowly they become their own thing entirely and i’m just holding the scraps of who they were supposed to be and instead they’re basically running away naked across a field while flipping me the bird 

(via dyinghistoric)

leupagus:

delphina2k:

The Crocodile Hunter style of writing involves chasing after cool-looking ideas that wander by and tackling them into submission.

I don’t recommend it for the long-term because it’s exhausting, but if there isn’t at least a LITTLE bit of Crocodile Hunter in your writing, I’m probably not going to read it.

yeah

(via skymurdock)